Maya Achi Marimba Music in Guatemala
Maya Achi Marimba Music in Guatemala

Author: Sergio Navarrete Pellicer

Publisher: Temple University Press

Published: 2005

Total Pages: 296

ISBN-13: 9781592132928

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For the Achi, one of the several Mayan ethnic groups indigenous to Guatemala, the music of the marimba serves not only as a form of entertainment but also as a form of communication, a vehicle for memory, and an articulation of cultural identity. Sergio Navarrete Pellicer examines the marimba tradition -- the historical confluence of African musical influences, Spanish colonial power, and Indian ethnic assimilation -- as a driving force in the dynamics of cultural continuity and change in Rabinal, the heart of Achi culture and society. By examining the performance and consumption of marimba music as complementary parts of a system of social interaction, religious belief, and ethnic identification, Navarrete Pellicer reveals how the strains of the marimba resonate with the spiritual yearnings and cultural negotiations of the Achi as they try to come to terms with the political violence ...

The SAGE International Encyclopedia of Music and Culture
The SAGE International Encyclopedia of Music and Culture

Author: Janet Sturman

Publisher: SAGE Publications

Published: 2019-02-26

Total Pages: 6234

ISBN-13: 150635338X

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The SAGE Encyclopedia of Music and Culture presents key concepts in the study of music in its cultural context and provides an introduction to the discipline of ethnomusicology, its methods, concerns, and its contributions to knowledge and understanding of the world's musical cultures, styles, and practices. The diverse voices of contributors to this encyclopedia confirm ethnomusicology's fundamental ethos of inclusion and respect for diversity. Combined, the multiplicity of topics and approaches are presented in an easy-to-search A-Z format and offer a fresh perspective on the field and the subject of music in culture. Key features include: Approximately 730 signed articles, authored by prominent scholars, are arranged A-to-Z and published in a choice of print or electronic editions Pedagogical elements include Further Readings and Cross References to conclude each article and a Reader’s Guide in the front matter organizing entries by broad topical or thematic areas Back matter includes an annotated Resource Guide to further research (journals, books, and associations), an appendix listing notable archives, libraries, and museums, and a detailed Index The Index, Reader’s Guide themes, and Cross References combine for thorough search-and-browse capabilities in the electronic edition

Philosophy of the Ancient Maya
Philosophy of the Ancient Maya

Author: Alexus McLeod

Publisher: Lexington Books

Published: 2017-12-26

Total Pages: 239

ISBN-13: 1498531393

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This book investigates some of the central topics of metaphysics in the philosophical thought of the Maya people of Mesoamerica, particularly from the Preclassic through Postclassic periods. This book covers the topics of time, change, identity, and truth, through comparative investigation integrating Maya texts and practices—such as Classic Period stelae, Postclassic Codices, and Colonial-era texts such as the Popol Vuh and the books of Chilam Balam—and early Chinese philosophy.

The Theological and the Political
The Theological and the Political

Author: Mark Lewis Taylor

Publisher: Fortress Press

Published: 2011

Total Pages: 256

ISBN-13: 0800697898

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"Princeton's Mark Lewis Taylor has always worked at the intersection of the political and theological. Now, in this intense and exciting work, he explores in a systematic way how those two dimensions of human reality can be conceived anew and together.Taylor argues that the decline of political discourse, the justification of torture and preemptive war, mass incarceration, the misuse of religion to justify atrocity, and most especially the sheer weight of suffering in the world¹all these developments urge us to reconceive theology itself. In conjunction with the latest insights of political theory, decolonial thought, and spectral theories in contemporary philosophy, Taylor suggests that the political is the context of the theological and a realm in which we can discern, beyond simple categories of transcendence and immanence, a transimmanence that is theologically illuminative and politically liberating" -- Publisher description.

