This romantic saga plays a symphony in your heart with notes of depth and inspiration. Just when you have become fully committed to the unusual and obsessive love shared by Princeton and Tallulah, you will have to hold on tight as you will be shocked by the disturbing chain of events that close this chapter of their life.
Her father and her uncle were U.S. congressmen. Her grandfather was a U.S. senator. Although born to privilege in Alabama and groomed in a convent school, Tallulah Bankhead resolved not to be just another southern belle. Quickly she rose to the top and became an acclaimed actress of London's West End and on the Broadway stage. Her performances in many plays of the 1920s brought her to the notice of Hollywood. She starred in such Paramount films as My Sin, Faithless, The Devil and the Deep, and Thunder Below. Even though she won a New York Film Critics Circle Award for her leading role in Alfred Hitchcock's Lifeboat (1944), she never achieved the prominence in movies that she enjoyed in the theater and on radio. On the New York stage she originated the starring roles of Regina Giddens in Lillian Hellman's The Little Foxes and of Sabina in Thornton Wilder's The Skin of Our Teeth. Tallulah, like Eudora, Flannery, and Coretta, was a southern woman identifiable by her first name. Her flamboyant public personality may be the most fully realized and memorable character Bankhead ever played. She became famous for her snappy repartee, candid quotes, and scandalous lifestyle. She was disposed to remove her clothes and chat in the nude. Overfond of Kentucky bourbon and wild parties, she was a lady baritone who called everybody “Dahling.” In Tallulah, first published in 1952 and a New York Times bestseller for twenty-six weeks, Bankhead's literary voice is as lively and forthright as her public persona. She details her childhood and adolescence, discusses her dedication to the theater, and presents amusing anecdotes about her life in Hollywood, New York, and London. Along with a searing defense of her lifestyle and rambunctious habits, she provides a fiercely opinionated, wildly funny account of American stage at a time when the movies were beginning to cast theater into eclipse. This is not only a memoir of an independent woman but also an inside look at American entertainment during a golden age.
'This is a special kitten. She has come to heal.' Moments after she is born, tiny kitten Tallulah, with her bright eyes and silver and white fur edged with gold, is whisked away from her father Solomon and dumped in the hedge like rubbish. After a tough start to life, neglected and abandoned, Tallulah eventually finds a new home with the Lee family and forms a special bond with their daughter Tammy. But Tammy has a terrible secret and Tallulah must do all in her power to keep the family safe. Moving, uplifting and inspiring, Solomon's Kittenis the story of a cat who heals a family, and explores the true gift an animal can bring to our lives.
Financial magician, flamboyant politician, minister in both world wars, press baron, serial philanderer, Winston Churchill's boon companion in the dark days of 1940-41 and in his later years, Max Beaverbrook was without a doubt one of the most colourful characters of the first half of the twentieth century. Born and brought up in the Scottish Presbyterian fastness of northeast Canada, he escaped to make his fortune in Canadian financial markets. By 1910, when he migrated to Britain at the age of thirty-one, he was already a multimillionaire. With a seat in the House of Commons and then a peerage, he came to know all the senior figures in both British and Canadian politics. In acquiring the Daily Express, he not only built it into a news empire but used its considerable influence to campaign for his own pet causes. As Charles Williams's sweeping biography shows, Beaverbrook was loved and loathed in equal measure. Nevertheless, Williams brings to life a rounded character, with all its flaws and virtues. Above all, it is a story of eighty years of entrepreneurism, political dogfights, wars, sex and grand living, all set in the rich tapestry of the dramatic years of the twentieth century.
Despite an often unfair reputation as being less popular, less successful, or less refined than their bona-fide Broadway counterparts, Off Broadway musicals deserve their share of critical acclaim and study. A number of shows originally staged Off Broadway have gone on to their own successful Broadway runs, from the ever-popular A Chorus Line and Rent to more off-beat productions like Avenue Q and Little Shop of Horrors. And while it remains to be seen if other popular Off Broadway shows like Stomp, Blue Man Group, and Altar Boyz will make it to the larger Broadway theaters, their Off Broadway runs have been enormously successful in their own right. This book discusses more than 1,800 Off Broadway, Off Off Broadway, showcase, and workshop musical productions. It includes detailed descriptions of Off Broadway musicals that closed in previews or in rehearsal, selected musicals that opened in Brooklyn and in New Jersey, and American operas that opened in New York, along with general overviews of Off Broadway institutions such as the Light Opera of Manhattan. The typical entry includes the name of the host theater or theaters; the opening date and number of performances; the production's cast and creative team; a list of songs; a brief plot synopsis; and general comments and reviews from the New York critics. Besides the individual entries, the book also includes a preface, a bibliography, and 21 appendices including a discography, filmography, a list of published scripts, and lists of musicals categorized by topic and composer.