Exuberantly outspoken and charmingly free-spirited, Miriam Margolyes is indeed a remarkable human being. She was always in the forefront to raise her opinions on what she thought was wrong. From a single daughter from a Jewish descent to the most renowned actors of the country, Miriam’s journey was not as regular as clockwork. As a book for fans of the Harry Potter actress, addresses Miriam’s life accounts starting from her growth in a Jewish family, her support for Palestinians, her gender identity, her distaste for her opposite gender, her plight of being in the senile phase of life, her travel diaries, and many more. Buy the book to know much more about the most popular, bursted with controversial statements and critically acclaimed actress of the age, Miriam Margolyes.
“I have never, ever wanted to write an autobiography. The number of times I have been approached and every time I said no, no, it’s a wank” Miriam Karlin is that rare creature: a pillar of the British acting establishment who is at the same time a thoroughgoing maverick. During sixty distinguished, workaholic years of acting, she has been a West End regular and RSC company actor, a pioneering performer on live television, half of a radio double-act with Peter Sellers, a stand-up comic, a scene-stealing character actor in such films as The Entertainer and A Clockwork Orange, and, of course, the truculent, whistle-blowing shop steward Paddy in the long-running TV sitcom The Rag Trade, with her catchphrase “Everybody Out!” Parallel to her career as an actor are her lifelong socialist beliefs, her unerring sense of justice and her political activism. Miriam’s life also has been a long battle against addiction; to alcohol, prescription drugs, gambling, cigarettes, and dieting (she recently revealed herself in the Observer as “the world’s oldest bulimic”) challenges she describes in Some Sort of a Life with great humour and irreverence. Dictated to Jan Sargent as Miriam was recovering from mouth cancer (an experience she describes in a chapter typically entitled ‘Sans teeth, sans f ckin’ everything’) she is compellingly candid about the people in her life: her family (part of which perished in the holocaust), her friends and the eminent figures she has worked with, such as Laurence Olivier, Peter Sellars, Stanley Kubrick, Tony Hancock and Barry Humphries. Above all though, she is utterly honest about herself: her love affairs and abortions, her battles with eating disorders and illness, her gradual disillusionment with the Labour Party and the state of Israel, and her own compulsive nature, which accounts for many of the highs and lows of her fascinating life. Some Sort of a Life is an autobiography refreshingly free of self-justification and recrimination, and full of the passion and earthy humour of one of our finest character actors.
Her faith takes her across the world and into the path of a most extraordinary man. Freshly arrived in East Africa, Emma Pickering is instantly drawn to Adam King. The rugged cowboy is as compelling as he is mysterious. And if he'll agree to a marriage of convenience, it would solve both their problems. Emma could secure her inheritance—and with it, her chance to find her sister. Adam could gain the funds needed to carve his ranch out of the savanna. Yet their match is anything but "convenient" when Emma's fears gain hold, and malicious whispers threaten to tear the couple apart. Only their love and shared faith can save their life together.
Bringing together scholars from film and television studies, media and cultural studies, literary studies, medical humanities, and disability studies, Discourses of Care collectively examines how the analysis of media texts and practices can contribute to scholarship on and understandings of health and social care, and how existing research focusing on the ethics of care can inform our understanding of media. Featuring a critical introductory essay and 13 specially commissioned original chapters, this is the first edited collection to address the relationship between media and the concept and practice of care and caregiving. Contributors consider the representation of care and caregiving through a range of forms and practices – the television documentary, photography, film, non-theatrical cinema, tabloid media, autobiography, and public service broadcasting - and engage with the labour, as well as the practical and ethical dimensions of media production. Together, they offer an original and wide ranging exploration of the various ways in which media forms represent, articulate and operate within caring relationships and practices of care; whether this is between individuals, communities as well as audiences and institutions.
