Through the keen eyes and curious mind of a young girl, Ying-tzu, we are given a glimpse into the adult world of Peking in the 1920s. The five sequential stories in this collection can be read as either stand-alone pieces, or as a novel, due to the cleverly constructed themes and character development. Exploring ideas of loss and bewilderment, Lin Hai-yin carefully captures the transition from childhood to adulthood. Shielded by a child's innocence, we are taken on a journey of discovery as Ying-tzu grapples with the uncertainties of human relationships as well as her developing awareness of the world around her. Poignant and poetic, it is hard not to be moved by Memories of Peking: South Side Stories."
The enduring interest displayed by many readers in the character of China's great Empress Dowager Tzŭ Hsi, and the generous appreciation accorded to our work on her life and reign, have prompted the belief that the present work, covering a wider stretch of space and time, should prove interesting, and of some value, to those who desire to study the causes, immediate and remote, of recent and current events in the Far East. Until we understand something of the mainsprings of thought and action which determine the governance and daily life of a people-something of their atavistic memories and instincts, of their social, religious and economic systems, it is not possible to sympathise with them in their perils and crises of change, or to render them the assistance which appreciation of their motives and intelligent anticipation of their needs might supply. -- Introduction.
The Chinese Cultural Revolution began in 1966 and led to a ten-year-long reign of Maoist terror throughout China, in which millions died or were sent to labor camps in the country or subjected to other forms of extreme discipline and humiliation. Ji Xianlin was one of them. The Cowshed is Ji’s harrowing account of his imprisonment in 1968 on the campus of Peking University and his subsequent disillusionment with the cult of Mao. As the campus spirals into a political frenzy, Ji, a professor of Eastern languages, is persecuted by lecturers and students from his own department. His home is raided, his most treasured possessions are destroyed, and Ji himself must endure hours of humiliation at brutal “struggle sessions.” He is forced to construct a cowshed (a makeshift prison for intellectuals who were labeled class enemies) in which he is then housed with other former colleagues. His eyewitness account of this excruciating experience is full of sharp irony, empathy, and remarkable insights into a central event in Chinese history. In contemporary China, the Cultural Revolution remains a delicate topic, little discussed, but if a Chinese citizen has read one book on the subject, it is likely to be Ji’s memoir. When The Cowshed was published in China in 1998, it quickly became a bestseller. The Cultural Revolution had nearly disappeared from the collective memory. Prominent intellectuals rarely spoke openly about the revolution, and books on the subject were almost nonexistent. By the time of Ji’s death in 2009, little had changed, and despite its popularity, The Cowshed remains one of the only testimonies of its kind. As Zha Jianying writes in the introduction, “The book has sold well and stayed in print. But authorities also quietly took steps to restrict public discussion of the memoir, as its subject continues to be treated as sensitive. The present English edition, skillfully translated by Chenxin Jiang, is hence a welcome, valuable addition to the small body of work in this genre. It makes an important contribution to our understanding of that period.”
A startling, eye-opening account of a fascinating and decisive moment in Chinese history, packed with evocative stories. Jasper Becker tells the story of why and how China's leaders set about to destroy and rebuild one of the world's greatest cities and how many of the residents tried to stop it and protect their great architectural legacy.
By the author of the classic A Daughter of Han, this is an affectionate, revealing portrait of an old, wealthy widow and her family in the Peking of the 1920s and early 1930s. Through the daily life and the memories of shrewd, forthright Lao Tai-tai, we are given an intimate glimpse into centuries-old way of life that was fast coming to an end. We explore the inner workings of an upper-class urban family: the relations between husbands wives and between wives and concubines, the interactions among brothers, the activities and family concerns of a widowed matriarch, and more generally the role of women in such a family. We go behind the high walls surrounding the family compound, and see how the houses, gardens, and courtyards are constructed according to precise rules derived from religious and aesthetic beliefs, and how the layouts of the rooms are closely related to their occupants' status and role in the family. We learn the enormous importance to the Chinese of protocol, etiquette, and reciprocal obligation, and we learn also of Peking's pleasures--traveling in rickshaws, eating in restaurants, visiting parks. Above all, the book captures the essence of prewar Chinese cultural and social values in the busy life and strong, complex personality of the memorable Lao Tai-tai.
