Pondering now the being and nature of God, now the mystery of time, now the assault of contemporary lifestyles on the natural world, R. S. Thomas’s poetry and prose reflect his Welsh heritage and his determination to be Welsh. Moved by his own personal attraction to the work of Thomas and guided by his careful reading of it, William V. Davis brings us this excellent collection of essays exploring the distinguished yet controversial poet-priest. In the autobiographical essay, Thomas reveals his passion for his homeland and his ever-present hunger for spiritual and natural exploration: As I stood in the sun and the sea wind, with my shadow falling upon those rocks, I certainly was reminded of the transience of human existence, and my own in particular. As Pindar put it: “A dream about a shadow is man.” I began to ponder more the being and nature of God and his relation to the late twentieth-century situation, which science and technology had created in the western world. Where did the ancient world of rock and ocean fit into an environment in which nuclear physics and the computer were playing an increasingly prominent part? . . .
Literature reveals that the hidden strings of the human `passional soul' are the creative source of the specifically human existence. Continuing the inquiry into the `elemental passions of the soul' and the Human Creative Soul pursued in several previous volumes of this series, the present volume focuses on the `passions of the earth', bringing to light some of the primogenital existential threads of the innermost bonds of the Human Condition and mother earth. In Tymieniecka's words, the studies purpose to unravel the essential bond between the living human being and the earth - a bond that lies at the heart of our existence. A heightened awareness of this bond should enlighten our situation and help us find our existential bearings.
R. S. Thomas is recognised globally as one of the major poets of the twentieth century. Such detailed attention as has been paid to the religious dimensions of his work has, however, largely limited itself to such matters as his obsession with the ‘absent God’, his appalled fascination with the mixed cruelty and wonder of a divinely created world, his interest in the world-view of the ‘new physics’, and his increasingly heterodox stance on spiritual matters. What has been largely neglected is his central indebtedness to key features of the ‘classic’ Christian tradition. This book concentrates on one powerful and compelling example of this, reading Thomas’s great body of religious work in the light of the three days that form the centre of the Gospel narrative; the days which tell of the death, entombment and resurrection of Christ.
R. S. Thomas (1913-2000) is the most recognizable literary figure in twentieth-century Wales. His controversial politics and public personality made him a cultural icon during his life, and the merits of his poetry have continued to be debated in the years after his death. Yet these debates have too-often circled familiar ground, returning to the assumed personality of the poet or to the received narrative of his experience. Even the best studies have focused almost exclusively on ideas and themes. As a result, the poetry itself has frequently been marginalized. This book argues that Thomas’s reputation must be grounded in poetry, not personality. Unlike traditional literary biography, which combines historical facts with the conventions of narrative in an attempt to understand the life of a literary figure, this stylistic biography focuses on the essential relationship between the maker and the made object, giving priority to the latter. R. S. Thomas began his career by writing sugary, derivative lyrics inspired by Palgrave’s Golden Treasury, yet he ended it as a form-seeking experimentalist. This study guides the reader through that journey, tracing Thomas’s stylistic evolution over six decades. In so doing, it asserts a priority: not to look at poetry, as many have, as a way of affirming existing notions about an iconic R. S. Thomas, but to come to terms with the tensions within him as they reveal themselves in the tensions – rhythmic, linguistic, structural – of the poetry itself.
Popular anthologies hold that the Romantic Era in Great Britain ended promptly in 1832 and that the early Twentieth Century was the time of Modernism and the rejection of the Romantic in British letters. However, in Wales, just the opposite was true. This study traces the work of poets and novelists in Wales in the early- to mid-Twentieth Century who all found their poetic master to be William Wordsworth. In the early part of the century, W. H. Davies, John Cowper Powys and Huw Menai – a tramp, a mystic novelist and a coal miner – produce novels and poetry with Wordsworth as their acknowledged master. By mid-century, Idris Davies, a coal miner turned teacher, R. S. Thomas, an Anglican priest, and Leslie Norris, another teacher, are writing in the “mountainous shadow of William Wordsworth.” While the literary lights of London are leading the Modernist revolution, in Wales, the inspiration is still the English poet, Wordsworth. This study will illuminate this flare up of Romanticism, and show the way in which Romanticism re-emerges from unexpected quarters.
The Victoria System is Eric Reinhardt's acclaimed and controversial French bestseller. LONGLISTED FOR THE IMPAC DUBLIN LITERARY AWARD. NOMINATED FOR THE PRIX GONCOURT, THE PRIX RENAUDOT AND THE GRAND PRIX DU ROMAN DE L'ACADEMIE FRANCAISE David Kolski never sleeps with the same woman twice - apart from his wife. Then he meets Victoria. Head of people at a multinational company, by day she is a ruthless executive in a lightning-paced, high-pressured whirlwind of power and productivity. By night she likes good wine, luxurious hotel rooms, and abandoning herself to her sexual fantasies. David is soon addicted. Under crushing pressure at work to oversee the construction of a huge Paris tower-block in near-impossible circumstances, he takes new vigour and inspiration from his hard-headed capitalist lover. He works harder, faster and better, and then escapes to indulge in the most intense sexual passion he's ever experienced. But when Victoria offers to use her position to help him in his career, a dark shadow falls over their affair. Is she really capable of helping anyone other than herself, or is she hiding something from him? And who are the two men in the Audi he keeps seeing, always a few cars behind him? Complex, compelling and ambitiously structured, The Victoria System is a daringly sensual story of an obsession. Part erotica; part thriller; part novel of ideas, like a series of slightly angled mirrors held up to our globalised, capitalist society, the twists and turns of its narrative create a dazzling interplay of reflections and compel us to question the assumptions and forces of our modern world. 'Dark, twisted and devastating. . . A big novel of amorous adventures in the era of the blackberry. Eric Reinhardt is the new Alexandre Dumas' Nouvel Observateur 'Erotic, raw, violent and vertiginous . . . We often accuse French writers of navel-gazing and ignoring the world around them, but Eric Reinhardt is one of those who gives the lie to this cliché' Emmanuel Carrère, author of Limonov 'Part classic, part tragedy, part thriller: Eric Reinhardt merges genres and invokes elusive echoes in this highly contemporary novel of a rare depth' Libération 'The Victoria System is a fantastic and sensual modern thriller, like nothing I've ever read' Christian Louboutin 'A powerful novel about the philosophical and moral consequences of ultra-liberalism, and a subtle reflection on the urges of the powerful' Marianne Éric Reinhardt is one of the rising stars of French literature. He is the author of five novels and also a freelance publisher of art books. He lives and works in Paris. The Victoria System was first published in French in 2011 and was nominated for the Prix Goncourt, the Prix Renaudot and the Grand Prix du Roman de l'Académie Française. It is Éric Reinhardt's first novel to be translated into English. Sam Taylor is the English-language translator of HHhH, by Laurent Binet, and the author of the novels The Island at the End of the World, The Amnesiac and The Republic of Trees. He lives in France and the United States.
