"The Channel Country is of special interest because its extreme aridity is disrupted unpredictably by summer monsoonal rains, causing massive flooding, and is followed by prodigious growth of plants and reproduction of animals, before returning to daunting conditions of drought. Yet, it is a region teeming with life, both plant and animal, possessing unusual capacities for existing there. It is also a region favoured by hardy pastoralists and their livestock, who have learned to coexist with this harsh climate. In Meanderings in the Bush, the authors describe their many adventures and misadventures in the region, with its climate, its animals and its human inhabitants."--Back cover.
Desert Channels is a book that combines art, science and history to explore the ‘impulse to conserve’ in the distinctive Desert Channels country of south-western Queensland. The region is the source of Australia’s major inland-flowing desert rivers. Some of Australia’s most interesting new conservation initiatives are in this region, including partnerships between private landholders, non-government conservation organisations that buy and manage land (including Bush Heritage Australia and the Australian Wildlife Conservancy) and community-based natural resource management groups such as Desert Channels Queensland. Conservation biology in this place has a distinguished scientific history, and includes two decades of ecological work by scientific editor Chris Dickman. Chris is one of Australia’s leading terrestrial ecologists and mammalogists. He is an outstanding writer and is passionate about communicating the scientific basis for concern about biodiversity in this region to the broadest possible audience. Libby Robin, historian and award-winning writer, has co-ordinated the writings of the 46 contributors whose voices collectively portray the Desert Channels in all its facets. The emphasis of the book is on partnerships that conserve landscapes and communities together. Short textboxes add local and technical commentary where relevant. Art and science combine with history and local knowledge to richly inform the writing and visual understanding of the country. Conservation here is portrayed in four dimensions: place, landscape, biodiversity and livelihood. These four parts each carry four chapters. The ‘4x4’ structure was conceived by acclaimed artist, Mandy Martin, who has produced suites of artworks over three seasons in this format with commentaries, which make the interludes between parts. Martin’s work offers an aesthetic framework of place, which shapes how we see the region. Desert Channels explores the impulse to protect the varied biodiversity of the region, and its Aboriginal, pastoral and prehistoric heritage, including some of Australia’s most important dinosaur sites. The work of Alice Duncan-Kemp, the region’s most significant literary figure, is highlighted. Even the sounds of the landscape are not forgotten: the book's webpage has an audio interview by Alaskan radio journalist Richard Nelson talking to ecologist Steve Morton at Ocean Bore in the Simpson Desert country. The twitter of zebra finches accompanies the interview. Conservation can be accomplished in various ways and Desert Channels combines many distinguished voices. The impulse to conserve is shared by local landholders, conservation enthusiasts (from the community and from national and international organisations), Indigenous owners, professional biologists, artists and historians.
A Dubya in the Headlights trains a critical eye on the curious interaction between America's forty-third president and the people who write about him, talk about him, photograph him, and draw him. Joseph R. Hayden details a rough, often tense, relationship between President George W. Bush and media outlets from CBS to the New York Times to The Tonight Show. He also challenges what until recently was the conventional wisdom about Bush's public relations-the notion that the White House was a masterful manipulator of the media, a Machiavellian puppet master. According to Hayden, those types of characterizations are not just overly generous; they are distortions and a cop-out for the press. Focusing in particular on the period since Hurricane Katrina, this lively and timely volume details the pattern of mistakes made by the Bush administration in carrying out its communication strategy and offers a clear portrait of a president stumbling from one crisis to another. Book jacket.
Caring for Community: Towards a New Ethics of Responsibility in Contemporary Postcolonial Novels focuses on four highly acclaimed publications in order to argue for a new understanding of community and its ethical framework in recent literary texts. Traditionally, community has been understood to function on the basis of individuals’ readiness to establish relationships of reciprocal responsibility. This book, however, argues that community and non-reciprocity need not be mutually exclusive categories. Examining works by leading contemporary postcolonial authors and reading them against Judith Butler’s post-9/11 concept of global political community, the book explores how concrete acts of responsibility can be carried out in recognition of various others, even and precisely when those others cannot be expected to respond. The literary analyses draw on a rich theoretical framework that includes approaches to care, hospitality and the ethical encounter between self and other. Overall, this book establishes that the novels’ protagonists, by investing in an ethics of responsibility that does not require reciprocity, acquire the agency to envisage new forms of community. By reflecting on the nature and effect of this agency and its representation in contemporary literary texts, the book also considers the role of postcolonial studies in addressing highly topical questions regarding our co-existence with others.
Fully updated and with completely reworked text and images, this is the Fourth Edition of the acclaimed The Mammals of Australia. Strahan's Mammals of Australia is the best book available on the subject, being the most definitive, comprehensive and up-to-date. It provides a written account of every species of native mammal known to have existed in Australia since European settlement, with 403 species covered in total. It is beautifully illustrated with more than 1,500 colour photographs, while each species account includes a detailed description of the animal and its behaviour. Species covered range from marsupials, monotremes and rodents through to bats, seals and whales. The new edition sees the addition of 14 newly described species and includes all the latest taxonomic treatments and many changes to names (common and scientific) and other features that have been accepted in the 14 years that have passed since the publication of the Third Edition.
From South Park to Kathy Acker, and from Lars Von Trier to Sex and the City, women's sexual organs are demonized. Rees traces the fascinating evolution of this demonization, considering how calling the 'c-word' obscene both legitimates and perpetuates the fractured identities of women globally. Rees demonstrates how writers, artists, and filmmakers contend with the dilemma of the vagina's puzzlingly 'covert visibility'. In our postmodern, porn-obsessed culture, vaginas appear to be everywhere, literally or symbolically but, crucially, they are as silenced as they are objectified. The Vagina: A Literary and Cultural History examines the paradox of female genitalia through five fields of artistic expression: literature, film, TV, visual, and performance art. There is a peculiar paradox – unlike any other – regarding female genitalia. Rees focuses on this paradox of what is termed the 'covert visibility' of the vagina and on its monstrous manifestations. That is, what happens when the female body refuses to be pathologized, eroticized, or rendered subordinate to the will or intention of another? Common, and often offensive, slang terms for the vagina can be seen as an attempt to divert attention away from the reality of women's lived sexual experiences such that we don't 'look' at the vagina itself – slang offers a convenient distraction to something so taboo. The Vagina: A Literary and Cultural History is an important contribution to the ongoing debate in understanding the feminine identity
Adaeze, a princess was born in a typical African traditional setting. She was not actually born as she was cut out from her dead mother who was gored by a wounded antelope. Adaeze had the mark of the gods on her body. Kris was brought out quickly from his dead mother who died a highly traumatized woman. He has the mark of the gods on him. Therefore that these two must paths cross in the weaving loom of fate is inevitable, for it is obvious that they are Bonded as twins in the spirit realm. The purpose for their births and lives in a world where terrible spiritual entities demand the blood and death of twins for sacrifices, where the blood lust has been unleashed in a terrible world war that has been fought and a second is looming. Yet affairs of the heart cannot be overridden by these negative forces. Bonded is a wild romance between traditional Africa with her deep culture and deeper belief system and post First and pre Second World War Europe with her modern ways, religious and colonial escapades. It is also an indepth expose' into some hitherto unknown African traditional society and ways.
Whitetails are fascinating game animals. Here is a collection of deer hunting stories and pictures that have been accumulated over four decades. Some tales are joyous triumphs while others teach valuable lessons. However, every single one is a fond memory and cherished adventure. Each episode illustrates an aspect of whitetail behavior that equips the hunter with more knowledge to successfully harvest these elusive creatures on future hunts.
