Tar loves Gemma, but Gemma doesn't want to be tied down - not to anyone or anything. Gemma wants to fly. But no one can fly forever. One day, somehow, finally you have to come down. Commissioned and produced by Oxford Stage Company, Junk premiered at The Castle, Wellingborough, in January 1998 and went on to tour throughout the UK in 1998 and 1999. "John Retallack's excellent adaptation of Melvin Burgess's controversial Carnegie Medal winning novel is splendidly unpatronising...a truly cautionary tale" (Independent)
Dino, Jonathan, and Ben have got some problems, mostly with Jackie, Deborah, and Alison. Dino's finally convinced Jackie, the most beautiful girl in school, to go out with him. She drives him mad with lust, but she won't go all the way and relieve Dino of his desperately unwanted virginity. Jonathan likes Deborah. She's smart and funny and she makes him feel very sexy, but she's kind of plump and his mates won't let him hear the end of it. Also, a certain swelling has him convinced that he may have cancer of the penis. Ben's problem is in a different category altogether-- he's been seduced by Alison, the pretty young drama teacher at school. And what seems like a dream come true is actually making him miserable. Award-winning author Melvin Burgess has written a daringly honest and often hilarious account of contemporary teenage life, and the ups and downs that surround DOING IT.
“This fantasy about a drug that gives users a perfect week, then sudden death, is compelling fiction—and nearly a masterpiece.” —The Guardian A new drug is on the street. Everyone’s buzzing about it. Take the hit. Live the most intense week of your life. Then die. It’s the ultimate high at the ultimate price. Adam thinks it over. He’s poor, and doesn’t see that changing. Lizzie, his girlfriend, can’t make up her mind about sleeping with him, so he can’t get laid. His brother Jess is missing. And Manchester is in chaos, controlled by drug dealers and besieged by a group of homegrown terrorists who call themselves the Zealots. Wouldn’t one amazing week be better than this endless, penniless misery? After Adam downs one of the Death pills, he’s about to find out. “A boundary pushing thriller. . . . Amid violent action, existential anguish, and the heightened appreciation for life that death can bring, Burgess has created a premise that readers will find hard to forget.” —Publishers Weekly “Viscerally exciting and emotionally engaging. . . . A clear winner from Burgess.” —Booklist “An exciting, dark story of sex, drugs, and revolution that is sure to grip readers.” —School Library Journal
It was a mistake for Ben to tell the Hunter that there were still wolves in Surrey. For the Hunter was a fanatic, always on the lookout for unusual prey. Driven by an ambition to wipe out the last English wolves, the Hunter set out on a savage quest. But what happens when the Hunter becomes the hunted?
Translated into 28 different languages and adapted for the stage and television, "Smack"--a Carnegie Medal winner--is the original cautionary tale about modern drug abuse.
PART II Fifteen-year-old Sigurd, son of King Sigmund, is the last surviving member of the Volson clan. His father's kingdom -- the former city of London -- is gone. And his father's knife, a gift from Odin himself, has been shattered to dust. Now, Odin's eye is upon him. Armed with a powerful sword forged from the remnants of his father's knife, Sigurd will face death, fire, and torment. He must travel through Hel and back...to unite his country once again.
The new hope of the Volson clan, Sigurd, battles a highly advanced, gold-hoarding dragon, resulting in his fall into the underworld. But hope remains as Sigurd encounters his true love, Bryony, and accepts his destiny to reunite England.
Everyone says fourteen-year-old BILLIE is nothing but trouble. A fighter. A danger to her family and friends. But her care worker sees someone different. Her classmate ROB is big, strong; he can take care of himself and his brother. But his violent stepdad sees someone to humiliate. And CHRIS is struggling at school; he just doesn't want to be there. But his dad sees a useless no-hoper. Billie, Rob and Chris each have a story to tell. But there are two sides to every story, and the question is . . . who do you believe?
If you gotta be a dog, be a bitch. "My tail was going bananas as I rounded the corner and headed into Platt Fields park. The pavement was alive; my nose was an eye that sees into the past. I speeded up. Oh, I was in love with Terry, but to run and sniff and feel my ears catching sounds out of the air! But what do you know? Only a dog could understand what I mean." Sandra Francy is seventeen and having way too much fun. Everyone wants to stop her but the problem is, she likes it. When she accidentally gets turned into a dog she's horrified at first, but soon she starts to wonder if being human is worth the effort. Her attempts to hang on to her humanity are bizarre and often hilarious-but her life as a dog leads her to pleasures she hardly knew existed. Award-winning author Melvin Burgess brilliantly captures the realities of teenage life and hormone imbalance.
When fourteen-year-old Nicholas Dane's mother dies, social services sends him to a home for boys where intimidation and violence keep order. After a number of fights and brutal punishments, Nick thinks that life can't possibly get any worse . . . until he realizes that the home's respected deputy head, who has been grooming him with sweets and solace, has something more frightening in mind. Acclaimed writer and truth-teller Melvin Burgess brings us, with Dickensian scope and compelling narrative drive, his most ambitious book yet.
