This illustrated study displays a detailed gallery of costumes worn in the 11th through the 15th centuries. The 120 full-color plates exhibit apparel worn by nobility, knights, soldiers, the bourgeois, ecclesiastics, and citizens of all classes.
Meticulously researched text and nearly 700 illustrations depict wide range of apparel -- from fur-trimmed cloaks and brocaded robes worn by courtiers and the nobility to simpler mantles, tunics, gowns, and more.
A comprehensive study of dress in Northern Europe from the early fourteenth century to the beginning of the Renaissance,Illuminating Fashion is the first thorough study of the history of fashion in this period based solely on firmly dated or datable works of art. It draws on illuminated manuscripts, early printed books, tapestries, paintings, and sculpture from museums and libraries around the world. "Symbolism and metaphors are buried in the art of fashion," says Roger Wieck, the editor ofIlluminating Fashion. Examining the role of social customs and politics in influencing dress, at a time of rapid change in fashion, this fully illustrated volume demonstrates the richness of such symbolism in medieval art and how artists used clothing and costume to help viewers interpret an image. At the heart of the work isA Pictorial History of Fashion, 1325 to 1515, an album of over 300 illustrations with commentary. This is followed by a comprehensive glossary of medieval English and French clothing terms and an extensive list of dated and datable works of art. Not only can this fully illustrated volume be used as guide to a fuller understanding of the works of art, it can also help date an undated work; reveal the shape and structure of actual garments; and open up a picture's iconographic and social content. It is invaluable for costume designers, students and scholars of the history of dress and history of art, as well as those who need to date works of art.
Drawn from the Louvre and other prestigious collections, these illustrations by a noteworthy 19th century fashion historian form a gallery of iconic portraits, featuring soldiers, nobles, and commons in their finest apparel.
"One of the most celebrated painters of the eighteenth century, Jan van Huysum (Dutch, 1682-1749) gained immense fame and fortune for his meticulously rendered bouquets of flowers and fruit. With their precise botanical depictions, brilliant colors, and technical virtuosity, Van Huysums's elegant compositions were avidly collected by the elite connoisseurs throughout Europe."-- Publisher description.
Forty-five finely detailed, ready-to color illustrations depict an Italian peasant couple in wedding dress, children of a German royal family garbed in velvet, an English lord and lady in riding outfits, and more.
This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.