A left-handed batter in the NCAA's Division 1, Max Gordon still had a lot to live for, provided he would live at all. Facing a devastating loss--the death of his brother, Nick--and a life-threatening physical injury, he went on a transformative personal journey that united his family through the most difficult time they had ever faced. In this intimate narrative about the healing power of sports, a family is made whole again through the determination of a son who proves that in life as in baseball, no matter the score, as long as you have one more at bat, you're still in the game. The authors tell the story from the perspective of having shared relationships with the Gordon brothers.
Whether creating enormous exhibition spaces or designing living quarters for collectors and homes and studio facilities for artists, the acclaimed architect Max Gordon (1931-1990) shaped the physical settings of art in the world's major metropolises during his influential career. Following several decades of work with leading architectural firms in New York and London (during which he designed the headquarters of New Scotland Yard), in the early 1980s Gordon designed the first Saatchi Gallery in London, and went on to become celebrated and sought after as the art world's architect of choice, designing spaces for artists Elizabeth Murray, Jennifer Bartlett, Richard Serra and Joel Shapiro, and gallerists Paula Cooper, Brooke Alexander, Maeght-Lelong and Lorence-Monk in New York and Anthony d'Offay and Annely Juda in London. This first monograph offers a detailed overview of Gordon's projects for the art world, from the 100,000-square-foot exhibition space he designed for the Museo Nacional Centro de Arte Reina Sofia in Madrid to the SoHo home he remodeled for Richard Serra, demonstrating throughout his elegant use of light, space and minimal decoration, and displaying his gift for always highlighting the art.
WHEN AN ASSASSIN bursts from the shadows to try to kill him on the dark, windswept grounds of his boarding school in England, Max Gordon realizes his life is about to change forever. After learning that his explorer father is missing, Max is determined to find him, no matter what dangers may lay in his path. A secret clue his father left behind leads Max to the inhospitable wilderness of Namibia, where he soon discovers a potentially massive ecological disaster masterminded by Shaka Chang, a very powerful and completely ruthless man—a man Max fears may have put his father in mortal danger. Max needs all the help he can get. Because whoever is behind his father’s disappearance is determined to get rid of Max, too. For good.
Since 1934, the Village Vanguard in New York's Greenwich Village has hosted the foremost in live jazz, folk music, and comedy. Its owner, Max Gordon, has now written a personal history of his club and the hundreds of entertainment legends who have played there. Miles Davis, Charlie Parker, John Coltrane, Sonny Rollins, Lenny Bruce, Woody Allen, Woodie Guthrie, Betty Comden and Adolph Green, Josh White, Pete Seeger-Max has stories about all of them. And what stories! As Nat Hentoff says in his introduction, "A good many so-called professional writers have not done nearly so well."
Jazz fans get the inside story of New York's legendary club. At age 83 Lorraine Gordon is a jazz icon who has lived more than a few lives: downtown bohemian uptown grande dame music business pioneer wife lover mother and finally at a point when m
The second novel in David Gilman’s supercharged, sophisticated Danger Zone series — perfect for fans of Anthony Horowitz, James Patterson and the Jason Bourne movies. High in the freezing French Pyrenees, Max Gordon’s race to win an extreme sports challenge has become a race for survival. He witnesses the last moments of a mysterious Basque monk, who screams a cryptic clue before plummeting to his death. The clue? A prophecy that foretells a cataclysmic ecological event that will kill millions of people across Europe. Max is desperate to find a solution, but instead, he’s accused of causing the monk’s death, and the hunt is on to find him. How can Max prove his innocence when nobody will trust him … and when he can trust no one?
The “extraordinary” true story of the St. Louis, a German ship that, in 1939, carried Jews away from Hamburg—and into an unimaginable ordeal (The New York Times). On May 13, 1939, the luxury liner St. Louis sailed from Hamburg, one of the last ships to leave Nazi Germany before World War II erupted. Aboard were 937 Jews—some had already been in concentration camps—who believed they had bought visas to enter Cuba. The voyage of the damned had begun. Before the St. Louis was halfway across the Atlantic, a power struggle ensued between the corrupt Cuban immigration minister who issued the visas and his superior, President Bru. The outcome: The refugees would not be allowed to land in Cuba. In America, the Brown Shirts were holding Nazi rallies in Madison Square Garden; anti-Semitic Father Coughlin had an audience of fifteen million. Back in Germany, plans were being laid to implement the final solution. And aboard the St. Louis, 937 refugees awaited the decision that would determine their fate. Gordon Thomas and Max Morgan Witts have re-created history in this meticulous reconstruction of the voyage of the St. Louis. Every word of their account is true: the German High Command’s ulterior motive in granting permission for the “mission of mercy;” the confrontations between the refugees and the German crewmen; the suicide attempts among the passengers; and the attitudes of those who might have averted the catastrophe, but didn’t. In reviewing the work, the New York Times was unequivocal: “An extraordinary human document and a suspense story that is hard to put down. But it is more than that. It is a modern allegory, in which the SS St. Louis becomes a symbol of the SS Planet Earth. In this larger sense the book serves a greater purpose than mere drama.”
