Metaphorical Imagination

Metaphorical Imagination

Author: Muhammad Tanweer Abdullah

Publisher: Cambridge Scholars Publishing

Published: 2016-12-14

Total Pages: 270

ISBN-13: 1443855561

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This book tells the story of an intellectual journey with metaphor. It questions the basis of evidence in social research, especially the 21st century fallacies surrounding it. Metaphor itself serves as the story-teller here. As the book shows, social research evidence is hidden deep inside metaphor, and is uncovered by the use of the social research method. Through research we make methodological compromises to ensure our intellectual survival. It also highlights that all truth-values are embodied, paradoxical, metaphorical, and postdisciplinary, and that ethically responsible research is possible only within embodied cognition of a research problem. A researcher’s spatiotemporal context converges and diverges across a body cell to the celestial universe, and from all-realist human history to all-forthcoming, over a momentary fee will, as one embodied cognition. Building upon embodiment philosophy, alethic hermeneutics, critical social theory, and ethical intuitivism, the text revisits the epistemology and ontology of evidence and challenges the dualist norms of social research, points to the failings, and flags up directions for researchers who take evidence seriously. It introduces a cognitive methodology in social research that creates a normative balance for an experiential-intuitive approach to ethically responsible social research. It also claims a unique cognitive schema—the prodigal-within-prodigy paradox, which unifies the traditional theory of metaphor and the post-1980s cognitive theory of metaphor, characterised by mutuality in divergence and convergence of research evidence.


Metaphorical Imagination

Metaphorical Imagination

Author: Muhammad Tanweer Abdullah

Publisher:

Published: 2016

Total Pages: 252

ISBN-13: 9781443899857

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This book tells the story of an intellectual journey with metaphor. It questions the basis of evidence in social research, especially the 21st century fallacies surrounding it. Metaphor itself serves as the story-teller here. As the book shows, social research evidence is hidden deep inside metaphor, and is uncovered by the use of the social research method. Through research we make methodological compromises to ensure our intellectual survival. It also highlights that all truth-values are embodied, paradoxical, metaphorical, and postdisciplinary, and that ethically responsible research is possible only within embodied cognition of a research problem. A researchers spatiotemporal context converges and diverges across a body cell to the celestial universe, and from all-realist human history to all-forthcoming, over a momentary fee will, as one embodied cognition. Building upon embodiment philosophy, alethic hermeneutics, critical social theory, and ethical intuitivism, the text revisits the epistemology and ontology of evidence and challenges the dualist norms of social research, points to the failings, and flags up directions for researchers who take evidence seriously. It introduces a cognitive methodology in social research that creates a normative balance for an experiential-intuitive approach to ethically responsible social research. It also claims a unique cognitive schemathe prodigal-within-prodigy paradox, which unifies the traditional theory of metaphor and the post-1980s cognitive theory of metaphor, characterised by mutuality in divergence and convergence of research evidence.


Cuba in the American Imagination

Cuba in the American Imagination

Author: Louis A. Pérez Jr.

Publisher: Univ of North Carolina Press

Published: 2008-08-15

Total Pages: 348

ISBN-13: 0807886947

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For more than two hundred years, Americans have imagined and described Cuba and its relationship to the United States by conjuring up a variety of striking images--Cuba as a woman, a neighbor, a ripe fruit, a child learning to ride a bicycle. Louis A. Perez Jr. offers a revealing history of these metaphorical and depictive motifs and discovers the powerful motives behind such characterizations of the island as they have persisted and changed since the early nineteenth century. Drawing on texts and visual images produced by Americans ranging from government officials, policy makers, and journalists to travelers, tourists, poets, and lyricists, Perez argues that these charged and coded images of persuasion and mediation were in service to America's imperial impulses over Cuba.


Metaphors We Live By

Metaphors We Live By

Author: George Lakoff

Publisher: University of Chicago Press

Published: 2008-12-19

Total Pages: 292

ISBN-13: 0226470997

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The now-classic Metaphors We Live By changed our understanding of metaphor and its role in language and the mind. Metaphor, the authors explain, is a fundamental mechanism of mind, one that allows us to use what we know about our physical and social experience to provide understanding of countless other subjects. Because such metaphors structure our most basic understandings of our experience, they are "metaphors we live by"—metaphors that can shape our perceptions and actions without our ever noticing them. In this updated edition of Lakoff and Johnson's influential book, the authors supply an afterword surveying how their theory of metaphor has developed within the cognitive sciences to become central to the contemporary understanding of how we think and how we express our thoughts in language.


Thinking of Others

Thinking of Others

Author: Ted Cohen

Publisher: Princeton University Press

Published: 2012-04-08

Total Pages: 102

ISBN-13: 0691154465

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In Thinking of Others, Ted Cohen argues that the ability to imagine oneself as another person is an indispensable human capacity--as essential to moral awareness as it is to literary appreciation--and that this talent for identification is the same as the talent for metaphor. To be able to see oneself as someone else, whether the someone else is a real person or a fictional character, is to exercise the ability to deal with metaphor and other figurative language. The underlying faculty, Cohen argues, is the same--simply the ability to think of one thing as another when it plainly is not. In an engaging style, Cohen explores this idea by examining various occasions for identifying with others, including reading fiction, enjoying sports, making moral arguments, estimating one's future self, and imagining how one appears to others. Using many literary examples, Cohen argues that we can engage with fictional characters just as intensely as we do with real people, and he looks at some of the ways literature itself takes up the question of interpersonal identification and understanding. An original meditation on the necessity of imagination to moral and aesthetic life, Thinking of Others is an important contribution to philosophy and literary theory.


