Christianity and the Culture Machine is a precedent-shattering approach to combining theories of media and culture with theology. In this intensive examination of Christianity's role in the cultural marketplace, the author argues that Christianity's inability to effectively contest the ideology of secular humanism is not a theological shortcoming, but rather a communications problem: the institutional church is too wedded to an outmoded aesthetic of Christianity to communicate effectively. Privileging authority and obedience over the egalitarian and transformative goal of Christianity, the church fails to recognize how it undermines the vitality of the Christian narrative and message. In the absence of a more compelling vision offered by the official church, a new aesthetic can be found forming within the margins of popular culture texts. Despite its past failures in representing the Bible in mainstream film and television, the culture industry now offers more compelling versions of core Christian theology without even realizing it--within the margins of the main storylines. This book analyzes the aesthetic principles employed by these appropriations and articulations of Christian discourse as a means of theorizing what a new aesthetic of Christianity might look like.
The author offers an interpretation of Mary that is theologically sound, spiritually empowering, ethically challenging, socially liberating, and ecumenically fruitful. She construes the image of Mary so as to be a source of blessing rather than blight for women's lives in both religious and political terms.
Jesus was born and raised as a Jew in first-century Palestine. A great deal of theological study has focused on the Jewish cultural and religious context of his life and ministry. It is only natural that this attention should lead us to a new approach to his mother, Mary of Nazareth. In this book, Mary Christine Athans draws on historical research, the fruits of post-Vatican II Jewish-Christian dialogue, the insights of feminist theology, and contemporary spiritual reflection to rediscover the Jewish Mary - a woman of enormous courage, strength, and prayer.
Elisabeth Schussler Fiorenza describes the theoretical and liberative theological commitments that orient her pioneering biblical scholarship, including the use of critical theory, analysis of interacting social, political, economic, and religious oppressions, and promotion of a genuinely emancipatory and democratic community of equals--in academy, church, and wider society alike.
Though they are almost completely absent from the historical record, Palestinian women were extensively involved in the unfolding national struggle in their country during the British mandate period. This history studies the development of the Palestine women's movement between 1920 and 1948.
Danya, a literate, independent-minded young woman, grows up in the village of Nazareth. Personal betrayals, social restrictions, and family tragedies crush Danya's dream of fighting to free her people from Roman domination. Instead she is married off and lives as an outsider in the sophisticated city of Sepphoris, the Roman capital of Galilee. Danya struggles to write her own life, a story woven into the political, religious, and cultural conflicts of the tumultuous world of ancient Palestine early in the first century. Her companions include some real historical and scriptural figures: Joanna, the wife of Herod's chief steward; Judah ben Hezekiah, the leader of a Galilean insurrection; Jesus, before his public life; and his mother Mary, among others. This extensively researched, fast-paced narrative has its roots in the study of the historical Jesus. However, Danya's writings give voice to the silent women of that era. Her search for a meaningful life, though unique to her world, is both universal and contemporary.