This volume of new interdisciplinary essays provides insights into the emerging field of masculinities and the challenges it poses to the Indian male. Masculinities research has evolved considerably and demonstrates that men are not an homogenous group but are instead diverse--there are many "masculinities." Manliness can no longer be studied from just a North American or European perspective but from those of every part of the world. Covering an array of topics such as the construction of identity and the negotiation of power and sexuality, these essays aim to show how masculinities are experienced and embodied within India.
Becoming Young Men in a New India tells the gendered story of a changing India through the lives of its young middle class men. Through time spent ethnographically 'hanging-out' with young men in gyms, bars, clubs, trains and gay cruising grounds in India, this book critically reveals Indian men's violence towards women in various city spaces and also shows the many classed and masculine entitlements and challenges that they experience. The book lays bare the often secretive and hidden social worlds of young Indian men and critically analyses the impact young men's actions and identities have not just for themselves, but for the many women they encounter. In this way, it puts forward a critical queer-feminist perspective of men and masculinities in postcolonial India where the politics of class, gender, sexuality, violence and urban spaces come together.
Canada’s Indian Act is infamously sexist. Many iterations of the legislation conferred a woman’s status rights through marriage, and even once it was amended First Nations women could not necessarily pass their status on to their descendants. What has that injustice meant for First Nations men? Martin J. Cannon challenges a decades-long assumption that the act has affected Indigenous people as either “women” or “Indians” – but not both. He argues that sexism and racialization within the law must instead be understood as interlocking forms of discrimination that disrupt gender complementarity and undercut the identities of Indigenous men through their female forebears.
‘Masculine’ is most commonly defined in direct contrast to ‘feminine’. Masculinity is thus often seen as an antithesis of femininity, the two ideas apparently locked in a tussle over the allocation of characteristics. Joseph Alter bypasses this opposition altogether in his original exploration of the concept of masculinity in modern India. He offers a strikingly new interpretation of Indian ‘maleness’, one that refers to itself, and not to an ‘other’. Through the distinct yet interrelated lenses of nationalism, yoga, wrestling, the concept of brahmacharya and male chastity, Alter examines the moral, material and biological roots of Indian masculinity. Unusually, it is the ideal of the celibate male that is the basis for this exploration. Moral Materialism: Sex and Masculinity in Modern India offers an elegant and inventive perspective on the multiple meanings of Indian masculinity.
This book is an attempt to bring the gender and development debate full circle-from a much-needed focus on empowering women to a more comprehensive gender framework that considers gender as a system that affects both women and men. The chapters in this book explore definitions of masculinity and male identities in a variety of social contexts, drawing from experiences in Latin America, the Caribbean and sub-Saharan Africa. It draws on a slowly emerging realization that attaining the vision of gender equality will be difficult, if not impossible, without changing the ways in which masculinities are defined and acted upon. Although changing male gender norms will be a difficult and slow process, we must begin by understanding how versions of masculinities are defined and acted upon.
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Impersonations: The Artifice of Brahmin Masculinity in South Indian Dance centers on an insular community of Smarta Brahmin men from the Kuchipudi village in Telugu-speaking South India who are required to don stri-vesam (woman’s guise) and impersonate female characters from Hindu religious narratives. Impersonation is not simply a gender performance circumscribed to the Kuchipudi stage, but a practice of power that enables the construction of hegemonic Brahmin masculinity in everyday village life. However, the power of the Brahmin male body in stri-vesam is highly contingent, particularly on account of the expansion of Kuchipudi in the latter half of the twentieth century from a localized village performance to a transnational Indian dance form. This book analyzes the practice of impersonation across a series of boundaries—village to urban, Brahmin to non-Brahmin, hegemonic to non-normative—to explore the artifice of Brahmin masculinity in contemporary South Indian dance.
