Renato Severino. Building in the western hemisphere. 1959-1989

Renato Severino. Building in the western hemisphere. 1959-1989

Author: Renato Severino

Publisher: Altralinea Edizioni

Published: 2016-09-06

Total Pages: 210

ISBN-13: 8898743823

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Renato Severino, architect, graduated in the Fifties at the University of Florence with Adalberto Libera, started a shining career very young, thanks to his high-level skill that made him enter the upper range of italian architectural teams of that period. He worked with Adalberto Libera and Pier Luigi Nervi and, in 1964, at just 34 years old, he designed the Sub-Saharan Africa’s largest university campus in Cape Coast, Ghana. His interest in light technology led him to build the Italsider’s resort of Cesana Torinese (1963), one of the first responsive high-tech architecture in Italy. In the United States, where he moved in 1968, his professional activity gained a worldwide extension, with works in America, Latin America, Africa and Europe. He published and researched extensively on sustainability and industrialized systems. In 1970 he wrote Equipotential Space. Freedom in Architecture, a passionate vision of architecture and technology as a means to enable society to shape and control the environment. Severino’s architecture and his research into new urban configurations make him an architect ahead of his time, who has envisaged many ongoing and future concerns. His work and his vision of the future enrich the history of architecture with yet another protagonist who has challenged Modernism beyond the boundaries of its time. This is his first autobiography that revisits all his work, revealing the development of a period of great changes.


Digital Signifiers in an Architecture of Information

Digital Signifiers in an Architecture of Information

Author: Pablo Lorenzo-Eiroa

Publisher: Taylor & Francis

Published: 2023-05-31

Total Pages: 491

ISBN-13: 1000882667

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This book proposes a new critical relationship between computation and architecture, developing a history and theory of representation in architecture to understand and unleash potential means to open up creativity in the field. Historically, architecture has led to spatial representation. Today, computation has established new representational paradigms that can be compared to spatial representations, such as the revolution of perspective in the Renaissance. Architects now use software, robotics, and fabrication tools with very little understanding and participation in how these tools influence, revolutionize, and determine both architecture and its construction today. Why does the discipline of architecture not have a higher degree of authorship in the conception and development of computational technologies that define spatial representation? This book critically explores the relationship between history, theory, and cultural criticism. Lorenzo-Eiroa positions new understandings through parallel historical sections and theories of many revolutionary representational architecture canons displaced by conventional spatial projection. He identifies the architects, artists, mathematicians, and philosophers that were able to revolutionize their disciplines through the development of new technologies, new systems of representation, and new lenses to understand reality. This book frames the discussion by addressing new means to understand and expand architecture authorship in relation to the survey, information, representation, higher dimensional space, Big Data, and Artificial Intelligence – in the pursuit of activating an architecture of information. This will be important reading for upper-level students and researchers of architecture and architectural theory, especially those with a keen interest in computational design and robotic fabrication.


Visual Experiences in Cinquecento Theatrical Spaces

Visual Experiences in Cinquecento Theatrical Spaces

Author: Javier Berzal de Dios

Publisher: University of Toronto Press

Published: 2019-01-01

Total Pages: 216

ISBN-13: 1487503881

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Through an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period's philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, the book breaks with traditional interpretations of early modern staging techniques, arguing that the goal of artists in this period was not to cater to a single privileged viewer through the creation of a naturalistically unified stage but instead to offer up a complex multimedia experience that would captivate a diverse assembly of theatre-goers.


Unprecedented Realism

Unprecedented Realism

Author: K. Michael Hays

Publisher: Princeton Architectural Press

Published: 1995

Total Pages: 340

ISBN-13: 9780910413602

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For almost two decades the work of Rodolfo Machado and Jorge Silvetti has remained at the forefront of theoretical production. Their rigorously detailed and exquisitely drawn projects characterize an attitude of aesthetic realism towards materials, construction, function, and the cultural role of architecture. Yet the conditions they address, and the effects they produce, are unprecedented. Their projects synthesize seemingly incompatible images, uses, and typologies. Unprecedented Realism is not an illustration of theory. Rather, what emerges is a constructive theory of architecture that understands the process of design itself as a distinct mode of knowledge—as theoretical research that is still irreducibly architectural. Unprecedented Realism presents both buildings and urban infrastructures: Steps of Providence, RI; Entrance for Cranbrook, Bloomfield Hills, Mich.; Carnegie-Mellon University Center, Pittsburgh; Pershing Square, Los Angeles; and Times Square, New York City. Along with the analytic text of K. Michael Hays, the volume includes critical essays by Alan Colquhoun, George Baird, Fars el-Dahdah, and Rodolphe el-Khoury (please see the Table of Contents).


