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Author: Matthew Campbell
Publisher: Routledge
Published: 2002-11
Total Pages: 252
ISBN-13: 1134583001
DOWNLOAD EBOOKThis volume explores the cultural importance of concepts and theories of memory. Ranging historically from the French Revolution to the beginnings of Modernism, it examines the importance of memory in cultural history.
Author: Stefan Berger
Publisher: John Wiley & Sons
Published: 2008-04-15
Total Pages: 560
ISBN-13: 140515232X
DOWNLOAD EBOOKThis Companion provides an overview of European history during the 'long' nineteenth century, from 1789 to 1914. Consists of 32 chapters written by leading international scholars Balances coverage of political, diplomatic and international history with discussion of economic, social and cultural concerns Covers both Eastern and Western European states, including Britain Pays considerable attention to smaller countries as well as to the great powers Compares particular phenomena and developments across Europe
Author: Jr. Shapiro
Publisher: Routledge
Published: 2017-07-05
Total Pages: 254
ISBN-13: 1351506013
DOWNLOAD EBOOKFocusing on the "long" nineteenth century, from the French Revolution to the beginnings of Modernism, this book examines the significance of memory in this era of turbulent social change. Through investigation of science, literature, history and the visual arts, the authors explore theories of memory and the cultural and literary resonances of memorializing.Drawing on the work of many of the most influential literary figures of the period, such as Tennyson, Scott, and Hardy, Memory and Memorials explores key topics such as: gender and memory; Victorian psychological theories of memory; and cultural constructions in literature, science, history and architecture.Memory and Memorials: From the French Revolution to World War One employs a range of new and influential interdisciplinary methodologies. It offers both a fresh theoretical understanding of the period, and a wealth of empirical material of use to the historian, literary critic or social psychologist.
Author: Morgan Rooney
Publisher: Rowman & Littlefield
Published: 2013
Total Pages: 233
ISBN-13: 1611484766
DOWNLOAD EBOOKThis study examines how debates about history during the French Revolution informed and changed the nature of the British novel between 1790 and 1814. During these years, intersections between history, political ideology, and fiction, as well as the various meanings of the term "history" itself, were multiple and far reaching. Morgan Rooney elucidates these subtleties clearly and convincingly. While political writers of the 1790s--Burke, Price, Mackintosh, Paine, Godwin, Wollstonecraft, and others--debate the historical meaning of the Glorious Revolution as a prelude to broader ideological arguments about the significance of the past for the present and future, novelists engage with this discourse by representing moments of the past or otherwise vying to enlist the authority of history to further a reformist or loyalist agenda. Anti-Jacobin novelists such as Charles Walker, Robert Bisset, and Jane West draw on Burkean historical discourse to characterize the reform movement as ignorant of the complex operations of historical accretion. For their part, reform-minded novelists such as Charlotte Smith, William Godwin, and Maria Edgeworth travesty Burke's tropes and arguments so as to undermine and then redefine the category of history. As the Revolution crisis recedes, new novel forms such as Edgeworth's regional novel, Lady Morgan's national tale, and Jane Porter's early historical fiction emerge, but historical representation--largely the legacy of the 1790s' novel--remains an increasingly pronounced feature of the genre. Whereas the representation of history in the novel, Rooney argues, is initially used strategically by novelists involved in the Revolution debate, it is appropriated in the early nineteenth century by authors such as Edgeworth, Morgan, and Porter for other, often related ideological purposes before ultimately developing into a stable, nonpartisan, aestheticized feature of the form as practiced by Walter Scott. The French Revolution Debate and the British Novel, 1790-1814 demonstrates that the transformation of the novel at this fascinating juncture of British political and literary history contributes to the emergence of the historical novel as it was first realized in Scott's Waverley (1814).
Author: Gadi BenEzer
Publisher: Routledge
Published: 2003-09-02
Total Pages: 274
ISBN-13: 1134480946
DOWNLOAD EBOOKThis book presents new research into the exodus of 16 thousand Jewish immigrants from Ethopia to Israel between 1977 and 1985. Issues from trauma and memory to race and migration are raised.
Author: B. Dew
Publisher: Springer
Published: 2014-10-21
Total Pages: 225
ISBN-13: 1137332646
DOWNLOAD EBOOKHistorical Writing in Britain, 1688-1830 explores a series of debates concerning the nature and value of the past in the long eighteenth century. The essays investigate a diverse range of subjects including art history, biography, historical poetry, and novels, as well as addressing more conventional varieties of historical writing.