In 1940s India, revolutionary and nationalistic feeling surged against colonial subjecthood and imperial war. Two-and-a-half million men from undivided India served the British during the Second World War, while 3 million civilians were killed by the war-induced Bengal Famine, and Indian National Army soldiers fought against the British for Indian independence. This captivating new history shines a spotlight on emotions as a way of unearthing these troubled and contested experiences, exposing the personal as political. Diya Gupta draws upon photographs, letters, memoirs, novels, poetry and philosophical essays, in both English and Bengali languages, to weave a compelling tapestry of emotions felt by Indians in service and at home during the war. She brings to life an unknown sepoy in the Middle East yearning for home, and anti-fascist activist Tara Ali Baig; a disillusioned doctor on the Burma frontline, and Sukanta Bhattacharya’s modernist poetry of hunger; Mulk Raj Anand’s revolutionary home front, and Rabindranath Tagore’s critique of civilisation. This vivid book recovers a truly global history of the Second World War, revealing the crucial importance of cultural approaches in challenging a traditional focus on the wartime experiences of European populations. Seen through Indian eyes, this conflict is no longer the ‘good’ war.
Gender persists as a key site of social inequality globally, and within contemporary south Asian contexts, the cultural practices which make up ?masculinities? remain vital for understanding everyday life and social relations. Yet masculinities, and their discontents, are an understudied and often misrepresented facet of gender relations and cultural dynamics. Gender and Masculinities offers a collection of chapters that seek to unravel the complex ideas, practices and concepts revolving around gender structures and masculinities in India and Sri Lanka.The contributions to this volume draw on a range of disciplines, including history, comparative literatures, religion, anthropology, and development studies to illuminate the key issues that have shaped our understanding of gender relations and masculinities over time and across a range of geographical areas. By carefully attending to historical and contemporary gender ideologies and practices in South Asia, this book provides a critical exploration of masculinities in their plurality, as shifting, culturally located and embedded in religious ideologies, power relations, the politics of nationalism, globalisation and economic struggles. The volume will attract scholars interested in history, anthropology, sociology, nationalism, colonialism, religion and kinship, and popular culture.This book was published as a special issue of South Asian History and Culture.
From portrayals of African women’s bodies in early modern European travel accounts to the relation between celibacy and Indian nationalism to the fate of the Korean “comfort women” forced into prostitution by the occupying Japanese army during the Second World War, the essays collected in Bodies in Contact demonstrate how a focus on the body as a site of cultural encounter provides essential insights into world history. Together these essays reveal the “body as contact zone” as a powerful analytic rubric for interpreting the mechanisms and legacies of colonialism and illuminating how attention to gender alters understandings of world history. Rather than privileging the operations of the Foreign Office or gentlemanly capitalists, these historical studies render the home, the street, the school, the club, and the marketplace visible as sites of imperial ideologies. Bodies in Contact brings together important scholarship on colonial gender studies gathered from journals around the world. Breaking with approaches to world history as the history of “the West and the rest,” the contributors offer a panoramic perspective. They examine aspects of imperial regimes including the Ottoman, Mughal, Soviet, British, Han, and Spanish, over a span of six hundred years—from the fifteenth century through the mid-twentieth. Discussing subjects as diverse as slavery and travel, ecclesiastical colonialism and military occupation, marriage and property, nationalism and football, immigration and temperance, Bodies in Contact puts women, gender, and sexuality at the center of the “master narratives” of imperialism and world history. Contributors. Joseph S. Alter, Tony Ballantyne, Antoinette Burton, Elisa Camiscioli, Mary Ann Fay, Carter Vaughn Findley, Heidi Gengenbach, Shoshana Keller, Hyun Sook Kim, Mire Koikari, Siobhan Lambert-Hurley, Melani McAlister, Patrick McDevitt, Jennifer L. Morgan, Lucy Eldersveld Murphy, Rosalind O’Hanlon, Rebecca Overmyer-Velázquez, Fiona Paisley, Adele Perry, Sean Quinlan, Mrinalini Sinha, Emma Jinhua Teng, Julia C. Wells