God and the Creative Imagination

God and the Creative Imagination

Author: Paul Avis

Publisher: Routledge

Published: 2013-01-11

Total Pages: 197

ISBN-13: 1134609388

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'A mere metaphor', 'only symbolic', 'just a myth' - these tell tale phrases reveal how figurative language has been cheapened and devalued in our modern and postmodern culture. In God and the Creative Imagination, Paul Avis argues the contrary: we see that actually, metaphor, symbol and myth, are the key to a real knowledge of God and the sacred. Avis examines what he calls an alternative tradition, stemming from the Romantic poets Blake, Wordsworth and Keats and drawing on the thought of Cleridge and Newman, and experience in both modern philosophy and science. God and the Creative Imagination intriguingly draws on a number of non-theological disciplines, from literature to philosophy of science, to show us that God is appropriately likened to an artist or poet and that the greatest truths are expressed in an imaginative form. Anyone wishing to further their understanding of God, belief and the imagination will find this an inspiring work.


Metaphors We Live By

Metaphors We Live By

Author: George Lakoff

Publisher: University of Chicago Press

Published: 1980-11-01

Total Pages: 256

ISBN-13: 9780226468006

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The now-classic Metaphors We Live By changed our understanding of metaphor and its role in language and the mind. Metaphor, the authors explain, is a fundamental mechanism of mind, one that allows us to use what we know about our physical and social experience to provide understanding of countless other subjects. Because such metaphors structure our most basic understandings of our experience, they are "metaphors we live by"—metaphors that can shape our perceptions and actions without our ever noticing them. In this updated edition of Lakoff and Johnson's influential book, the authors supply an afterword surveying how their theory of metaphor has developed within the cognitive sciences to become central to the contemporary understanding of how we think and how we express our thoughts in language.


Imagination, Metaphor and Mythopeiea in Wordsworth, Shelley and Keats

Imagination, Metaphor and Mythopeiea in Wordsworth, Shelley and Keats

Author: Firat Karadas

Publisher: Peter Lang

Published: 2008

Total Pages: 192

ISBN-13: 9783631582367

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The book studies metaphor, myth and their imaginative aspects in the poetry of William Wordsworth, Percy Bysshe Shelley and John Keats. Relying on Kantian, Romantic, Neo-Kantian and modern ideas of imagination, metaphor and myth, the book proposes that imagination is an inherently metaphorizing and mythologizing faculty because the act of perception is an act of giving form to natural phenomena and seeing similitude in dissimilitude, which are basically metaphorical and mythological acts. Studying selected poems, the author explores how in its form-giving activity the imagination of the speaking subject 'mythologizes' and 'metaphorizes' by seeing objects of nature as spiritual, animate or divine beings and thus transforming them into the alien territory of myth. Myth and metaphor are analyzed in these poems mainly in two regards: first, myth and metaphor are handled as inborn aspects of imagination and perception, and the interaction between nature and imagination is presented as the origin of all mythology; second, to show how myth is re-created time and again by poetic imagination, Romantic mythography and re-creation of precursor mythologies are analyzed.


Metaphor and Imagination in Medieval Jewish Thought

Metaphor and Imagination in Medieval Jewish Thought

Author: Dianna Lynn Roberts-Zauderer

Publisher: Springer Nature

Published: 2019-12-12

Total Pages: 275

ISBN-13: 3030294226

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This book reveals how Moses ibn Ezra, Judah Halevi, Moses Maimonides, and Shem Tov ibn Falaquera understood metaphor and imagination, and their role in the way human beings describe God. It demonstrates how these medieval Jewish thinkers engaged with Arabic-Aristotelian psychology, specifically with regard to imagination and its role in cognition. Dianna Lynn Roberts-Zauderer reconstructs the process by which metaphoric language is taken up by the imagination and the role of imagination in rational thought. If imagination is a necessary component of thinking, how is Maimonides’ idea of pure intellectual thought possible? An examination of select passages in the Guide, in both Judeo-Arabic and translation, shows how Maimonides’ attitude towards imagination develops, and how translations contribute to a bifurcation of reason and imagination that does not acknowledge the nuances of the original text. Finally, the author shows how Falaquera’s poetics forges a new direction for thinking about imagination.


Metaphor and Musical Thought

Metaphor and Musical Thought

Author: Michael Spitzer

Publisher: University of Chicago Press

Published: 2015-12-21

Total Pages: 393

ISBN-13: 022627943X

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"The scholarship of Michael Spitzer's new book is impressive and thorough. The writing is impeccable and the coverage extensive. The book treats the history of the use of metaphor in the field of classical music. It also covers a substantial part of the philosophical literature. The book treats the topic of metaphor in a new and extremely convincing manner."-Lydia Goehr, Columbia University The experience of music is an abstract and elusive one, enough so that we're often forced to describe it using analogies to other forms and sensations: we say that music moves or rises like a physical form; that it contains the imagery of paintings or the grammar of language. In these and countless other ways, our discussions of music take the form of metaphor, attempting to describe music's abstractions by referencing more concrete and familiar experiences. Michael Spitzer's Metaphor and Musical Thought uses this process to create a unique and insightful history of our relationship with music—the first ever book-length study of musical metaphor in any language. Treating issues of language, aesthetics, semiotics, and cognition, Spitzer offers an evaluation, a comprehensive history, and an original theory of the ways our cultural values have informed the metaphors we use to address music. And as he brings these discussions to bear on specific works of music and follows them through current debates on how music's meaning might be considered, what emerges is a clear and engaging guide to both the philosophy of musical thought and the history of musical analysis, from the seventeenth century to the present day. Spitzer writes engagingly for students of philosophy and aesthetics, as well as for music theorists and historians.