Author: Mary Spongberg
Publisher: Bloomsbury Publishing
Published: 2018-12-27
Total Pages: 245
ISBN-13: 135001673X
DOWNLOAD EBOOK1790 saw the publication of Edmund Burke's Reflections on the Revolution in France -- the definitive tract of modern conservatism as a political philosophy. Though women of the period wrote texts that clearly responded to and reacted against Burke's conception of English history and to the contemporary political events that continued to shape it, this conversation was largely ignored or dismissed, and much of it remains to be reconsidered today. Examining the works of women writers from Jane Austen and Mary Wollstonecraft to the Strickland sisters and Mary Anne Everett Green, this book begins to recuperate that conversation and in doing so uncovers a more complete and nuanced picture of women's participation in the writing of history. Professor Mary Spongberg puts forward an alternate, feminized historiography of Britain that demonstrates how women writers' recourse to history caused them to become generically innovative and allowed them to participate in the political debates that framed the emergence of modern British historiography, and to push back against the Whig interpretation of history that predominated from 1790-1860.
Author: K. Krueger
Publisher: Springer
Published: 2014-03-30
Total Pages: 270
ISBN-13: 1137359242
DOWNLOAD EBOOKThis book addresses a critically neglected genre used by women writers from Gaskell to Woolf to complicate Victorian and modernist notions of gender and social space. Their innovative short stories ask Britons to reconsider where women could live, how they could be identified, and whether they could be contained.
Author: Gregory Tate
Publisher: OUP Oxford
Published: 2012-11-08
Total Pages: 214
ISBN-13: 0191634328
DOWNLOAD EBOOKThe Poet's Mind is a major study of how Victorian poets thought and wrote about the human mind. It argues that Victorian poets, inheriting from their Romantic forerunners the belief that subjective thoughts and feelings were the most important materials for poetry, used their writing both to give expression to mental processes and to scrutinise and analyse those processes. In this volume Gregory Tate considers why and how psychological analysis became an increasingly important element of poetic theory and practice in the mid-nineteenth century, a time when the discipline of psychology was emerging alongside the growing recognition that the workings of the mind might be understood using the analytical methods of science. The writings of Victorian poets often show an awareness of this psychology, but, at the same time, the language and tone of their psychological verse, and especially their ambivalent use of terms such as 'brain', 'mind', and 'soul', voice an unresolved tension, felt throughout Victorian culture, between scientific theories of psychology and metaphysical or religious accounts of selfhood. The Poet's Mind considers the poetry of Browning, Tennyson, Arnold, Clough, and George Eliot, offering detailed readings of several major Victorian poems, and presenting new evidence of their authors' interest in contemporary psychological theory. Ranging across lyric verse, epic poetry, and the dramatic monologue, the book explores the ways in which poetry simultaneously drew on, resisted, and contributed to the spread of scientific theories of mind in Victorian Britain.
Author: Porscha Fermanis
Publisher: OUP Oxford
Published: 2014-11-27
Total Pages: 353
ISBN-13: 0191510726
DOWNLOAD EBOOKHistorians and literary scholars tend to agree that British intellectual culture underwent a fundamental transformation between 1770 and 1845. Yet they are unusually divided about the nature of that transformation and whether it is best understood as an epistemic rupture from, or a continuous dialogue with, the long eighteenth century. Rethinking British Romantic History, 1770-1845 rethinks the ways in which we understand the historical writing and the historical consciousness of late eighteenth- and early nineteenth-century Britain by arguing that British historicism developed largely in quasi and para-historical genres such as memoir, biography, verse, fiction, and painting, rather than in works of 'real' history. In a number of inter-related essays on changing generic forms, styles, methods, and standards, the collection demonstrates that the aesthetic developments associated with British literary 'Romanticism' not only intersected in mutually dependent ways with concurrent experiments and innovations in historical writing, but that these intersections forced an epistemological crisis-a deeply felt tension about the role of feeling and imagination in historical writing-that is still resonating in historiographical debates today. In exploring this theme, the volume also seeks to consider wider questions about the philosophy of history and literature, including questions of truth, evidence, professionalization, disciplinary strategies, and methodology. At its heart is the idea that literary texts and other artistic representations of history can have historical value, and should therefore be taken seriously by practitioners of history in all its forms.
