The Cambridge Haydn Encyclopedia
The Cambridge Haydn Encyclopedia

Author: Caryl Clark

Publisher: Cambridge University Press

Published: 2019-04-30

Total Pages: 524

ISBN-13: 9781107129016

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For well over two hundred years, Joseph Haydn has been by turns lionized and misrepresented - held up as celebrity, and disparaged as mere forerunner or point of comparison. And yet, unlike many other canonic composers, his music has remained a fixture in the repertoire from his day until ours. What do we need to know now in order to understand Haydn and his music? With over eighty entries focused on ideas and seven longer thematic essays to bring these together, this distinctive and richly illustrated encyclopedia offers a new perspective on Haydn and the many cultural contexts in which he worked and left his indelible mark during the Enlightenment and beyond. Contributions from sixty-seven scholars and performers in Europe, the Americas, and Oceania, capture the vitality of Haydn studies today - its variety of perspectives and methods - and ultimately inspire further exploration of one of western music's most innovative and influential composers.

Music's Intellectual History
Music's Intellectual History

Author: Zdravko Blažeković

Publisher: Rilm

Published: 2009

Total Pages: 968

ISBN-13:

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Personalities: music scholars. Personalities: composers. National studies. Encyclopedias. Periodicals. Historiography & its directions

Absolute Music, Mechanical Reproduction
Absolute Music, Mechanical Reproduction

Author: Arved Mark Ashby

Publisher: Univ of California Press

Published: 2010

Total Pages: 333

ISBN-13: 0520264797

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"Arved Ashby writes with a keen sense of the historical processes, ironies, and reversals that seem to characterize the ways that musicologists think about, and contemporary listeners experience, works and performance. This book is a major contribution to the burgeoning body of critical musicological literature on recordings; anybody interested in that field, or in the question of the 'artwork' in the contemporary world, needs to read this book--which fortunately, is a great pleasure to do."--Adam Krims, author of Music and Urban Geography "The relationship between classical music and recording is strangely conflicted: on the one hand recorded music is the perfect realization of aesthetic autonomy, on the other hand it commodifies music and transforms its role within society. Ashby's book offers a penetrating analysis of these cultural conflicts, showing how technological developments from the phonogram to the mp3 have changed our basic sense of what music is as well as the ways in which we consume it. What emerges from this sustained study of the relationship between technology and values is a view of classical musical culture that is both richer and truer to life."--Nicholas Cook, author of A Guide to Musical Analysis "Lively and persuasive. Ashby has the enviable, rare ability to lead the reader comfortably through highly complex material without oversimplifying. This is a must-read for composers, music theorists, performers, musicologists, critics, and anyone with an interest in classical music beyond the elementary level."--Jonathan Dunsby, author of Performing Music

Experimentalisms in Practice
Experimentalisms in Practice

Author: Ana R. Alonso-Minutti

Publisher: Oxford University Press

Published: 2018

Total Pages: 369

ISBN-13: 0190842741

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Experimentalisms in Practice explores the multiple sites in which experimentalism emerges and becomes meaningful beyond Eurocentric interpretative frameworks. Challenging the notion of experimentalism as defined in conventional narratives, contributors take a broad approach to a wide variety of Latin@ and Latin American music traditions conceived or perceived as experimental. The conversation takes as starting point the 1960s, a decade that marks a crucial political and epistemological moment for Latin America; militant and committed aesthetic practices resonated with this moment, resulting in a multiplicity of artistic and musical experimental expressions. Experimentalisms in Practice responds to recent efforts to reframe and reconceptualize the study of experimental music in terms of epistemological perspective and geographic scope, while also engaging traditional scholarship. This book contributes to the current conversations about music experimentalism while providing new points of entry to further reevaluate the field.