In his early twenties, John Blofeld spent what he describes as "three exquisitely happy years" in Peking during the era of the last emperor, when the breathtaking greatness of China's ancient traditions was still everywhere evident. Arriving in 1934, he found a city imbued with the atmosphere of the recent imperial past and haunted by the powerful spirit of the late Dowager Empress Tzu Hsi. He entered a world of magnificent palaces and temples of the Forbidden City, of lotus-covered lakes and lush pleasure-gardens, of bustling bazaars and peaceful bathhouses, and of "flower houses" with their beautiful young courtesans versed in the arts of pleasing men. With a novelists' command of detail and dialogue, Blofeld vividly re-creates the magic of these years and conveys to the reader his appreciation and nostalgia for a way of life long vanished.
Inconvenient Memories is a rare and truthful memoir of a young woman's coming of age amid the Tiananmen Protests of 1989. In 1989, Anna Wang was one of a lucky few who worked for a Japanese company, Canon. She traveled each day between her grandmother's dilapidated commune-style apartment and an extravagant office just steps from Tiananmen Square. Her daily commute on Beijing's impossibly crowded buses brought into view the full spectrum of China's economic and social inequalities during the economic transition. When Tiananmen Protests broke out, her Japanese boss was concerned whether the protests would obstruct Canon's assembly plant in China, and she was sent to Tiananmen Square on a daily basis to take photos for her boss to analyze for evidence of turning tides. From the perspective as a member of the emerging middle class, she observed firsthand that Tiananmen Protests stemmed from Chinese people's longing for political freedom and their fear for the nascent market economy, an observation that readers have never come across from the various accounts of the historical events so far.
At once a work of narrative lyricism and an act of personal courage, this memoir in verse documents the human cost of a period of political turmoil in China’s recent past. Luo Ying—the pen name of Huang Nubo, a celebrated poet, Forbes billionaire, and mountain climber—draws readers into the depths of the Cultural Revolution (1966–1976) by rendering its defining moments in his life with devastating precision and clarity. The narrative poems that make up Memories of the Cultural Revolution combine the ardor of youthful experience with the cooler insight of mature reflection, offering a nuanced picture of life in the midst of historic change. The “Great Proletarian Cultural Revolution” marked a critical passage on China’s road to modernity, as momentous for the world as it was for one boy caught up in its throes. In poetry that juxtaposes the political and the personal, the social and the individual, Luo Ying depicts a time when ultraleftist mass movements and factional struggles penetrated the deepest level of private daily life. In bleak yet vivid portraits of his mother, father, classmates, and coworkers, he reveals how the period indelibly marred him. “I am a red guard just as I always was,” he writes. Giving voice to the inner life of a man haunted by his experiences, Memories of the Cultural Revolution bears witness to a traumatic time when ideology threatened to crush individuality. Luo Ying’s poetry stands as eloquent testimony to the power of the individual voice to endure in the face of dire social and historical circumstances.
The story of an American-Chinese family separated by the communist revolution in China, as they struggle to overcome difficulties and the prejudices a family of mixed blood must face. The half-Chinese husband remains behind in China, while the mother and teenage son go back to the mother's original home state of Vermont. The anxious wife awaits word from her husband, as the young mixed-race son falls in love with an American girl. The mother breaks up this particular romance.
Hoping to make amends, Wong returns to Beijing to find the classmate she betrayed during the Cultural Revolution. As she traces her way from one former comrade to the next, Wong unearths not only the fate of the woman she is searching for but a web of fates that mirrors the dramatic journey of contemporary China.
