Introducing the Occult

Introducing the Occult

Author: Colin Stanley

Publisher: John Hunt Publishing

Published: 2022-12-09

Total Pages: 205

ISBN-13: 1780994761

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'An essential collection of some of his lesser known writings, all of which display his remarkable gifts as a writer and thinker.' Steve Taylor PhD, author of 'The Leap' and 'Spiritual Science' The late Colin Wilson wrote a staggering 180 introductions, forewords, prefaces and afterwords to other authors' books. Soon after his now classic study The Occult appeared in 1971, he was constantly sought out by writers and publishers to endorse their work. He rarely refused. And, as this volume reveals, these were not hurriedly written paragraphs, relying largely on his name as an endorsement, but often significant and substantial essays. Introducing the Occult brings together 17 of his best published introductions chosen by his bibliographer Colin Stanley. Within these covers you can read Colin Wilson on magic, witchcraft, exorcism, ghosts, poltergeists, the Loch Ness Monster, the afterlife, dowsing and much more.


Women Writers and Detectives in Nineteenth-Century Crime Fiction

Women Writers and Detectives in Nineteenth-Century Crime Fiction

Author: L. Sussex

Publisher: Springer

Published: 2010-07-16

Total Pages: 229

ISBN-13: 0230289401

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This book is a study of the 'mothers' of the mystery genre. Traditionally the invention of crime writing has been ascribed to Poe, Wilkie Collins and Conan Doyle, but they had formidable women rivals, whose work has been until recently largely forgotten. The purpose of this book is to 'cherchez les femmes', in a project of rediscovery.


British Women's Writing from Brontë to Bloomsbury, Volume 1

British Women's Writing from Brontë to Bloomsbury, Volume 1

Author: Adrienne E. Gavin

Publisher: Springer

Published: 2018-07-31

Total Pages: 293

ISBN-13: 3319782266

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This five-volume series, British Women’s Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 1: 1840s and 1850s inaugurates the series by historically and culturally contextualizing Victorian women’s writing distinctly within the 1840s and 1850s. Using a range of critical perspectives including political and literary history, feminist approaches, disability studies, and the history of reading, the volume’s 16 original essays consider such developments as the construction of a post-Romantic tradition, the politicization of the domestic sphere, and the development of crime and sensation writing. Centrally, it reassesses key mid-nineteenth-century female authors in the context in which they first published while also recovering neglected women writers who helped to shape the literary landscape of the 1840s and 1850s.