Cover -- modern arabic poetry -- Title -- Copyright -- Dedication -- CONTENTS -- Acknowledgments -- Note on Translation and Transliteration -- Introduction -- CHAPTER 1 The Politics and Poetics of the Modern Arab World -- CHAPTER 2 From Iltizām to Metapoetry: ʻAbd al-Wahhāb al-Bayātī -- CHAPTER 3 From Iltizām to the Arab Uprising: Aḥmad ʻAbd al-Muʻṭī Ḥijāzī -- CHAPTER 4 From Militant Iltizām to Humanist: Maḥmūd Darwīsh -- Conclusion: The Poets and Their Vocation in the Modern World -- Appendix: Interview with Aḥmad ʻAbd al-Muʻṭī Ḥijāzī -- Notes -- Bibliography -- Index
After centuries of oppressive Ottoman rule, the Arab world began to find new vitality and freedom in the twentieth century. The accompanying resurgence of creative expression is splendidly reflected in this definitive anthology of contemporary Arabic poetry, which spans the modern Arab world from the turn of the century to the present, from the Arab Gulf to Morocco. The editor, Salma Khadra Jayyusi, a renowned expert on modern Arabic literature, presents a through introduction to the works of more than ninety Arab poets. To create the best possible English translation, each selection has been translated first by a bilingual expert and then by an English-language poet, who creatively renders it into idiomatic English.
This bilingual anthology is the first attempt to present a substantial collection of contemporary Arabic poetry in the English language. It acquaints the English-speaking reader with the modern development of one of the world's major poetic traditions, and affords insight into the contemporary cultural situation of the Arab peoples. English translations of Arabic poetry have suffered from aspirations to geographic completeness of representation and excessive concern with the Neo-Classicist school. The present anthology regards poetic quality as the primary criterion of selection and displays an emphatic interest in the poets of free verse. It presents three successive generations--the Syro-Americans, the Egyptian modernist, and the poets of free-verse movement--linked together by a progressive shift from emphasis on form to emphasis on content and form a relatively detached portrayal of the outside world to a concern with the expression of individual experience. Numerous contemporary poets make their first appearance in English, some of them having written pieces specially for this anthology. It is hoped that the bilingual character of the anthology will suit it for use by students of Arabic literature. At the same time, the book is intended for a wider readership with general poetic and literary interests. An important criterion in composing the anthology was the viability of a poem, in its English translation, as a piece of literature as well as the excellence of its Arabic original; if the translators have been successful in applying this criterion, the anthology should afford much aesthetic pleasure. The work should be of considerable interest also to students of comparative literature, as it demonstrates the influence on modern Arab letters of several Western poets, notably Eliot, Yeats, and Pound. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
This translation of Nizar Kabbani's poetry is accompanied by the striking Arabic texts of the poems, penned by Kabbani especially for this collection. Kabbani was a poet of great simplicity - direct, spontaneous, musical, using the language of everyday life. He was a ceasless campaigner for women's rights, and his verses praise the beauty of the female body, and of love. He was an Arab nationalist, yet he criticized Arab dictators and the lack of freedom in the Arab world.
Alshaer's book offers a subtle and historically grounded reading of modern Arabic poetry, emphasising the aesthetic integration of politics within poetic form.
Since the late 1940s, Arabic poetry has spoken for an Arab conscience, as much as it has debated positions and ideologies, nationally and worldwide. This book tackles issues of modernity and tradition in Arabic poetry as manifested in poetic texts and criticism by poets as participants in transformation and change. It studies the poetic in its complexity, relating to issues of selfhood, individuality, community, religion, ideology, nation, class and gender. Al-Musawi also explores in context issues that have been cursorily noticed or neglected, like Shi’i poetics, Sufism, women’s poetry, and expressions of exilic consciousness. Arabic Poetry employs current literary theory and provides comprehensive coverage of modern and post-modern poetry from the 1950s onwards, making it essential reading for those with interests in Arabic culture and literature and Middle East studies.
