Jesus words of indictment and judgment in the Gospel according to Matthew have fueled centuries of Christian anti-Judaism. But what did those words originally mean within Matthews narrative? David L. Turner examines how Matthew has taken up Deuteronomic themes of prophetic rejection and judgment and woven them throughout the Gospel, culminating in Matthew 23:32. Matthew was engaged in a heated intramural dispute with other Jewish groups, Turner argues. The legacy of Christian anti-Jewish violence reflects a gross misunderstanding of Matthew by generations who have failed to recognize the authors worldview and allusions.
With a catastrophic fungal pandemic, the post-apocalypse, a moral quest despite societal breakdowns, humans hunting humans or morphed into grotesque infected, The Last of Us video games and HBO series have exhilarated, frightened, and broken the hearts of millions of gamers and viewers. The Last of Us and Theology: Violence, Ethics, Redemption? is a richly diverse and probing edited volume featuring essays from academics across the world to examine theological and ethical themes from The Last of Us universe. Divided into three groupings—Violence, Ethics, and Redemption?—these chapters will especially appeal to The Last of Us fans and those interested in Theology and Pop Culture more broadly. Chapters not only grapple with theologians, ethicists, and novelists like Cormac McCarthy, Fyodor Dostoevsky, Martin Buber, and Paul Tillich; and theological issues from forgiveness and theodicy to soteriology and eschatology; but will help readers become experts on all things fireflies, clickers, Cordyceps, and Seraphites. “Save who you can save” and “Look for the Light.”
In this new collection of songs inspired by the Gospel of Matthew, Michael Card provides an extended musical meditation on the identity of Jesus. Revolving around Jesus' momentous question to his disciples "Who do you say that I am?", the songs reflect on the person of Jesus as God's ultimate response to the "penultimate" question that has plagued humanity for ages—Who am I?
When young children first begin to ask 'why?' they embark on a journey with no final destination. The need to make sense of the world as a whole is an ultimate curiosity that lies at the root of all human religions. It has, in many cultures, shaped and motivated a more down to earth scientific interest in the physical world, which could therefore be described as penultimate curiosity. These two manifestations of curiosity have a history of connection that goes back deep into the human past. Tracing that history all the way from cave painting to quantum physics, this book (a collaboration between a painter and a physical scientist that uses illustrations throughout the narrative) sets out to explain the nature of the long entanglement between religion and science: the ultimate and the penultimate curiosity.
Although many of Edmund Schlink's writings have been available in English for several decades, the publication of the new German edition offered a significant impetus for providing a fresh and more accurate translation of them. Matthew L. Becker translated key terms that occur in all five volumes consistently. Also, he corrected infelicitous and misleading renderings of Schlink's language into English, which more or less happened in all of the earlier editions. In this first volume, Becker presents a completely reworked translation of Schlink's popular work "Der kommende Christus und die kirchlichen Traditionen.
Keppel-Jones's study focuses on a period of 275 years, during which iambic pentameter variations were conducted with special precision. Representative blocks of verse are chosen from major poets in original authoritative editions, and each variation is analysed on the basis of all cases of that variation. To give precision to certain of the principles, Keppel-Jones follows the linguist Bruce Hayes' definitions of boundaries between word-groups, but handles this material in such a way as to be understood by the general reader. Keppel-Jones found that the practical result of this study is a new metre that he allows him to apply the principles of iambic variation to the anapest. His fascinating and original approach to iambic pentameter will appeal to scholars in the field and also to people with a general interest in poetry.
An analysis that challenges the conventional Christian hierarchy of John the Baptist and Jesus of Nazareth While the Christian tradition has subordinated John the Baptist to Jesus of Nazareth, John himself would likely have disagreed with that ranking. In this eye-opening new book, John the Baptist in History and Theology, Joel Marcus makes a powerful case that John saw himself, not Jesus, as the proclaimer and initiator of the kingdom of God and his own ministry as the center of God's saving action in history. Although the Fourth Gospel has the Baptist saying, "He must increase, but I must decrease," Marcus contends that this and other biblical and extrabiblical evidence reveal a continuing competition between the two men that early Christians sought to muffle. Like Jesus, John was an apocalyptic prophet who looked forward to the imminent end of the world and the establishment of God's rule on earth. Originally a member of the Dead Sea Sect, an apocalyptic community within Judaism, John broke with the group over his growing conviction that he himself was Elijah, the end-time prophet who would inaugurate God's kingdom on earth. Through his ministry of baptism, he ushered all who came to him—Jews and non-Jews alike—into this dawning new age. Jesus began his career as a follower of the Baptist, but, like other successor figures in religious history, he parted ways from his predecessor as he became convinced of his own centrality in God's purposes. Meanwhile John's mass following and apocalyptic message became political threats to Herod Antipas, who had John executed to abort any revolutionary movement. Based on close critical-historical readings of early texts—including the accounts of John in the Gospels and in Josephus's Antiquities—as well as parallels from later religious movements, John the Baptist in History and Theology situates the Baptist within Second Temple Judaism and compares him to other apocalyptic thinkers from ancient and modern times. It concludes with thoughtful reflections on how its revisionist interpretations might be incorporated into the Christian faith.
This book constitutes the proceedings of the 7th International Conference on Statistical Language and Speech Processing, SLSP 2019, held in Ljubljana, Slovenia, in October 2019. The 25 full papers presented together with one invited paper in this volume were carefully reviewed and selected from 48 submissions. They were organized in topical sections named: Dialogue and Spoken Language Understanding; Language Analysis and Generation; Speech Analysis and Synthesis; Speech Recognition; Text Analysis and Classification.
This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.
"A thrilling quest for justice... [A] novel that is as exciting as it is enlightening from its first pages to its satisfying end.” —The New York Times Book Review “A page-turner in the proper sense… Mr. Carr has written a gripping and enjoyable novel.” —The Wall Street Journal The gripping story of the dangerous high-stakes worlds of politics and religion in sixteenth-century Spain as a mysterious Muslim killer retaliates against the Catholic Church. In March 1584, the priest of Belamar de la Sierra, a small town in Aragon near the French border, is murdered in his own church. Most of the town’s inhabitants are Moriscos, former Muslims who converted to Catholicism. Anxious to avert a violent backlash on the eve of a royal visit, an adviser to King Philip II appoints local magistrate Bernardo de Mendoza to investigate. A soldier and humanist, Mendoza doesn’t always live up to the moral standards expected of court officials, but he has a reputation for incorruptibility. From the beginning, Mendoza finds almost universal hatred for the priest. And it isn’t long before he’s drawn into a complex and dangerous world in which greed, fanaticism, and state policy overlap. And as the killings continue, Mendoza's investigation is overshadowed by the real prospect of an ethnic and religious civil war. By turns an involving historical thriller and a novel with parallels to our own time, The Devils of Cardona is an unexpected and compelling read.
