The present book Material Culture Depicted in Vijayanagara Temples tries to cover the entire sculptural material and also paintings of the contemporary period. Therefore, the present book may justifiably claim completeness as far as material culture, reflected in the sculptures and paintings, is concerned. This study of the life of the people under the Vijayanagara empire, as depicted in the sculptures and paintings, tries to bring out the elements of contemporary rich material culture and locate the contemporary plastic parallels and finally tries to corroborate the sculptural data with the accounts of contemporary travellers and literary one. It is to be hoped that a renewed interest in the Unique culture of the Vijayanagara period will develop and that this book will stimulate further scholarly interest on Vijayanagara art.
This book presents a unique guide to heritage preservation problems and the corresponding state-of-the-art digital techniques to achieve their plausible solutions. It covers various methods, ranging from data acquisition and digital imaging to computational methods for reconstructing the original (pre-damaged) appearance of heritage artefacts.The case studies presented here are mostly drawn from India’s tangible and non-tangible heritage, which is very rich and multi-dimensional. The contributing authors have been working in their respective fields for years and present their methods so lucidly that they can be easily reproduced and implemented by general practitioners of heritage curation. The preservation methods, reconstruction methods, and corresponding results are all illustrated with a wealth of colour figures and images.The book consists of sixteen chapters that are divided into five broad sections, namely (i) Digital System for Heritage Preservation, (ii) Signal and Image Processing, (iii) Audio and Video Processing, (iv) Image and Video Database, and (v) Architectural Modelling and Visualization. The first section presents various state-of-the-art tools and technologies for data acquisition including an interactive graphical user interface (GUI) annotation tool and a specialized imaging system for generating the realistic visual forms of the artefacts. Numerous useful methods and algorithms for processing vocal, visual and tactile signals related to heritage preservation are presented in the second and third sections. In turn, the fourth section provides two important image and video databases, catering to members of the computer vision community with an interest in the domain of digital heritage. Finally, examples of reconstructing ruined monuments on the basis of historic documents are presented in the fifth section. In essence, this book offers a pragmatic appraisal of the uses of digital technology in the various aspects of preservation of tangible and intangible heritages.
The book represents the culmination of a hugely successful heritage preservation project initiated by the Government of India’s Department of Science and Technology. It presents extensive research on the digital preservation of the history, mythology, art, architecture and culture of the world heritage site Hampi in Karnataka, the seat of the Vijayanagara dynasty in medieval India. Further, the book introduces readers to a range of techniques developed by Indian technical research groups for digitally preserving both the tangible and intangible cultural heritage of the region. These techniques are sufficiently generic to be applied in heritage preservation efforts for other historical sites around the world as well. Technological advances have made it possible to not only create digital archives of these heritage artifacts, but to also share these resources for people to view, explore, experience, and analyze. This book showcases how cutting-edge technology can be combined with cultural and historical research to digitize and preserve heritage. It is the consolidation of work conducted under the Indian Digital Heritage project, a unique initiative of the Department of Science & Technology (DST), Government of India. The project involved collaboration between researchers in the areas of Technology, Computer Science, Architecture and the Humanities for the digital documentation and interpretation of India’s tangible and intangible heritage. It highlights the art, architecture, and cultural legacy of the world heritage site of Hampi in Karnataka, the medieval capital of the 14th-16th century Vijayanagara dynasty. The contributors to this book are scientists and technology experts from prominent academic institutes in India such as the IITs (Indian Institutes of Technology), NIIT, and NID (National Institute of Design) working in collaboration with some of India’s top architects, art historians, anthropologists, heritage groups and multi-disciplinary cultural institutions such as the National Institute of Advanced Studies (NIAS). Their papers will introduce readers to cutting-edge technologies from research areas such as computer vision, 3D modeling and artificial intelligence as they are employed to preserve art and culture in the digital domain. The book is divided into four parts. Part 1 details efforts and techniques for modeling and representing the tangible heritage of Hampi, such as the reconstruction of damaged structures, realistic walk-throughs, and haptic rendering. Part 2 includes chapters detailing the analysis and digital restoration of artifacts such as mural paintings, inscriptions and sculptures, as well as mobile-based visual search for artifacts. Part 3 includes chapters on conjectural re-constructions of the architectural life, social life and traditions of Hampi. Lastly, Part 4 addresses the knowledge-based archiving and exploration of cultural heritage.
The book deals with the political and administration patterns that prevailed in Andhradēsa before the emergence of British rule. The conventional pattern of studying Medieval History in the past was glorifying the personalities of some kings and emperors. But the present study has been taken up to discover the factual realities that are considered in the form of socio-economic, political and administrative patterns as the essentials for the historical study. This book is an impressive and wide ranging one, examining the political order, material frame works and complex history of Vijayanagar Empire with a particular focus on Andhra Pradesh
The present book entitled Rock Cut Temples of Western India is an exhaustive book that covers all the caves of Western India. The book is the need of the times as a more researched book, a more detailed book on Western Caves has not been published after James Burgess and James Fergusson. Modern view points and deeper under- Standing of the caves was essential. The study required huge travel around the caves it was difficult to access some caves. Since there are no facilities around, photography was extremely perplexing. However the book was completed within a span of three and a half years. Focus of the book is on the evolution of the chaitya and the vihara caves as well as an comprehensive documentation of all the caves. Each cave was carefully studied and their architectural, cultural details were documented. A comparative study too has been included as similarities and dissimilarities establish a more authentic dating in case of absence of inscriptions. The book also throws light on many unidentified sculptures. The special contribution of the book is the inclusion of practically all caves .even some caves that were not included by James Burgess and Fergusson like the unknown caves of Kol, Yerphal, Pohale, Nadsur and Nenavali. Some of these caves are simply in accessible. Besides all the documentation the book has also taken special pains to assess and evaluate the present conditions of all these monuments as after a gap of many years many cave groups are in an extremely bad condition. Those caves under ASI are in fairly good condition, though of course caves like Ajanta where the painting despite commendable development and conservation work being done are in a bad condition due to climatic and other geographical and man made reasons. In the study major scholars work has been referred to as their contribution is significant.
The Study Deals With A State Known As Surapura Samsthana Which Was An Off-Shoot Of The Vijayanagara Empire And The Adil Shahi Of Bijapur. 7 Chapters - Introduction, Political History, Economy And Religion, Archaeological Sites, Epilogue, Bibliography- 88 Plates In Black And White And Colour. 74 Figures.