Music as Multimodal Discourse
Music as Multimodal Discourse

Author: Lyndon C. S. Way

Publisher: Bloomsbury Publishing

Published: 2017-01-26

Total Pages: 254

ISBN-13: 1474264441

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We communicate multimodally. Everyday communication involves not only words, but gestures, images, videos, sounds and of course, music. Music has traditionally been viewed as a separate object that we can isolate, discuss, perform and listen to. However, much of music's power lies in its use as multimodal communication. It is not just lyrics which lend songs their meaning, but images and musical sounds as well. The music industry, governments and artists have always relied on posters, films and album covers to enhance music's semiotic meaning. Music as Multimodal Discourse: Semiotics, Power and Protest considers musical sound as multimodal communication, examining the interacting meaning potential of sonic aspects such as rhythm, instrumentation, pitch, tonality, melody and their interrelationships with text, image and other modes, drawing upon, and extending the conceptual territory of social semiotics. In so doing, this book brings together research from scholars to explore questions around how we communicate through musical discourse, and in the discourses of music. Methods in this collection are drawn from Critical Discourse Analysis, Social Semiotics and Music Studies to expose both the function and semiotic potential of the various modes used in songs and other musical texts. These analyses reveal how each mode works in various contexts from around the world often articulating counter-hegemonic and subversive discourses of identity and belonging.

Folk Music: A Very Short Introduction
Folk Music: A Very Short Introduction

Author: Mark Slobin

Publisher: Oxford University Press

Published: 2011-01-11

Total Pages: 162

ISBN-13: 0199753083

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This VSI offers readers something no other introduction to folk music does: a cross-cultural, comparative approach, a survey of the basic issues as they have unfolded over time, and specific examples from widely differing sites of how folk musicians themselves, as well as corporations, non-governmental organizations, and governments have made full use of the available resources, older and newer strategies, and multiple agendas that keep the folk music process alive in an increasingly interconnected, yet still localized world.

Transatlantic Malagueñas and Zapateados in Music, Song and Dance
Transatlantic Malagueñas and Zapateados in Music, Song and Dance

Author: Walter Aaron Clark

Publisher: Cambridge Scholars Publishing

Published: 2019-06-20

Total Pages: 523

ISBN-13: 1527536254

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Transatlantic Malagueñas and Zapateados is an exploration of two fandango dances, recording the circulations of people, imagery, music, and dance across what were once the Spanish and Portuguese Empires. Although these dance-musics seem to be mirror images, the unbreachable space between them reflects the political fault-lines along which nineteenth-century musical populism and folkloric nationalism extend into present-day debates about globalization, immigration, neoliberalism, and neofascism. If malagueñas are a fantastic incarnation of Spanishness, caught like a fly in amber by their anachronistic references to a fraught imperial past, noisy and raucous zapateado dances cut toward the future. Inherently marked by European conventions of zapatos (shoes), zapateados are nonetheless shaped by Africanist and Native American footwork traditions. In these Afro-Indigenous mestizajes, not only are European aesthetic values reordered and resignified, but the Catholic catechism which indoctrinated the New World yields to alternate spiritual systems springing out of a culture of resistance to European domination.

Beautiful Politics of Music
Beautiful Politics of Music

Author: Gabriela Vargas-Cetina

Publisher: University of Alabama Press

Published: 2017-09-12

Total Pages: 216

ISBN-13: 081731962X

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Vargas-Cetina, a native Yucatecan and trova musician, offers ethnographic insight into the local music scene. With family connections, she embedded herself as a trovadora, and her fieldwork--singing, playing the guitar in a trova group, and extensively researching the genre and talking with fellow enthusiasts and experts--ensued. Trova, like other types of artistic endeavors, is the result of collaboration and social milieu. She describes the dedicated trova clubs, cultural institutions, the Yucatecan economy of agricultural exports, and identity politics that helped the music come about and have maintained it today. --Publisher description.

Choro Maranhense
Choro Maranhense

Author: Peter Ninaus

Publisher: BoD – Books on Demand

Published: 2022-08-16

Total Pages: 334

ISBN-13: 3756291774

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The term choro is a complex expression of a genre, a style and a cast. This diversity is complemented by regionality and forms a special appearance with the choro tradition in the Brazilian state of Maranhão. This work represents the first attempt to systematically explore this choro and to open it as a contribution to the basic research aboutthe music in Maranhão. This Choro Maranhense is a living tradition that is very receptive to neighboring styles of music and sets itself apart from other choro styles in Brazil in its musical practice. The practice of this music of the Northeast has a long history and was influential for the entire music of the country. Notwithstanding the dispute of domination between the centers of Rio de Janeiro and São Paulo in the southeast and the centers of the northeast, such as São Luís and Maranhão, the studies show that this choro has many variations and imitations of the folklore of Maranhão, such as Bumba-meu-Boi or Lelê, which give this choro tradition a completely different picture in comparison to the classical models of Pixinguinha. This work is intended as a basis for further research and as a contribution to the study of music in northeastern Brazil.