In the second half of the 1980s Japan has emerged as one of the new major destination countries for migrants from Asia. The migrant labour pool was then joined by Japanese descendants from South American countries in the 1990s. Japan's policy of keeping the labour market closed to foreign unskilled workers has remained unchanged despite the 1990 immigration policy reform, which met the growing need for unskilled labour not by opening the 'front-door' to unskilled workers but by letting them in through intentionally-provided 'side-doors'. This book throws light on various aspects of migration flows to Japan and the present status of migrant workers as conditioned by Japan's immigration control system. The analysis aims to explore how the massive arrival of migrants affected Japan's immigration policy and how the policy segmented the foreign labour market in Japan.
Since the mid-1980s, Japan has become one of the major destinations for foreign migrant workers. Despite the recession, the number of overstayers has remained constant. This book explores the emergence of the social, economic, and political influences exerted by foreign migrants on Japanese society in the 1990s.
Japan and Global Migration brings together current research on foreign workers and households from a variety of different perspectives. This influx has had a substantial impact on Japan's economic, social and political landscape. The book asks three major questions: whether the recent wave of migration constitutes a new multicultural age challenging Japan's identity as homogenous society; how foreign workers confront the many difficulties living in Japan; how Japanese society is both resisting and accommodating the growing presence of foreign workers in their communities. This book contains the most up to date, original data on Japanese migrant culture available. Its inescapable conclusion is that the multicultural age has finally come to Japan; the question is whether foreign workers will be legally and socially assimilated into the fabric of Japanese society or will continue to be treated as temporary entrants with limited civil rights. The book is written with postgraduate students in Asian studies, Japanese studies, political science, sociology, anthropology and migration studies, in mind.
With a focus on Brazilian migrant workers in Japan, this study produces a comprehensive picture of the forces driving transnational labor migration, both in the countries of origin of foreign workers and within Japan. How are Japan's labor institutions changing under globalization? What are the implications of these changes for the lives of people in Japan? Asking these and other questions, the book demonstrates how Japan's labor shortage has established a 'trans-national employment system' and shows that globalization is 'the very cause of the breaking up of Japan as a middle class society.' It also discusses the impact of concepts of nationality and family registration on the lives of foreign-born workers of Japanese descent within Japan. *** "Migrant Workers in Contemporary Japan has much to contribute to the study of transnational labour migration to Japan. Of particular importance are Tanno's efforts to combine various original sources in order to generate a more comprehensive and empirically grounded analysis for understanding the transnational employment system under conditions of globalization. ...an important resource for researchers, activists and policy makers who are interested in global labour migration and the politics of contemporary Japan." - Pacific Affairs, Vol. 88, No. 2, June 2015 (Series: Japanese Society) [Subject: Sociology, Asian Studies, Japanese Studies, Brazilian Studies, Migration Studies, Labor Studies, Globalization]
Spend time in New York City and, soon enough, you will encounter some of the Japanese nationals who live and work there—young English students, office workers, painters, and hairstylists. New York City, one of the world’s most vibrant and creative cities, is also home to one of the largest overseas Japanese populations in the world. Among them are artists and designers who produce cutting-edge work in fields such as design, fashion, music, and art. Part of the so-called “creative class” and a growing segment of the neoliberal economy, they are usually middle-class and college-educated. They move to New York for anywhere from a few years to several decades in the hope of realizing dreams and aspirations unavailable to them in Japan. Yet the creative careers they desire are competitive, and many end up working illegally in precarious, low paying jobs. Though they often migrate without fixed plans for return, nearly all eventually do, and their migrant trajectories are punctuated by visits home. Japanese New York offers an intimate, ethnographic portrait of these Japanese creative migrants living and working in NYC. At its heart is a universal question—how do adults reinvent their lives? In the absence of any material or social need, what makes it worthwhile for people to abandon middle-class comfort and home for an unfamiliar and insecure life? Author Olga Sooudi explores these questions in four different venues patronized by New York’s Japanese: a grocery store and restaurant, where hopeful migrants work part-time as they pursue their ambitions; a fashion designer’s atelier and an art gallery, both sites of migrant aspirations. As Sooudi’s migrant artists toil and network, biding time until they “make it” in their chosen industries, their optimism is complicated by the material and social limitations of their lives. The story of Japanese migrants in NYC is both a story about Japan and a way of examining Japan from beyond its borders. The Japanese presence abroad, a dynamic process involving the moving, settling, and return to Japan of people and their cultural products, is still underexplored. Sooudi’s work will help fill this lacuna and will contribute to international migration studies, to the study of contemporary Japanese culture and society, and to the study of Japanese youth, while shedding light on what it means to be a creative migrant worker in the global city today.
