This volume provides the first comprehensive chronology of the earliest known stone sculptures from the north Indian city of Mathura. It includes new evidence for the reattribution of objects, emergence of the anthropomorphic Buddha image, and predominance of a heterodox sect of Jainism.
The Book Presents Various Stages Of Development Of Mathura Art From Its Earliest Times And, In The Process, Gives A Valuable Account Of The Archaeological Explorations And Expeditions In The Region Since 1836.
This book is an understanding of the heritage of Indian art and architecture through centuries till date giving details of the relevance and significane of every art sculpture
This volume provides the first comprehensive analysis and chronology of the earliest known stone sculptures from the north Indian city of Mathura, dating prior to the famous Kushan period. It includes numerous new attributions of objects based primarily on epigraphic and visual analysis. The sculptures attributable to these pre-Kushan periods reveal new evidence for the reasons behind the emergence of the anthropomorphic image of the Buddha at Mathura, the predominance of a heterodox sect of Jainism, and the proliferation of cults of nature divinities. This book provides a wealth of reference material useful for historians of early Indian art, religion, and epigraphy. The book is illustrated with over three hundred photographs, and it includes epigraphic appendices with complete transcriptions and updated translations.
The first to combine the study of representation, gender theory, and Muslim women from a historical and geographical perspective, this book examines where women have represented themselves in art, architecture, and the written word in the Muslim world. The authors explore the gendering and implicit power relations present in the positioning of subject and object in the visual field and look specifically at occasions when women publicly adopted the stance of the viewer, speaker, writer, or patron. Contributors include Ellison Banks Findly, Elizabeth Brown Frierson, Salah M. Hassan, Nancy Micklewright, Leslie Peirce, Kishwar Rizvi, D. Fairchild Ruggles, Yasser Tabbaa, Lucienne Thys-Senoçak, and Ethel Sara Wolper.
The Monograph Introduces The Remains Of A Legendary Stupa Of The Sunga Period (2Nd 1St Century B.C.) Which Once Stood Near The Village Bharhut In Madhya Pradesh . Since 1876 These Precious Antiquarian Gems Are The Prized Possession Of The Indian Museum, Calcutta. The Author In His Capacity As Director Of That Museum Had The Opportunity To Study Them Afresh And Reassess Their Cultural And Artistic Merits. The Renowned Scholar Dr. Mulk Raj Anand In His Capacity As Visitor To The Museum Suggested To Bring Out A Handy Pictorial Companion Which Could Be Useful To The Visitors To The Museum As Well As Lovers Of Early Indian Art. The Book Gives A Lucid Introduction Besides Several Interesting Interpretations About The Concept And Significance Of Stupa Tradition And Particularly The Socio-Religious And Artist Role Played By This Grand Edifice In The Pre-And Post-Christian Centuries. Important Sculptures Have Been Adequately Described And Projected Through Colour And Black And White Illustrations.
Volume II presents an account of various population movements and cultural exchanges in Central Asia between 700 B.C. and 250 A.D. Important nomadic tribal cultures such as the Kushans emerged during this period. Contacts between the Mediterranean and the Indus Valley were reinforced by the campaigns of Alexander the Great and, under his successors, the progressive syncretism between Zoroastrianism, Greek religion and Buddhism gave rise to a new civilization instituted by the Parthians, known for its artistic creations. Under Kushan rule, Central Asia became the crossroads of a prosperous trade between the Mediterranean and China along the Silk Route.
In spite of the prevalent view against Tantricism and Tantric literature, Hindus in general are in the grip of this very Tantra in their daily life, customs and usages with all the attendant good and evil. The present work investigates and places before the scholars a dispassionate account of the Tantras in general and Buddhist Tantras in particular. The author traces its origin to primitive magic and its development. Narrating the rise of Vajrayana and its place of origin, along with the Tantras and Mantras Buddhism has given to the world, he records the accounts of prominent authors. Aims and objects, the leading tenets, the procedure for worship are elaborated together with a description of the Buddhist deities and its Pantheon. The influence of Buddhist Tantraicism on Hinduism is logically evaluated. Contains Index and illustrations.