MATERIAL WITNESS

MATERIAL WITNESS

Author: Susan Schuppli

Publisher: MIT Press

Published: 2020-02-25

Total Pages: 391

ISBN-13: 0262357208

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The evidential role of matter—when media records trace evidence of violence—explored through a series of cases drawn from Kosovo, Japan, Vietnam, and elsewhere. In this book, Susan Schuppli introduces a new operative concept: material witness, an exploration of the evidential role of matter as both registering external events and exposing the practices and procedures that enable matter to bear witness. Organized in the format of a trial, Material Witness moves through a series of cases that provide insight into the ways in which materials become contested agents of dispute around which stake holders gather. These cases include an extraordinary videotape documenting the massacre at Izbica, Kosovo, used as war crimes evidence against Slobodan Milošević; the telephonic transmission of an iconic photograph of a South Vietnamese girl fleeing an accidental napalm attack; radioactive contamination discovered in Canada's coastal waters five years after the accident at Fukushima Daiichi; and the ecological media or “disaster film” produced by the Deep Water Horizon oil spill in the Gulf of Mexico. Each highlights the degree to which a rearrangement of matter exposes the contingency of witnessing, raising questions about what can be known in relationship to that which is seen or sensed, about who or what is able to bestow meaning onto things, and about whose stories will be heeded or dismissed. An artist-researcher, Schuppli offers an analysis that merges her creative sensibility with a forensic imagination rich in technical detail. Her goal is to relink the material world and its affordances with the aesthetic, the juridical, and the political.


Material Evidence

Material Evidence

Author: Robert Chapman

Publisher: Routledge

Published: 2014-12-05

Total Pages: 383

ISBN-13: 1317576233

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How do archaeologists make effective use of physical traces and material culture as repositories of evidence? Material Evidence takes a resolutely case-based approach to this question, exploring instances of exemplary practice, key challenges, instructive failures, and innovative developments in the use of archaeological data as evidence. The goal is to bring to the surface the wisdom of practice, teasing out norms of archaeological reasoning from evidence. Archaeologists make compelling use of an enormously diverse range of material evidence, from garbage dumps to monuments, from finely crafted artifacts rich with cultural significance to the detritus of everyday life and the inadvertent transformation of landscapes over the long term. Each contributor to Material Evidence identifies a particular type of evidence with which they grapple and considers, with reference to concrete examples, how archaeologists construct evidential claims, critically assess them, and bring them to bear on pivotal questions about the cultural past. Historians, cultural anthropologists, philosophers, and science studies scholars are increasingly interested in working with material things as objects of inquiry and as evidence – and they acknowledge on all sides just how challenging this is. One of the central messages of the book is that close analysis of archaeological best practice can yield constructive guidelines for practice that have much to offer archaeologists and those in related fields.


Art as Evidence

Art as Evidence

Author: Jules David Prown

Publisher: Yale University Press

Published: 2001-01-01

Total Pages: 342

ISBN-13: 9780300084313

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Art As Evidence celebrates the career of Jules Prown, historian of American art and a pioneer in the study of material culture. It brings together some of his most influential essays along with an introductory chapter, and an intellectual autobiography.


Material Evidence

Material Evidence

Author: Melissa Gordon

Publisher:

Published: 2014

Total Pages: 0

ISBN-13: 9783956790331

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Material Evidence expands on the formal concerns and critical debates developed through Melissa Gordon's exhibition of the same name, following a joint residency with Spike Island and Spike Island Print Studio in Bristol, in the summer of 2013. Gordon's work as a painter and printmaker follows the relationship between representation and abstraction; she often enlarges details to reveal hidden structures, zooming in until textual or pictorial information is reduced to dots and lines. The publication navigates through four concurrently exhibited and ongoing series (Structures for Viewing, Blow Up Modernists, The Daily News RIP, and Material Evidence) installed at Spike Island. This monograph contains a reprint of the early modernist play Collision by Mina Loy, a source that contextualizes Gordon's concern with spatial arrangements and pictorial staging. An essay by Marina Vishmidt reflects on the legacies of modernism and the particular politics of abstraction found within Gordon's practice, and the conversation between Spike Island's curator Marie-Anne McQuay and Gordon investigates how each new body of work stages a reconfiguration of histories, surfaces, and iconographies. Copublished with Spike Island Contributors Mina Loy, Marina Vishmidt; interview by Marie-Anne McQuay


Evidence

Evidence

Author: Gregory Durston

Publisher:

Published: 2011-03-24

Total Pages: 679

ISBN-13: 0199583609

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Providing an easily accessible source for students studying the law of evidence, this title fulfils the roles of both textbook and materials book, containing extracts from key cases and published articles.


