Characters: 3 male, 6 female. Representational set Shakespeare's characters are forever famous, not only for the beauty of the lines they spoke, but for wit, humor, and joyous humanity! Six of these great women and three extraordinary men meet in a totally contemporary play! Kate and Petruchio, Romeo and Juliet, daring Henry V, plus Lady Macbeth and Cleopatra, combine to produce a mad and merry tribute to the greatest writer of them all!
Engaging and energetic, this biography of Ford Madox Ford presents the modernist writer in a previously unexplored way. Other biographies have approached Ford as an author; indeed, his memoirs give almost no indication that the women in his life were of any importance or, in fact, that they ever existed. Literary scholar Joseph Wiesenfarth revises this approach by tracing Ford's relationships with four women central to his life. Wiesenfarth shows how these four women--Violet Hunt, Jean Rhys, Stella Bowen, and Janice Biala--established themselves as artists in their own right and depicted Ford in their works as more than the "proper man" he thought himself to be. For the women, he was both a lover and a leaver, a collaborator and a companion. With an eye to original paintings and manuscripts, Wiesenfarth examines the artistic and romantic interplay among these writers, painters, and lovers. This book features a beautifully illustrated color and black-and-white gallery of Bowen and Biala paintings.
Winner of the Nero Wolfe Award It is 1921 and Mary Russell--Sherlock Holmes's brilliant apprentice, now an Oxford graduate with a degree in theology--is on the verge of acquiring a sizable inheritance. Independent at last, with a passion for divinity and detective work, her most baffling mystery may now involve Holmes and the burgeoning of a deeper affection between herself and the retired detective. Russell's attentions turn to the New Temple of God and its leader, Margery Childe, a charismatic suffragette and a mystic, whose draw on the young theology scholar is irresistible. But when four bluestockings from the Temple turn up dead shortly after changing their wills, could sins of a capital nature be afoot? Holmes and Russell investigate, as their partnership takes a surprising turn in A Monstrous Regiment of Women by Laurie R. King.
The one-act play stands apart as a distinct art form with some well known writers providing specialist material, among them Bernard Shaw, Tom Stoppard, Harold Pinter, Caryl Churchill. Alan Ayckbourn, Edward Albee and Tennesee Williams. There are also lesser-known writers with plenty of material to offer, yet sourcing one-act plays to perform is notoriously hard. This companion is the first book to survey the work of over 250 playwrights in an illuminating A-Z guide. Multiple styles, nationalities and periods are covered, offering a treasure trove of compelling moments of theatre waiting to be discovered. Guidance on performing and staging one-act plays is also covered as well as essential contact information and where to apply for performance rights. A chapter introducing the history of the one-act play rounds off the title as a definitive guide.
In this study, William C. Carroll analyses a wide range of adaptations and appropriations of Macbeth across different media to consider what it is about the play that compels our desire to reshape it. Arguing that many of these adaptations attempt to 'improve' or 'correct' the play's perceived political or aesthetic flaws, Carroll traces how Macbeth's popularity and adaptability stems from several of its formal features: its openly political nature; its inclusion of supernatural elements; its parable of the dangers of ambition; its violence; its brevity; and its domestic focus on a husband and wife. The study ranges across elite and popular culture divides: from Sir William Davenant's adaptation for the Restoration stage (1663–4), an early 18th-century novel, The Secret History of Mackbeth and Verdi's Macbeth, through to 20th- and 21st-century adaptations for stage and screen, as well as contemporary novelizations, young adult literature and commercial appropriations that testify to the play's absorption into contemporary culture.
Thrust into power in the midst of the bloodiest conflict Europe had ever experienced, Amalia Elisabeth fought to save her country, her Calvinist church, and her children’s inheritance. Tryntje Helfferich’s vivid portrait reveals how this unique and embattled ruler used her diplomatic gifts to play the great powers of Europe against one another during the Thirty Years War, while raising one of the most powerful and effective fighting forces on the continent. Stranded in exile after the death of her husband, Amalia Elisabeth stymied the maneuvers of male relatives and advisors who hoped to seize control of the affairs of her tiny German state of Hesse-Cassel. Unshakable in her religious faith and confident in her own capacity to rule, the princess crafted a cunning strategy to protect her interests. Despite great personal tragedy, challenges to her rule, and devastating losses to her people and lands, Amalia Elisabeth wielded her hard-won influence to help shape the new Europe that arose in the war’s wake. She ended her reign in triumph, having secured the birthright of her children and the legalization of her church. The Iron Princess restores to view one of the most compelling political figures of her time, a woman once widely considered the heroine of the seventeenth century.
