The forty-five tunes in this collection represent the vast repertoire of traditional Scottish fiddle music dating back to the 1700s.There is a long history of music shared between fiddle, bagpipe and song. Included are laments, airs, marches, strathspeys, reels and jigs. the music has been edited and arranged for viola along with guitar chords if desired for accompaniment. the tunes are presented in sets of three or four for solo performance.
Mel Bay's Complete Fiddling Book is a compilation of arrangements of traditional tunes by several outstanding practitioners of the art of fiddle playing: Craig Duncan, Bill Guest, Dave Reiner, Frank Zucco, and Joe Castle. From The Arkansas Traveler to The Yellow Rose of Texas, over 300 colorful fiddle tunes populated this book's 205 pages. Scant on text or historical notes, but long on musical content, the Complete Fiddling Book is a great resource for any fiddler or teacher in search of a delightful, toe-tapping repertoire. Although most of the tunes are written for solo fiddle, the last ten pieces are arranged as fiddle duets. A masterful solo collection presenting a vivid assortment of fiddling styles and repertoire. On the companion DVD, fiddler Craig Duncan and guitarist Robert Bowlin perform 34 favorite tunes which are played at a slow and medium tempo to demonstrate many fiddling techniques. Split-screen filming features close-up angles of both the left hand and the bow. This DVD is the perfect companion to the Complete Fiddling Book, bringing the teacher right into your living room. Compilation of arrangements of traditional tunes Over 300 colorful fiddle tunes populate the 205 pages Most for solo fiddle, but the last ten pieces are arranged as fiddle duets Intermediate to advanced in difficulty Split-screen companion DVD of 34 tunes performed by Craig Duncan and guitarist Robert Bowlin.
This book, which includes 308 tune transcriptions, is organized around individual fiddlers who typically combine Appalachian-style fiddling with rags, pop standards, Midwest-style fiddling and sometimes a touch of Western swing to create a style often identifiable as Ozarks. Thirty Ozarks fiddlers and their lives are highlighted with biographical sketches, photographs, and tune histories. Another 50 great Ozarks fiddlers are presented in a similar manner but with less detail. the book and accompanying CD (with 37 tunes, many recorded in the field) emphasize the older fiddling traditions connected to the square dances and community events more than those connected to bluegrass music and modern contest fiddling. Some of the tunes in the collection are old standbys such as Bile Them Cabbage while others such as Finley Creek Blues are unique to the region.The book is the result of years of work by two respected researchers. Gordon McCann won the prestigious Missouri Arts Award in 2002 for his decades of work documenting, studying, and accompanying Ozarks fiddle music. Drew Beisswenger, a music librarian at Missouri State University with a Ph.D. in ethnomusicology, has published three other works about fiddle music and is known for his strong transcription and analysis skills.
Traditional Southern old-time fiddling from the world-renowned Round Peak area of the Blue Ridge Mountains in North Carolina, focusing on the style and repertoire of master fiddler Tommy Jarrell (1901–1985). Author Brad Leftwich, himself an acclaimed fiddler who learned the music in person from Jarrell, presents detailed, accurate transcriptions of 83 tunes (the bulk of Jarrell's repertoire) both in standard music notation and fiddle tablature, along with interesting anecdotal information relating to each tune. All of the tunes are included on the accompanying CD as transcribed, played solo at a moderate tempo to facilitate learning. Helpful stylistic tips and important background information on the area and the music, along with biographical information on Jarrell and many of the musicians from whom he learned, illustrated with many fascinating old photographs.• Featuring the old-time Round Peak fiddle style and repertoire of Tommy Jarrell• Detailed, accurate transcriptions of 83 tunes in standard notation and tablature• CD including all 83 tunes played solo at moderate tempo• Stylistic tips, photos, and background information on Round Peak music and musicians
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin’ John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
Contains two dozen arrangements of tunes for the beginning fiddler or violinist. This book begins with the easiest arrangements and progresses in difficulty. Each tune is written in music notation with chord changes followed by a fingering chart.
With You Can Teach Yourself Fiddling, veteran Mel Bay author, Craig Duncan, has produced an excellent book for the beginning fiddler. Its 36 lessons teach basic techniques through specific exercises and traditional fiddle tunes. from holding the fiddle and bow correctly to playing moderately advanced tunes in double stops, Craig will guide you through each progressive step. Although it is not necessary to be able to read music at the start of this book, the author gradually introduces principles of effective note reading throughout. A unique feature of this book is that the same tune may appear in more than one lesson, increasing in difficulty with each recurrence. Each variation builds on the previous one and assists students in learning how to create their own arrangements. Even with some repetitions of the same tune, you'll find more than 50 popular fiddle tunes in the book's 80 pages. Check points and reviews keep you on track from cover to cover. the companion DVD/video covers the first 17 lessons from the book.
This book is written to accomplish three purposes: (1) to teach music theory and scales as applied to fiddle tunes in the American and Celtic traditions; (2) to teach fiddle improvisation; and (3) to present additional material to help the fiddler who wants to play in other popular styles. Addresses major, minor and blues scales, diminished chords and more. Useful to any instrumentalist, this is not just another collection of licks, nor is it a book of transcriptions. This book teaches the theoretical framework of fiddle tunes and of fiddle soloing; the scales and arpeggios that fiddlers actually use, whether they know it or not. If you improvise or play variations on tunes now, this book will help you understand what works and why.
Twelve year-old dinosaur expert Eric, his younger sister Rose and their faithful dog Sally find themselves mysteriously transported back in time 65 million years to the era of the dinosaurs. Amazingly, they are befriended by an intelligent, evolved creature they name Weet, with who they become embroiled in a distinctly prehistoric adventure. Will Eric and his sister ever be able to return t to their own world of present-day Alberta? Will Weet's knowledge be of any use if they run into the most fearsome predator of all time, the Tyrannosaurus Rex?
