Masterplots II.: A-Conf

Masterplots II.: A-Conf

Author: Steven G. Kellman

Publisher:

Published: 2000

Total Pages: 522

ISBN-13:

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Includes more than 360 interpretative essays on works of twentieth-century fiction published in the United States and Latin America.


Masterplots II.

Masterplots II.

Author: Philip K. Jason

Publisher:

Published: 2002

Total Pages: 584

ISBN-13:

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Comprehensive coverage of the most commonly studied poems written in or translated into English.


Masterplots II

Masterplots II

Author: Frank Northen Magill

Publisher:

Published: 1989

Total Pages: 458

ISBN-13:

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A digest of plots and critiques of 318 twentieth century nonfiction works "in the areas of autobiography, memoirs, philosophy, anthropology, psychology, and other subjects for the non-specialist reader"--Publisher's catalog.


Masterplots II.

Masterplots II.

Author: Charles Edward May

Publisher:

Published: 2004

Total Pages: 658

ISBN-13:

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Examines the theme, characters, plot, style and technique of more than 1,200 nineteenth- and twentieth-century works by prominent authors from around the world.


Masterplots II.: A-Conn

Masterplots II.: A-Conn

Author: Frank Northen Magill

Publisher:

Published: 1992

Total Pages: 456

ISBN-13:

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Over 770 articles summarize and evaluate poems written between the sixteenth and twentieth centuries.


Masterplots II.: A-Dre

Masterplots II.: A-Dre

Author: Tyrone Williams

Publisher:

Published: 2009

Total Pages: 560

ISBN-13:

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Williams (Xavier U.) presents 367 three-to-four page essays, 101 commissioned new for this edition, on significant African American works of literature, from Afrocentricity: The Theory of Social Change, a work of cultural criticism by Molefi K. Asante,to Zami: A New Spelling of My Name, the "biomythography" of Audre Lorde. The works covered range from early colonial era writings through works of the beginning of the 21st century. Most of the essays address a single long work, while others review an author's work in a certain genre, such as short fiction, poetry, essays, or speeches. Each entry begins with information on title, subtitle, author's name and birth/death dates, type of work, date of first publication and production. For fiction, information is also presented on type of plot, setting, and principal characters. The essays then describe events or contents of the work and address broad themes and meanings connected to the work. Essays on fiction works include discussion of main character or characters, while nonfiction work includes sections on "form and content" and "analysis." All essays end with discussion of critical context. Also included with the essays are annotated bibliographies on secondary sources. The final volume includes indexes organized by type of work, title, and authors. Examples of works covered, in addition to the two already mentioned, include Ain't I a Woman by bell hooks, The Autobiography of Malcolm X, Babel-17 by Samuel R. Delany, The Black Muslims in America by C. Eric Lincoln; The Content of Our Character by Shelby Steele, Kindred by Octavia E. Butler, Roots by Alex Haley, The Signifying Monkey by Henry Louis Gates, Up from Slavery by Booker T. Washington, and Walkin' the Dog by Walter Mosley. Annotation ©2009 Book News, Inc., Portland, OR (booknews.com).


Masterplots II.: Lov-Pla

Masterplots II.: Lov-Pla

Author: Steven G. Kellman

Publisher:

Published: 2000

Total Pages: 512

ISBN-13:

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Includes more than 360 interpretative essays on works of twentieth-century fiction published in the United States and Latin America.


Masterplots Two

Masterplots Two

Author: Tyrone Williams

Publisher:

Published: 2009

Total Pages: 612

ISBN-13:

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Williams (Xavier U.) presents 367 three-to-four page essays, 101 commissioned new for this edition, on significant African American works of literature, from Afrocentricity: The Theory of Social Change, a work of cultural criticism by Molefi K. Asante,to Zami: A New Spelling of My Name, the "biomythography" of Audre Lorde. The works covered range from early colonial era writings through works of the beginning of the 21st century. Most of the essays address a single long work, while others review an author's work in a certain genre, such as short fiction, poetry, essays, or speeches. Each entry begins with information on title, subtitle, author's name and birth/death dates, type of work, date of first publication and production. For fiction, information is also presented on type of plot, setting, and principal characters. The essays then describe events or contents of the work and address broad themes and meanings connected to the work. Essays on fiction works include discussion of main character or characters, while nonfiction work includes sections on "form and content" and "analysis." All essays end with discussion of critical context. Also included with the essays are annotated bibliographies on secondary sources. The final volume includes indexes organized by type of work, title, and authors. Examples of works covered, in addition to the two already mentioned, include Ain't I a Woman by bell hooks, The Autobiography of Malcolm X, Babel-17 by Samuel R. Delany, The Black Muslims in America by C. Eric Lincoln; The Content of Our Character by Shelby Steele, Kindred by Octavia E. Butler, Roots by Alex Haley, The Signifying Monkey by Henry Louis Gates, Up from Slavery by Booker T. Washington, and Walkin' the Dog by Walter Mosley. Annotation ©2009 Book News, Inc., Portland, OR (booknews.com).