Authorship of the great sanskrit language epic poem of India, the Mahabharat, is attributed to the sage krsna Dvaipayana Vyasa. This study focuseson the depictionof vyasa in the Mahabharata, where he is an important character in the tale he is credited, with composing. The interpretation of vyasa is enriched by the different perspectives provided by other literature, including dramas, Jataka tales, Arthasastra, and Puranas.
Illustrations: Numerous B/w Figures Description: Key questions in the history of Navya-nyaya (New Nyaya) remain unresolved: when did this school of logic begin, who was its founder, what distinguishes Navya-nyaya from Pracina-nyaya (Old Nyaya), and so on. This book attempts to answer these key questions in Part I. Part II provides a translation, analysis, and critical edition of the Lion and Tiger Definitions of Invariable Concomitance Chapter (Simha-vyaghra-laksana: LT Chapter) of the Tattva-cintamani-rahasya (TCR) of Mathuranatha (16th-17th c.). The hypothesis adopted by the author with regard to the first question is that Udayana, who lived in the 11th century, is the founder of Navya-nyaya. This hypothesis is closely linked to the hypothesis offered regarding the second question, which is that the feature that distinguishes Navya-nyaya from the earlier school is its description of concepts and the structure of the world in terms of relation. Early Navya-nyaya authors, who flourished between Udayana and Gangesa (14th c.), devised specific terminology, of which delimitor (avacchedaka) and describer (niËpaka) are the most important, in order to identify or specify relation. This book attempts to illustrate the function of these and other Navya-nyaya terms from the viewpoint of relation. The main sources upon which the author has based his conclusions are Udayana s Laksanavali and the chapters on invariable concomitance or pervasion (vyapti) of the Nyaya-siddhanta-dipa (NSD) of Sasadhara (13rd-14th c.), the Tattva-cintamaÆi (TC) of Gangesa, and the TCR. Of these Sanskrit texts no scholar has worked on the Invariable Concomitance Chapter (Vyapti-vada) of the NSD in detail or the LT Chapter of the TCR. The latter chapter follows in the TCR the Five Definitions of Invariable Concomitance Chapter (Vyapti-pancaka), which Ingalls edited, translated, and analyzed in his epoch-making book Materials for the Study of Navya-Nyaya Logic (1951). One major innovation of this book made in Part II is to explain the structure of Navya-nyaya analysis by employing 86 diagrams based on the dharma-dharmin (property and property-possessor) relation, which serve as a visual aid and help readers to more easily understand the complicated structure of its analysis. The diagrams are also helpful in ascertaining how the definitions of invariable concomitance apply to individual cases and how the entities are connected in the application of the definitions. Another major innovation is: almost every sub-section of the LT Chapter of the TCR contains Mathuranatha s clarification of part of the two definitions; but this clarification does not give the definition incorporating prior clarifications and insertions; this book provides such a definition accompanied by a diagram. In other words, Part II illustrates the structure of the whole definition at every process of the clarification, which (definition) is never presented as such in Mathuranatha s text.
This collection of articles and review essays, including many hard to find pieces, comprises the most important and fundamental studies of Indian logic and linguistics ever undertaken. Frits Staal is concerned with four basic questions: Are there universals of logic that transcend culture and time? Are there universals of language and linguistics? What is the nature of Indian logic? And what is the nature of Indian linguistics? By addressing these questions, Staal demonstrates that, contrary to the general assumption among Western philosophers, the classical philosophers of India were rationalists, attentive to arguments. They were in this respect unlike contemporary Western thinkers inspired by existentialism or hermeneutics, and like the ancient Chinese, Greeks, and many medieval European schoolmen, only—as Staal says—more so. Universals establishes that Asia's contributions are not only compatible with what has been produced in the West, but a necessary ingredient and an essential component of any future human science.
Three mountains and the seven rivers is a collection of 56 essays to felicitate the sixtieth birthday of Doctor Musashi Techikawa, Professor at Aichi gakuin University in Nagoya. This volume consist of thirteen Sections; (1) Ancient Geography, (2) Buddhism, (3) Madhyamika, (4) Iconography, (5) Jainism, (6) Logic, (7) Poetics, (9) Social Practice, (10) Tibetan Themes, (11) Vedanta and Mimamsa, (12) Samkhya and Yoga and (13) Tantrism. these saetions throw new light on enduring themes in Indian studies as well as raises fresh issues.
This book provides a comprehensive survey of the Hindu tradition, dealing with the history of Hindusim, the sacred writings of the Hindus, the Hindu worldview, and the specifics of the major branches of Hindusim—Vaisnavism, S aivism, and S aktism. It also focuses on the geographical ties of Hinduism with the land of India, the social order created by Hinduism, and the various systems of Hindu philosophio-theological thought. Klostermaier describes the new development of Hinduism in the 19th and 20th centuries, including present-day political Hinduism and the efforts to turn Hinduism into a modern-world religion. A unique feature of this book is its treatment of Hinduism in a topical fashion, rather than by chronological description of the development of Hinduism or by summary of the literature. The complexities of Hindu life and thought are thus made real to the reader. Hindus will recognize it as their own tradition. A glossary and a chronological table are useful additional features.
This original work focuses on the rational principles of Indian philosophical theory, rather than the mysticism more usually associated with it. Ganeri explores the philosophical projects of a number of major Indian philosophers and looks into the methods of rational inquiry deployed within these projects. In so doing, he illuminates a network of mutual reference, criticism, influence and response, in which reason is used to call itself into question. This fresh perspective on classical Indian thought unravels new philosophical paradigms, and points towards new applications for the concept of reason.
Here are the chief riches of more than 3,000 years of Indian philosophical thought-the ancient Vedas, the Upanisads, the epics, the treatises of the heterodox and orthodox systems, the commentaries of the scholastic period, and the contemporary writings. Introductions and interpretive commentaries are provided.
About the Book: The canvas of India’s history, literature, science, and culture spans not just centuries, but several millennia. This book provides a bird’s eye view of everything Indian or simply the proverbial ‘omnibus capsule’. For modern readers who have little time to read eclectic sources, the ‘omnibus capsule‘ hopes to provide a comprehensive compendium about India. Part I narrates the fascinating history of Board Games and Martial Arts in India. Race Games like Pachisi, Moksha Patam, and Ashtapada became channels for many popular games like Ludo, Snake & Ladders, and Backgammon. Pachisi was however appropriated by Alfred Collier, who took the game to England and called it ‘Royal Ludo’ and even earned a patent for it. One of the earliest war games was Chaturanga, the precursor of modern Chess. It traces the transmission of Chaturanga to the West via the Persians (Chatrang) and the Arabs (Shatranj), and its evolution into the contemporary form. It describes various kinds of derived chess games, like circular chess, four-handed chess, decimal chess, and chess with dice etc. The relationship between Chitra Kavya, a genre of Sanskrit poetry and the Knights Tour, is fascinating. The earliest mention of hand combat is to be found in the Buddhist text Lotus Sutra. Chua-Fa practised today can be traced to the original 18 Luohan Hands of Boddhidharma. The book covers 14 different forms of martial arts practised in India. Martial Arts to Performance describes how Kalaripayattu continues to influence contemporary dance forms. About the Author: Satish Joglekar is an engineer from IIT Bombay, with a Master’s in computer science. He has worked with several software companies for more than 30 years which included a long stint at Bell Laboratories, USA. Satish is trained in Hindustani classical music and has intense interest in history, non-fiction literature, and travel.
