After five years, the Dallas Mavericks redeemed themselves in emphatic fashion in 2011, besting LeBron James and Miami to claim the franchise's first championship. The Mavs were led by Dirk Nowitzki, one of the league's most underappreciated superstars. Packed with stunning color photography, this must-have championship keepsake details every game of the thrilling postseason and profiles the Mavericks' leading personalities, including Nowitzki, Terry, Carlisle, and colorful owner Mark Cuban. This has been a season to remember for Mavericks fans and this book will be the perfect way to relive all the best moments for years to come.
Kimberly A. Williams wants the annual Calgary Stampede to change its ways. An intrepid feminist scholar with a wry sense of humour, Williams deftly weaves theory, history, pop culture and politics to challenge readers to make sense of how gender and race matter at Canada’s oldest and largest western heritage festival. Stampede examines the settler colonial roots of the Calgary Stampede and uses its centennial celebration in 2012 to explore how the event continues to influence life on the streets and in the bars and boardrooms of Canada’s fourth-largest city. Using a variety of cultural materials—photography, print advertisements, news coverage, poetry and social media—Williams asks who gets to be part of the “we” in the Stampede’s slogan “We’re Greatest Together,” and who doesn’t.
The rodeo cowboy is one of the most evocative images of the Wild West. The master of the frontier, he is renowned for his masculinity, toughness, and skill. A Wilder West returns to rodeo's small-town roots to explore how rodeo simultaneously embodies and subverts our traditional understandings of power relations between man and nature, women and men, settlers and Aboriginal peoples. An important contact zone – a chaotic and unpredictable place of encounter – rodeo has challenged expected social hierarchies, bringing people together across racial and gender divides to create friendships, rivalries, and unexpected intimacies. At the rodeo, Aboriginal riders became local heroes, and rodeo queens spoke their minds. A Wilder West complicates the idea of western Canada as a “white man's country” and shows how rural rodeos have been communities in which different rules applied. Lavishly illustrated, this creative history will change the way we see the West's most controversial sport.
The fifth title in our provincial histories series, Mavericks is an idiosyncratic and episodic history of what is arguably Canada's most unconventional province. From mapmakers to ranchers, Stampede Wrestling to Stockwell Day, acclaimed writer Aritha van Herk brings the drama and combative beauty of this irascible province to stunning life. van Herk's portrait of her home province embraces all its extremes, from deadly and spectacular weather to dinosaur graveyards, and from oil gushers and geysers to barnstorming social reformers and political haymakers. Bronc-riders of boom and bust, Alberta's people are a beguiling mixture of opinionated extremists, hardy pioneers and gentle sinners. Alberta is a province that most Canadians simply don't understand, the province most Canadians love to hate. It is regarded as a land of reckless, redneck and ignorant individualists. But it is also the province where the Famous Five fought the landmark Person's Case, giving Canadian women the same status as men in the eyes of the law, a province that truly believes in free speech. Albertans tolerate in their midst people whose extreme views on any manner of subjects would make them outcasts elsewhere. And Albertans practice the creed of western neighbourliness, giving assiduously to charity and always lending a hand where help is needed. They are a tough, tender bunch, squinting into the wind of determined difference. If you're an Albertan, you'll recognize yourself and your home in this book. If you're not an Albertan, this book will be an education for you. Mavericks will open your eyes to the real Alberta, as she was and is.
An exclusively Canadian textbook, this collection investigates the relationships between identity, geography, and popular culture that are produced and consumed in this sprawling country. Expanding beyond the clichés of friendliness and snow, this text provides a fresh perspective on what it means to be Canadian, both nationally and transnationally. Scholars look at historical subjects like Québécois identity and Indigenous self-representation and explore issues in contemporary media, including music, film, television, comic books, video games, and social media. From Drake to the Tragically Hip, Trailer Park Boys to The Amazing Race Canada, and poutine to maple syrup, mainstream icons and trends are studied in the interdisciplinary context of race, gender, sexuality, politics, and patriotism. Contributing to the location of Canadian popular culture, this unique resource will engage students and scholars of communication studies, cultural studies, and Canadian studies. FEATURES - Includes key concepts and theories and a glossary - Engages students with relatable historical and contemporary examples of Canadiana through a breadth of media, including television shows, websites, journals, celebrities, newspapers, literature, comic books, video games, music, and films - Ensures equal representation of a national and transnational Canada, which includes examples of race, gender, sexuality, and ethnicity, with particular attention to geographical intricacies that contain all provinces and territories
Includes essays tracing Country's growth from hand-me-down folk to a major American industry; concise biographies; critical album reviews, from the earliest commercial recordings of the 1920s through the mulitplatinum artists of today; and vintage album jackets and previously unpublished photographs.