Immigrant Japan? Sounds like a contradiction, but as Gracia Liu-Farrer shows, millions of immigrants make their lives in Japan, dealing with the tensions between belonging and not belonging in this ethno-nationalist country. Why do people want to come to Japan? Where do immigrants with various resources and demographic profiles fit in the economic landscape? How do immigrants narrate belonging in an environment where they are "other" at a time when mobility is increasingly easy and belonging increasingly complex? Gracia Liu-Farrer illuminates the lives of these immigrants by bringing in sociological, geographical, and psychological theories—guiding the reader through life trajectories of migrants of diverse backgrounds while also going so far as to suggest that Japan is already an immigrant country.
Asian Migrant Workers in the Arab Gulf States (edited by Masako Ishii, Naomi Hosoda, Masaki Matsuo and Koji Horinuki) examines how nationals and migrants construct new relationships in the segregated socioeconomic spaces of the region (namely, Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the United Arab Emirates). Instead of assuming that segregation is disadvantageous for migrant workers, it emphasizes multiple aspects and presents various voices. In this way, the book tries to unfold the region’s segregated socioeconomic space, as well as its new forms of networking and connectedness, in order to understand how the various peoples coexist: a situation that often entails conflict and discrepancies between expectations and reality.
How does an extended stay in Japan influence Indian migrants’ sense of their identity as they adapt to a country very different from their own? The number of Indians in Japan is increasing. The links between Japan and India go back a long way in history, and the intricacy of their cultures is one of the many factors they have in common. Japanese culture and customs are among the most distinctive and complex in the world, and it is often difficult for foreigners to get used to them. Wadhwa focuses on the Indian Diaspora in Tokyo, analysing their lives there by drawing on a wealth of interviews and extensive participant observation. She examines their lifestyles, fears, problems, relations and expectations as foreigners in Tokyo and their efforts to create a 'home away from home' in Japan. This book will be of great interest to anthropologists and sociologists concerned with the impact of migration on diaspora communities, especially those focused on Japan, India or both.
Between 1886 and 1924 thousands of Japanese journeyed to Hawaii to work the sugarcane plantations. First the men came, followed by brides, known only from their pictures, for marriages arranged by brokers. This book tells the story of two generations of plantation workers as revealed by the clothing they brought with them and the adaptations they made to it to accommodate the harsh conditions of plantation labor. Barbara Kawakami has created a vivid picture highlighted by little-known facts gleaned from extensive interviews, from study of preserved pieces of clothing and how they were constructed, and from the literature. She shows that as the cloth preferred by the immigrants shifted from kasuri (tie-dyed fabric from Japan) to palaka (heavy cotton cloth woven in a white plaid pattern on a dark blue background) so too their outlooks shifted from those of foreigners to those of Japanese Americans. Chapters on wedding and funeral attire present a cultural history of the life events at which they were worn, and the examination of work, casual, and children's clothing shows us the social fabric of the issei (first-generation Japanese). Changes that occurred in nisei (second-generation) tradition and clothing are also addressed. The book is illustrated with rare photographs of the period from family collections.