Input and Evidence

Input and Evidence

Author: Susanne Elizabeth Carroll

Publisher: John Benjamins Publishing

Published: 2001-10-04

Total Pages: 480

ISBN-13: 9027298211

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Input and Evidence: the raw material of second language acquisition is an empirical and theoretical treatment of one of the essential components of SLA: the input to language learning mechanisms. It reviews and adds to the empirical studies showing that negative evidence (correction, feedback, repetitions, reformulations) play a role in language acquisition in addition to that played by ordinary conversation. At the same time, it embeds discussion of input within a framework which includes a serious treatment of language processing, including the problem of modularity and the question of how semantic representations can influence grammatical ones. It lays the foundation for the development of a truly explanatory theory of SLA in the form of the Autonomous Induction Theory which combines a model of induction with an interpretation of Universal Grammar, thereby permitting, for the the first time, a coherent approach to the problem of constraining induction in SLA.


Material Evidence and Narrative Sources

Material Evidence and Narrative Sources

Author: Daniella J. Talmon-Heller

Publisher: BRILL

Published: 2014-10-23

Total Pages: 410

ISBN-13: 9004279660

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This book is a collected volume that crosses traditional boundaries between methodologies. Each of its sixteen articles is based on imaginative combinations of data provided by excavations, artifacts, monuments, urban topography, rural layouts, historical narratives and/or archival records. The volume as a whole demonstrates the effectiveness of interdisciplinary research applied to historical, cultural and archaeological problems. Its five sections - Economics and Trade, Governmental Authority, Material Culture, Changing Landscapes, and Monuments – bring forth original studies of the medieval, Ottoman and modern Middle East, amongst others, of voiceless and silenced social groups. Contributors are: Nitzan Amitai-Preiss, Jere L. Bacharach, Simonetta Calderini, Delia Cortese, Katia Cytryn-Silverman, Miriam Frenkel, Haim Goldfus, Hani Hamza, Stefan Heidemann, Miriam Kühn, Ayala Lester, Nimrod Luz, Yoram Meital, Daphna Sharef-Davidovich, Oren Shmueli, Yasser Tabbaa, Daniella Talmon-Heller, and Bethany Walker.


AL Thaahir; The Evidence, the Outer, the Manifest. Material Evidence For God's Presence. AL Thaahir; die Beweise, das Außere, das Offbenbare

AL Thaahir; The Evidence, the Outer, the Manifest. Material Evidence For God's Presence. AL Thaahir; die Beweise, das Außere, das Offbenbare

Author: Sahar Maurice

Publisher: Balboa Press

Published: 2020-04-06

Total Pages: 124

ISBN-13: 1982281219

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Al Thaahir: The Evidence, the Outer, the Manifest is a reflection that summarises yet magnifies, that shines a light on what we tend to forget. It is a reminder of what we need to do to bring ourselves to be connected again with the Higher Power. It is here, in the now, that many are too distracted to feel this connection. But we are never far from what witness to us the presence of God. The manuscript was written in Arabic and German when Sahar was a student at the Goethe Institute in Cairo. Thirty years later the research by Sahar went from A4 stored paper into a published book. Al Thaahir: The Evidence, the Outer, the Manifest provides readers with the opportunity to develop or rekindle the loving relationship the Higher Power. Be remimded and Be empowered. Al Thaahir: die Beweise, das Äußere, das Offenbare ist eine Betrachtung, die zusammenfasst und doch vergrößert und die ein Licht auf das wirft, was wir zu vergessen neigen. Es ist eine Erinnerung daran, was wir tun müssen, um unsere Verbindung mit der höheren Macht wieder zu stärken. Im Hier und Jetzt sind viele zu abgelenkt, um diese Verbindung zu spüren. Aber wir sind nie weit weg von dem, was uns die Gegenwart Gottes bezeugt. Das Manuskript wurde in arabischer und deutscher Sprache verfasst, als Sahar eine Studentin am Goethe-Institut in Kairo war. Dreißig Jahre später wurde Sahars Forschung, nach langer Aufbewahrung auf A4-Papier, als Buch veröffentlicht. Al Thaahir: die Beweise, das Äußere, das Offenbare gibt Lesern die Möglichkeit, die liebevolle Beziehung zur höheren Macht zu entwickeln oder neu aufleben zu lassen. Erinnern Sie sich und lassen Sie sich bestärken.


Ancient Mesopotamian Materials and Industries

Ancient Mesopotamian Materials and Industries

Author: Peter Roger Stuart Moorey

Publisher: Eisenbrauns

Published: 1999

Total Pages: 456

ISBN-13: 9781575060422

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This is the first systematic attempt to survey in detail the archaeological evidence for the crafts and craftsmanship of the Sumerians, Babylonians, and Assyrians in ancient Mesopotamia, covering the period ca. 8000-300 B.C.E. As creators of some of the earliest farming and urban communities known to us, these people were among the first pioneers of many crafts and skills that remain fundamental to modern ways of life. Many of the raw materials for crafts had to be imported from outside the river valley of the Tigris and Euphrates, providing an unusually sensitive indicator of the commercial and cultural contacts of Mesopotamia. In this book, Dr. Moorey reviews briefly the textual evidence, and then goes on to examine in detail the material evidence for a wide range of crafts using stones, both common and ornamental, animal products--from hippopotamus ivory to ostrich egg-shells--ceramics, glazed materials and glass, metals, and building materials. With a comprehensive bibliography, this will be a key work of reference for archaeologists and those interested in the early history of crafts and technology, as well as for specialist historians of the ancient Near East.