A titillating, backstabbing look at what happens when three women’s lives intersect with the same objective: get that perfect man, no matter what. On the outside, Aruba Dixon has a life other women envy: a beautiful home, her handsome husband, James, and a gorgeous son. Inside, Aruba knows the truth. When her husband quits his fifth job in seven months, she’s done. She thought that after ten years of marriage, there would be more to show for it. Aruba wants a better husband, and she has the perfect man in mind—her friend Victoria’s husband. Victoria Faulk is a head-turning stunner—and she tells herself so every day. Between shopping, assigning tasks to her nanny, and making sure her daughter doesn’t smudge the walls of her million-dollar home, Victoria can’t find the time to have sex with her husband. But when he grows distant, Victoria backpedals to the good old days to regain his affection. Will it be too late? Tawatha Gipson feels it’s high time she found a husband. So do her four children by four different men. Each time Tawatha thought she’d snagged a ring and a man, something goes wrong. When she spots James Dixon at the jobsite, she’s determined to have him by any means necessary. As these women’s lives intersect and collide, they learn the grass is greener on the other side—but it isn’t always easy to hop the fence.
This is an author who has been there and seen it all. As a multiple world champion, and former president of the World Bridge Federation, no one is better placed to discuss the big issues that face the game today. He can talk authoritatively about cheating at the top levels of the game, destructive bidding systems, sponsorship, professional players, and the other big issues - and he does. He opens the closets of the bridge world, and shows us the skeletons inside that no one wants to talk about. Wolff names names: as the title implies, he has always been prepared to call a spade and let the chips fall where they may. Wolff describes his own life and career in bridge with a brutally honest and emotional appraisal. This book will receive major review attention, and will be as controversial as one would expect a book from this author to be.
Miriam Hopkins (1902--1972) first captured moviegoers' attention in daring precode films such as Dr. Jekyll and Mr. Hyde (1931), The Story of Temple Drake (1933), and Ernst Lubitsch's Trouble in Paradise (1932). Though she enjoyed popular and critical acclaim in her long career -- receiving an Academy Award nomination for Becky Sharp (1935) and a Golden Globe nomination for The Heiress (1949) -- she is most often remembered for being one of the most difficult actresses of Hollywood's golden age. Whether she was fighting with studio moguls over her roles or feuding with her avowed archrival, Bette Davis, her reputation for temperamental behavior is legendary. In the first comprehensive biography of this colorful performer, Allan R. Ellenberger illuminates Hopkins's fascinating life and legacy. Her freewheeling film career was exceptional in studio-era Hollywood, and she managed to establish herself as a top star at Paramount, RKO, Goldwyn, and Warner Bros. Over the course of five decades, Hopkins appeared in thirty-six films, forty stage plays, and countless radio programs. Later, she emerged as a pioneer of TV drama. Ellenberger also explores Hopkins's private life, including her relationships with such intellectuals as Theodore Dreiser, Dorothy Parker, Gertrude Stein, and Tennessee Williams. Although she was never blacklisted for her suspected Communist leanings, her association with these freethinkers and her involvement with certain political organizations led the FBI to keep a file on her for nearly forty years. This skillful biography treats readers to the intriguing stories and controversies surrounding Hopkins and her career, but also looks beyond her Hollywood persona to explore the star as an uncompromising artist. The result is an entertaining portrait of a brilliant yet underappreciated performer.
It is 1908 when white master, Robert Fox, and his Negro servant, Wilma, welcome their daughter, Millie, into the world. Five years later, Robert and Wilma set a wedding date. But the night before the celebration, the KKK races down the hill to the plantation where they place a noose around Wilmas neck. With moments to spare, Robert sends Millie down an underground tunnel to seek refuge with his cousin in Texas. The plantation burns to the ground, leaving no survivors. Soon, Millie and her Negro protectors arrive at the house of Judge Zacharias Maverick where the girl remains hidden, goes by Esther, and suffers abuse at the hands of the judge. But when Maverick is murdered, Millie leaves her oppressive past behind and flees Texas with sharecropper Sam Clark. As the Great Depression, drugs, and civil strife dominate Americas twentieth century, Sam, Millie, and other Negros must begin anew in the ghettos of the northern cities where nothing is certain. In this novel rich in folklore and history, two Negroes flee the Jim Crow south to seek freedom, only to encounter new injustices and cruelty in the north that test their love, perseverance, and inner-strength.
