Arthur A. Carey’s autobiographical Memoirs of a Murder Man was first released in 1930, and focuses on the author’s detective work in homicide cases. The book includes chapters on such infamous cases as the 1920 slaying of Joseph Bowne Elswell, an American bridge player, tutor, and writer during the 1900s and 1910s, and the Barrel Murder in 1903, when New York police found the body of U.S. Secret Service agent Benedetto Madonia stuffed in a barrel, similar to the New Orleans “barrel murders” of the previous decade. A gripping book!
A searing family memoir, hailed as “remarkable” (The New York Times), “compelling” (People), and “engrossing” (Kirkus Reviews), of a trial lawyer’s tempestuous boyhood in Texas that led to the vicious murder of his brother by the father of actor Woody Harrelson. In 1968, David Berg’s brother, Alan, was murdered by Charles Harrelson, a notorious hit man and father of Woody Harrelson. Alan was only thirty-one when he disappeared (David was twenty-six) and for more than six months his family did not know what had happened to him—until his remains were found in a ditch in Texas. There was an eyewitness to the murder: Charles Harrelson’s girlfriend, who agreed to testify. For his defense, Harrelson hired Percy Foreman, then the most famous criminal lawyer in America. Despite the overwhelming evidence against him, Harrelson was acquitted. After burying his brother all those years ago, David Berg rarely talked about him. Yet in 2008 he began to remember and research Alan’s life and death. The result is Run, Brother, Run: part memoir—about growing up Jewish in 1950s Texas and Arkansas—and part legal story, informed by Berg’s experience as a seasoned lawyer. Writing with cold-eyed grief and a wild, lacerating humor, Berg tells us first about the striving Jewish family that created Alan Berg and set him on a course for self-destruction, and then about the miscarriage of justice when Berg’s murderer was acquitted. David Berg brings us a painful family history, a portrait of an iconic American place, and a true-crime courtroom murder drama that “elegantly brings to life the rough-and-tumble boomtown that was 1960s-era Houston, and conveys with unflinching force the emotional damage his brother’s death did to his family” (The New York Times).
Rasputin's is one of the most famous deaths in history. Now, his assassin's thrilling memoir is finally back in print. Born to great riches in the days before the Russian Revolution, and married to the niece of Czar Nicholas II, Prince Felix Youssoupoff observed at close range the rampant corruption and intrigues of the imperial court, which culminated in the rise to power of the sinister monk Rasputin. In 1916, Prince Felix and several aristocratic cohorts killed Rasputin, which more than any other single event brought about the cataclysmic upheaval of Tsarist Russia.
From "one of South Korea's best and most worldly writers" (NPR): An electric collection that captivates and provokes in equal measure, exploring what it means to be on the edge--between life and death, good and evil
The science of forensic entomology-the application of insect biology to the investigation of crime-is extremely specialized, combining as it does an expert knowledge of entomology with keen powers of observation and deduction. Dr. Erzinclioglu has been a practitioner for over twenty-five years and has been involved in a great number of investigations, including some recent high-profile cases, where his evidence has been critical to the outcome. A great admirerer of Sherlock Holmes, Dr. Erzinclioglu compares his own techniques with those of his fictional hero, and takes the reader behind the often gruesome but deeply fascinating scenes of a murder investigation. This absorbing book ranges over cases from history, prehistory and mythology to the present day and is as gripping and readable as a good thriller.
The acclaimed author of American Dirt reveals the devastating effects of a shocking tragedy in this landmark true crime book—the first ever to look intimately at the experiences of both the victims and their families. A Rip in Heaven is Jeanine Cummins’ story of a night in April, 1991, when her two cousins Julie and Robin Kerry, and her brother, Tom, were assaulted on the Old Chain of Rocks Bridge, which spans the Mississippi River just outside of St. Louis. When, after a harrowing ordeal, Tom managed to escape the attackers and flag down help, he thought the nightmare would soon be over. He couldn’t have been more wrong. Tom, his sister Jeanine, and their entire family were just at the beginning of a horrific odyssey through the aftermath of a violent crime, a world of shocking betrayal, endless heartbreak, and utter disillusionment. It was a trial by fire from which no family member would emerge unscathed.