Translation in Russian Contexts
Translation in Russian Contexts

Author: Brian James Baer

Publisher: Routledge

Published: 2017-07-28

Total Pages: 319

ISBN-13: 131530533X

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This volume represents the first large-scale effort to address topics of translation in Russian contexts across the disciplinary boundaries of Slavic Studies and Translation Studies, thus opening up new perspectives for both fields. Leading scholars from Eastern and Western Europe offer a comprehensive overview of Russian translation history examining a variety of domains, including literature, philosophy and religion. Divided into three parts, this book highlights Russian contributions to translation theory and demonstrates how theoretical perspectives developed within the field help conceptualize relevant problems in cultural context in pre-Soviet, Soviet, and post-Soviet Russia. This transdisciplinary volume is a valuable addition to an under-researched area of translation studies and will appeal to a broad audience of scholars and students across the fields of Translation Studies, Slavic Studies, and Russian and Soviet history. Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com/books/e/9781315305356.

Practicing Gnosis
Practicing Gnosis

Author: April DeConick

Publisher: BRILL

Published: 2013-08-22

Total Pages: 581

ISBN-13: 9004248528

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Ritual, magic, liturgy, and theurgy were central features of Gnosticism, and yet Gnostic practices remain understudied. This anthology is meant to fill in this gap and address more fully what the ancient Gnostics were doing. While previously we have studied the Gnostics as intellectuals in pursuit of metaphysical knowledge, the essays in this book attempt to understand the Gnostics as ecstatics striving after religious experience, as prophets seeking revelation, as mystics questing after the ultimate God, as healers attempting to care for the sick and diseased. These essays demonstrate that the Gnostics were not necessarily trendy intellectuals seeking epistomological certainities. They were after religious experiences that relied on practices. The book is organized comparatively in a history-of-religions approach with sections devoted to Initiatory, Recurrent, Therapeutic, Ecstatic, and Philosophic Practices. This book celebrates the brilliant career of Birger A. Pearson.

Memories and Commentaries
Memories and Commentaries

Author: Igor Stravinsky

Publisher: Univ of California Press

Published: 1981-01-01

Total Pages: 212

ISBN-13: 9780520044029

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For the first time in one volume--the celebrated Stravinsky and Craft Conversations Few would dispute that Igor Stravinsky was the greatest composer of the twentieth century. Conductor and writer Robert Craft was his closest colleague and friend, and for over twenty-one years he lived with the Stravinskys in their Hollywood home. In the early 1950s he accompanied the composer on his concert tours, and from the mid-1950s to Stravinsky's death in 1971 he co-conducted his concerts. Together Stravinsky and Craft published five acclaimed collections known as the Conversations series, which sprung from informal talks between the two men. In this newly edited and re-structured one-volume version, Craft brings Stravinsky's reflections on his childhood, his family life, professional associates, and personal relationships into sharper focus and places the major compositions in their cultural milieux. The Conversations books are the only published writing attributed to Stravinsky that are actually "by him" in terms of fidelity to his thoughts and opinions, making this volume required reading for all fans and students of Stravinsky's music.

The Routledge Companion to Popular Music Analysis
The Routledge Companion to Popular Music Analysis

Author: Ciro Scotto

Publisher: Routledge

Published: 2018-09-28

Total Pages: 412

ISBN-13: 1134830858

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The Routledge Companion to Popular Music Analysis: Expanding Approaches widens the scope of analytical approaches for popular music by incorporating methods developed for analyzing contemporary art music. This study endeavors to create a new analytical paradigm for examining popular music from the perspective of developments in contemporary art music. "Expanded approaches" for popular music analysis is broadly defined as as exploring the pitch-class structures, form, timbre, rhythm, or aesthetics of various forms of popular music in a conceptual space not limited to the domain of common practice tonality but broadened to include any applicable compositional, analytical, or theoretical concept that illuminates the music. The essays in this collection investigate a variety of analytical, theoretical, historical, and aesthetic commonalities popular music shares with 20th and 21st century art music. From rock and pop to hip hop and rap, dance and electronica, from the 1930s to present day, this companion explores these connections in five parts: Establishing and Expanding Analytical Frameworks Technology and Timbre Rhythm, Pitch, and Harmony Form and Structure Critical Frameworks: Analytical, Formal, Structural, and Political With contributions by established scholars and promising emerging scholars in music theory and historical musicology from North America, Europe, and Australia, The Routledge Companion to Popular Music Analysis: Expanding Approaches offers nuanced and detailed perspectives that address the relationships between concert and popular music.