Vic Reeves' vivid, enchanting, and utterly hilarious childhood memoir is a comic masterpiece. Before there was Vic Reeves, there was a boy called James Moir, who was much the same as any other lad: obsessed with owning a pet crow, a master at writing his name and terrified of his father's immense moustaches.Growing up in Yorkshire and then County Durham, the boy who would be Reeves somehow managed to escape the attentions of 'Randy Mandy' and get a crash course in pig castration, before having some wild encounters with Jimi Hendrix and the Yorkshire Ripper. Peopled with weird and wonderful characters, Vic Reeves' memoir is authentic, inventive and very very funny, and as unique as you'd expect from one of Britain's most exceptional comedy talents. 'A great read - you'll love it' Hot Stars 'Well done, have a gold star' Bob Mortimer
The baby is screaming again. My baby. I hoist her off the narrow hotel bed--again--and try to cradle her as I rock my torso back and forth in an uncomfortable straight-backed chair. This baby does not cradle. She doesn't know how to cuddle, to be soothed in anyone's arms. She howls and arches away, squirms and flops, a sixteen-pound fish out of water. I'm not used to holding babies, and she's not used to be being held, but when I try to put her down, she wails. My arms feel chafed, raw, and my wrists ache from the hours of straining to hang on to her. Huge tears pool in her eyes. These tears could break my heart. These screams could break my eardrums. After years as a temporary college instructor with no real home—her family and longtime friends scattered—Nancy McCabe yearned to settle down, establish a place she could call home, and rear a child there. A tough academic job market led her to accept a position at a church-connected college in the deep South, a move that felt like an uneasy return to the conservative environment of her childhood that she thought she had left behind. McCabe had many reservations about rearing a child alone in this climate, but the desire to become a mother would not go away. Meeting Sophie tells the story of McCabe adopting a Chinese daughter and the many obstacles she faced during the adoption and adjustment process as she renegotiated her role within her family and fought difficulties in her job. Especially poignant is her struggle to bond with a sick, grieving baby while in a foreign country during political unrest—followed, upon her return to the U.S., by a devastating loss and a career crisis.
A retired Texas Ranger recalls a career that took him from shootouts in South Texas to film sets in Hollywood. When his picture appeared on the cover of Texas Monthly, Joaquin Jackson became the icon of the modern Texas Rangers. Nick Nolte modeled his character in the movie Extreme Prejudice on him. Jackson even had a speaking part of his own in The Good Old Boys with Tommy Lee Jones. But the role that Jackson has always played the best is that of the man who wears the silver badge cut from a Mexican cinco peso coin, a working Texas Ranger. Legend says that one Ranger is all it takes to put down lawlessness and restore the peace: one riot, one Ranger. In this adventure-filled memoir, Joaquin Jackson recalls what it was like to be the Ranger who responded when riots threatened, violence erupted, and criminals needed to be brought to justice across a wide swath of the Texas-Mexico border from 1966 to 1993. Jackson has dramatic stories to tell. Defying all stereotypes, he was the one Ranger who ensured a fair election—and an overwhelming win for La Raza Unida party candidates—in Zavala County in 1972. He followed legendary Ranger Captain Alfred Y. Allee Sr. into a shootout at the Carrizo Springs jail that ended a prison revolt and left him with nightmares. He captured “The See More Kid,” an elusive horse thief and burglar who left clean dishes and swept floors in the houses he robbed. He investigated the 1988 shootings in Big Bend’s Colorado Canyon and tried to understand the motives of the Mexican teenagers who terrorized three river rafters and killed one. He even helped train Afghan mujahedin warriors to fight the Soviet Union. Jackson’s tenure in the Texas Rangers began when older Rangers still believed that law need not get in the way of maintaining order, and concluded as younger Rangers were turning to computer technology to help solve crimes. Though he insists, “I am only one Ranger. There was only one story that belonged to me,” his story is part of the larger story of the Texas Rangers becoming a modern law enforcement agency that serves all the people of the state. It’s a story that’s as interesting as any of the legends. And yet, Jackson’s story confirms the legends, too. With just over a hundred Texas Rangers to cover a state with 267,399 square miles, any one may become the one Ranger who, like Joaquin Jackson in Zavala County in 1972, stops one riot. “A powerful, moving read . . . One Ranger is as fascinating as the memoirs of nineteenth-century Rangers James Gillett and George Durham, and the histories by Frederick Wilkins and Walter Prescott Webb—and equally as important.” —True West “A straight-shooting book that blow[s] a few holes in the Ranger myth while providing more ammunition for the myth’s continuation. . . . Reads more like a novel than [an] autobiography.” —Austin American-Statesman
(Applause Books). "These are memoirs of a kid born in New York City in 1925. His dad, George Senior, was a pianist, composer, and orchestra leader at Proctor's Vaudeville Theatre, and his mother, Helen, played in a classic dance troupe. Hanky-panky ensued. They married, and I soon was the result... I write like I talk. A long time ago I tried making 'talking and telling the truth' one and the same. That isn't just difficult; it means painfully reviewing things you've been led to believe since you were a child. That's very hard to do. Like many, I have marched along adhering to conventions (sex, color, church, party, gang) without examination. There's a wonderful, protective 'togetherness' in that anonymity. You obey or are damned, less joined together than stuck together. You become an echo rather than a voice. This book is about what happens when you stop fearing and think. I like writing, but warmed-over BS is not on the menu. You are the most important thing in life. Every phrase in the book awkward or not is how I think and question everything. I wrote every word as if we were sitting together. I want you to think, too..." George Kennedy, from the preface