"Complex and challenging... push[es] the boundaries of writing about trauma." —The New York Times “A True Crime Masterpiece” – Vogue Entertainment Weekly "Must" List and Best Books of the Year So Far Real Simple's Best New Books Guardian Best Book of the Year Lambda Literary Award Winner Chautauqua Prize Winner "The Fact of a Body is one of the best books I've read this year. It's just astounding." — Paula Hawkins, author of Into the Water and The Girl on the Train "This book is a marvel. The Fact of a Body is equal parts gripping and haunting and will leave you questioning whether any one story can hold the full truth." — Celeste Ng, author of the New York Times bestselling Everything I Never Told You and Little Fires Everywhere Before Alex Marzano-Lesnevich begins a summer job at a law firm in Louisiana, working to help defend men accused of murder, they think their position is clear. The child of two lawyers, they are staunchly anti-death penalty. But the moment convicted murderer Ricky Langley’s face flashes on the screen as they review old tapes—the moment they hear him speak of his crimes -- they are overcome with the feeling of wanting him to die. Shocked by their reaction, they dig deeper and deeper into the case. Despite their vastly different circumstances, something in his story is unsettlingly, uncannily familiar. Crime, even the darkest and most unsayable acts, can happen to any one of us. As Alex pores over the facts of the murder, they find themself thrust into the complicated narrative of Ricky’s childhood. And by examining the details of Ricky’s case, they are forced to face their own story, to unearth long-buried family secrets, and reckon with a past that colors their view of Ricky's crime. But another surprise awaits: They weren’t the only one who saw their life in Ricky’s. An intellectual and emotional thriller that is also a different kind of murder mystery, THE FACT OF A BODY is a book not only about how the story of one crime was constructed -- but about how we grapple with our own personal histories. Along the way it tackles questions about the nature of forgiveness, and if a single narrative can ever really contain something as definitive as the truth. This groundbreaking, heart-stopping work, ten years in the making, shows how the law is more personal than we would like to believe -- and the truth more complicated, and powerful, than we could ever imagine.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY PUBLISHERS WEEKLY In the tradition of Tobias Wolff, James Ellroy, and Mary Karr, a stunning memoir of a mother-son relationship that is also the searing, unflinching account of a murder and its aftermath Tombstone, Arizona, September 2001. Debbie St. Germain’s death, apparently at the hands of her fifth husband, is a passing curiosity. “A real-life old West murder mystery,” the local TV announcers intone, while barroom gossips snicker cruelly. But for her twenty-year-old son, Justin St. Germain, the tragedy marks the line that separates his world into before and after. Distancing himself from the legendary town of his childhood, Justin makes another life a world away in San Francisco and achieves all the surface successes that would have filled his mother with pride. Yet years later he’s still sleeping with a loaded rifle under his bed. Ultimately, he is pulled back to the desert landscape of his childhood on a search to make sense of the unfathomable. What made his mother, a onetime army paratrooper, the type of woman who would stand up to any man except the men she was in love with? What led her to move from place to place, man to man, job to job, until finally she found herself in a desperate and deteriorating situation, living on an isolated patch of desert with an unstable ex-cop? Justin’s journey takes him back to the ghost town of Wyatt Earp, to the trailers he and Debbie shared, to the string of stepfathers who were a constant, sometimes threatening presence in his life, to a harsh world on the margins full of men and women all struggling to define what family means. He decides to confront people from his past and delve into the police records in an attempt to make sense of his mother’s life and death. All the while he tries to be the type of man she would have wanted him to be. Praise for Son of a Gun “[A] spectacular memoir . . . calls to mind two others of the past decade: J. R. Moehringer’s Tender Bar and Nick Flynn’s Another Bull____ Night in Suck City. All three are about boys becoming men in a broken world. . . . [What] might have been . . . in the hands of a lesser writer, the book’s main point . . . [is] amplified from a tale of personal loss and grief into a parable for our time and our nation. . . . If the brilliance of Son of a Gun lies in its restraint, its importance lies in the generosity of the author’s insights.”—Alexandra Fuller, The New York Times Book Review “[A] gritty, enthralling new memoir . . . St. Germain has created a work of austere, luminous beauty. . . . In his understated, eloquent way, St. Germain makes you feel the heat, taste the dust, see those shimmering streets. By the end of the book, you know his mother, even though you never met her. And like the author, you will mourn her forever.”—NPR “If St. Germain had stopped at examining his mother’s psycho-social risk factors and how her murder affected him, this would still be a fine, moving memoir. But it’s his further probing—into the culture of guns, violence, and manhood that informed their lives in his hometown, Tombstone, Ariz.—that transforms the book, elevating the stakes from personal pain to larger, important questions of what ails our society.”—The Boston Globe “A visceral, compelling portrait of [St. Germain’s] mother and the violent culture that claimed her.”—Entertainment Weekly
