"Features: Techniques, scales, modes, patterns and sequences for death metal guitarists ; Sample riffs in the styles of Death, Opeth, Meshuggah, and more! ; Covers classic, melodic, and progressive death metal ; Detailed breakdown of picking styles, including alternate, tremolo, sweep, economy, and cross picking ; Lessons in bending, tapping, pick harmonics, string crossing, rhythm, and odd time signatures. Includes CD with over 50 minutes of authentic and powerful demonstrations." -- front cover.
Metal Music Notes with the Metal Hand / Devil Horns Metal Music Notebook With The Metal Hand Journal Diary Planner Gift For Metalheads & Metal Music Lovers (6" x 9", 120 Pages, Lined) Perfect Gift Idea For Birthday & Christmas Metal Hand Notebook - Are you a fan of real metal music, love rock music and the devil horns? You can't get enough of handmade guitar bass & drums music? Get ready for the best heavy death and black metal music festival. This metal notebook is a great birthday present, Christmas present or a nice gift idea for any rock music occasion. Perfect for all the rockstars in your family, mother, father, brother, sister, aunt, uncle for birthday, for Christmas and the summer festivals. Funny Rock & Metal Music Notebooks For Metalheads. Metal Music For Real Music Lovers Devil Horns Metal.
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(Guitar Recorded Versions). 25 authentic transcriptions with notes and tablature from the extensive career of these British metal masters that first came onto the scene in 1975. Songs: Aces High * Blood Brothers * Can I Play with Madness * Caught Somewhere in Time * Children of the Damned * Dance of Death * Fear of the Dark * Hallowed Be Thy Name * Iron Maiden * The Number of the Beast * The Phantom of the Opera * Powerslave * The Prisoner * Run to the Hills * Running Free * Seventh Son of a Seventh Son * Stranger in a Strange Land * The Trooper * 22, Acacia Ave. * Two Minutes to Midnight * Wasted Years * Wasting Love * Where Eagles Dare * Wicker Man * Wrathchild.
While the growing field of scholarship on heavy metal music and its subcultures has produced excellent work on the sounds, scenes, and histories of heavy metal around the world, few works have included a study of gender and sexuality. This cutting-edge volume focuses on queer fans, performers, and spaces within the heavy metal sphere, and demonstrates the importance, pervasiveness, and subcultural significance of queerness to the heavy metal ethos. Heavy metal scholarship has until recently focused almost solely on the roles of heterosexual hypermasculinity and hyperfemininity in fans and performers. The dependence on that narrow dichotomy has limited heavy metal scholarship, resulting in poorly critiqued discussions of gender and sexuality that serve only to underpin the popular imagining of heavy metal as violent, homophobic and inherently masculine. This book queers heavy metal studies, bringing discussions of gender and sexuality in heavy metal out of that poorly theorized dichotomy. In this interdisciplinary work, the author connects new and existing scholarship with a strong ethnographic study of heavy metal’s self-identified queer performers and fans in their own words, thus giving them a voice and offering an original and ground-breaking addition to scholarship on popular music, rock, and queer studies.
Includes interviews with band members and fans, from countries ranging from the UK and US to Israel and Sweden, this book demonstrates the power and subtlety of an often surprising and misunderstood musical form. It draws on first-hand research to explore the global extreme metal scene.
Since its beginnings over fifty years ago, metal music has grown in popularity worldwide, not only as a musical culture but as a recognised field of study. This Companion, grounded in recent research, explores the various musical styles and cultures of metal, providing a reliable resource for students and researchers.
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