Reflections on metaReality

Reflections on metaReality

Author: Roy Bhaskar

Publisher: Routledge

Published: 2013-01-11

Total Pages: 322

ISBN-13: 1136631437

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Reflections on meta-Reality is now widely regarded as a landmark in contemporary philosophy. It initiates the philosophy of meta-Reality, the third main phase of Roy Bhaskar’s philosophical thoughts, after original or basic critical realism and dialectical critical realism. Originally published in 2002 and based on talks given in India, Europe and America, Roy Bhaskar presents his new philosophy of meta-Reality as a radical extension, systematic development and proleptic completion of critical realism. This brilliant series of studies contains seminal and far-reaching discussions of critical realism and the nature of being; an incisive and limpid account of modernity, modernism and post-modernism; a sublime discourse on the nature of the self and compelling considerations on the relationship between social science and self-realization. Together, they demonstrate the ubiquity of transcendental phenomena in everyday life and the orientation of enlightenment towards collective human emancipation and universal self-realization. A new introduction to this edition by Mervyn Hartwig, founding editor of The Journal of Critical Realism and editor of A Dictionary of Critical Realism (Routledge, 2007), describes the context, significance and impact of Reflections on meta-Reality, and supplies an expert guide to its content. This book is essential reading for students and practitioners in both philosophy and the human sciences.


The Architecture of the Imagination

The Architecture of the Imagination

Author: Shaun Nichols

Publisher: Oxford University Press, USA

Published: 2006-09-07

Total Pages: 290

ISBN-13: 0199275726

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'The Architecture of the Imagination' will be an essential resource for the growing number of philosophers and psychologists studying the nature of the imagination and on its role in philosophy, aesthetics, and everyday life.


A Realist Theory of Art History

A Realist Theory of Art History

Author: Ian Verstegen

Publisher: Routledge

Published: 2013

Total Pages: 194

ISBN-13: 0415531519

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As the theoretical alignments within academia shift, this book introduces a surprising variety of realism to abolish the old positivist-theory dichotomy that has haunted Art History. Demanding frankly the referential detachment of the objects under study, the book proposes a stratified, multi-causal account of art history that addresses postmodern concerns while saving it from its errors of self-refutation. Building from the very basic distinction between intransitive being and transitive knowing, objects can be affirmed as real while our knowledge of them is held to be fallible. Several focused chapters address basic problems while introducing philosophical reflection into art history. These include basic ontological distinctions between society and culture, general and "special" history, the discontinuity of cultural objects, the importance of definition for special history, scales, facets and fiat objects as forms of historical structure, the nature of evidence and proof, historical truth and controversies. Stressing Critical Realism as the stratified, multi-causal approach needed for productive research today in the academy, this book creates the subject of the ontology of art history and sets aside a theoretical space for metaphysical reflection, thus clarifying the usually muddy distinction between theory, methodology, and historiography in art history.


Realist Critiques of Visual Culture

Realist Critiques of Visual Culture

Author: Edward Barnaby

Publisher: Springer

Published: 2018-05-10

Total Pages: 186

ISBN-13: 3319773232

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Have industrial-age technologies and visual discourses transformed us into spectators of the real, and can realist fiction make that transformation visible to us? This book brings Situationist Guy Debord’s Society of the Spectacle and an array of cultural criticism into dialogue with novels by Hardy, Forster, Woolf, Rushdie, Carey and Barnes to foreground literary realism’s critique of visual culture, including Gothic architectural revival, neoclassicism, tourism, historical pageantry, postcolonial cinema and photography, museums, preservationism, urbanism and artisanal neo-folk movements. Barnaby advances the concept of meta-spectacle to distinguish realist fiction that engages ethically with visual discourses from realist-ic fiction that reproduces the visible veneer of reality for aesthetic consumption. He highlights the limitations of artistic critiques of spectacle, considers their resilience toward a culture industry that continuously repackages iconoclasm as iconicity, and reflects upon the process of reorienting the reader to comprehend realist gestures. By heightening the capacity to recognize our own immersion within objectified representations of the real, Realist Critiques of Visual Culture demonstrates how literary realism remains vital within a society that is so deeply invested in visually replicating and archiving lived experience.


Realist Evaluation

Realist Evaluation

Author: Ana Manzano

Publisher: Taylor & Francis

Published: 2024-11-29

Total Pages: 276

ISBN-13: 1040251773

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Realist Evaluation: Principles and Practice offers a comprehensive exploration of contemporary realist evaluation, showcasing how skilled practitioners navigate diverse fieldwork contexts. Authored by experts spanning academia and evaluation backgrounds across five continents in fields including climate change, criminology, health, and international development, the book provides a rich tapestry of perspectives. Covering participatory approaches, digital and visual data collection, interpreter-mediated interviews, and innovative methods like refuse data analysis, the authors delve into contemporary social research methodologies while addressing issues such as power, insider/outsider research, the nature of evidence, critical and scientific realism philosophies of science, and confirmation bias in qualitative research. Practical advice is provided in areas such as developing a topic guide, combining a realist review with an evaluation, and managing large, multi-site cross-national projects. This collection underscores the creative nature of the realist imagination, highlighting ongoing innovations by scholars and evaluators. With contributions from an outstanding group of internationally renowned experts in realist evaluation including Nick Tilley, a key figure in the development of realist evaluation alongside Ray Pawson, this is the ideal text for students, researchers and professionals including policy makers, professional evaluators, and those at organisations such as thinktanks and NGOs, who require an accessible guide on how to use realist evaluation methods.