And every week, there was the unspoken question, the one I didn’t know enough to ask myself : Have you found her yet? The one who reminds you of you? Twenty years after she lived at a homeless shelter for teens, Janice Erlbaum went back to volunteer. Now thirty-four years old and a successful writer, she’d changed her life for the better; now she wanted to help someone else–someone like the girl she’d once been. Then she met Sam. A brilliant nineteen-year-old junkie savant, the product of a horrifically abusive home, Sam had been surviving alone on the streets since she was twelve and was now struggling for sobriety against the adverse health effects of long-term drug abuse. Soon Janice found herself caring deeply for Sam, following her through detoxes and psych wards, halfway houses and hospitals, becoming ever more manically driven to save her from the sickness and sadness leftover from Sam’s terrible past. But just as Janice was on the verge of becoming the girl’s legal guardian, she made a shocking discovery: Sam was sicker than anyone knew, in ways nobody could have imagined. Written with startling candor and immediacy, Have You Found Her is the story of one woman’s quest to save a girl’s life–and the hard truths she learns about herself along the way. “A rich and compelling account . . . Ultimately this is a book about the narrator’s journey and the dangers that attend the urge within us all to believe we can save another soul. A terrific read.” –Cammie McGovern, author of Eye Contact
INSTANT NEW YORK TIMES BESTSELLER “In I.M., Isaac Mizrahi puts his life to paper with the same mix of spirit and wryness as the designs he popularized.” —Vanity Fair Isaac Mizrahi is sui generis: designer, cabaret performer, talk-show host, a TV celebrity. Yet ever since he shot to fame in the late 1980s, the private Isaac Mizrahi has remained under wraps. Until now. In I.M., Isaac Mizrahi offers a poignant, candid, and touching look back on his life so far. Growing up gay in a sheltered Syrian Jewish Orthodox family, Isaac had unique talents that ultimately drew him into fashion and later into celebrity circles that read like a who’s who of the twentieth and twenty-first centuries: Richard Avedon, Audrey Hepburn, Anna Wintour, Mikhail Baryshnikov, Meryl Streep, and Oprah Winfrey, to name only a few. In his elegant memoir, Isaac delves into his lifelong battles with weight, insomnia, and depression. He tells what it was like to be an out gay man in a homophobic age and to witness the ravaging effects of the AIDS epidemic. Brimming with intimate details and inimitable wit, Isaac's narrative reveals not just the glamour of his years, but the grit beneath the glitz. Rich with memorable stories from in and out of the spotlight, I.M. illuminates deep emotional truths.
"Picking up where A Story Lately Told leaves off, when Anjelica Huston is 22 years old, [this book] is a chronicle of her glamorous and eventful Hollywood years. She writes about falling in love with Jack Nicholson and her adventurous, turbulent, high-profile, spirited 17-year relationship with him and his intoxicating circle of friends. She writes about learning how to act, about her Academy Award-winning portrayal of Maerose Prizzi in Prizzi's Honor, [and] about her collaborations with many of the greatest directors in Hollywood, including Wes Anderson, Richard Condon, Bob Rafelson, Mike Nichols, and Stephen Frears"--
Within a Dutch enclave already removed from the larger world, Janie’s family is further isolated and odd. Janie struggles within the tight-knit community to understand the secrets and events involving her family. She knows the line her father draws between the holy and the sinful. His boundaries and rigid belief system nearly destroy the very family they were meant to protect. Persistent rumors and shunning by church members add to Janie’s heartache and confusion. Her endurance to preserve a loving relationship with her family is an intimate story of triumph over community bigotry and religious zeal gone too far.
From the best-selling author of The Wind-Up Bird Chronicle and After Dark, a rich and revelatory memoir about writing and running, and the integral impact both have made on his life. In 1982, having sold his jazz bar to devote himself to writing, Haruki Murakami began running to keep fit. A year later, he’d completed a solo course from Athens to Marathon, and now, after dozens of such races, not to mention triathlons and a slew of critically acclaimed books, he reflects upon the influence the sport has had on his life and—even more important—on his writing. Equal parts training log, travelogue, and reminiscence, this revealing memoir covers his four-month preparation for the 2005 New York City Marathon and includes settings ranging from Tokyo’s Jingu Gaien gardens, where he once shared the course with an Olympian, to the Charles River in Boston among young women who outpace him. Through this marvellous lens of sport emerges a cornucopia of memories and insights: the eureka moment when he decided to become a writer, his greatest triumphs and disappointments, his passion for vintage LPs and the experience, after the age of fifty, of seeing his race times improve and then fall back. By turns funny and sobering, playful and philosophical, What I Talk About When I Talk About Running is both for fans of this masterful yet guardedly private writer and for the exploding population of athletes who find similar satisfaction in distance running.
