Presents evidence to support the author's woman-centered interpretation of prehistoric civilizations, considering the prehistoric goddesses, gods and religion, and discussing the living goddesses--deities which have continued to be venerated through the modern era.
The goddess is the most potent and persistent feature in the archaeological records of the ancient world. In this volume the author resurrects the world of goddess-worshipping, earth-centred cultures, bringing ancient matriarchal society to life.
The thesis consists of introductory commentaries and other original writings by the author extracted from the published work of the same title, as well as the published work itself (Knowledge, Ideas & Trends, Inc., 1997).
Grotta Scaloria, a cave in Apulia, was first discovered and explored in 1931, excavated briefly in 1967, and then excavated extensively from 1978 to 1980 by a joint UCLA-University of Genoa team, but it was never fully published. The Save Scaloria Project was organized to locate this legacy data and to enhance that information by application of the newest methods of archaeological and scientific analysis. This significant site is finally published in one comprehensive volume (and in an online archive of additional data and photographs) that gathers together the archaeological data from the upper and lower chambers of the cave. These data indicate intense ritual and quotidian use during the Neolithic period (circa 5600-5300 BCE). The Grotta Scaloria project is also important as historiography, since it illustrates a changing trajectory of research spanning three generations of European and American archaeology.
"The first authoritative work on the ancient goddess culture."Boston Globe The Goddess is the most potent and persistent feature in the archaeological records of the ancient world, a symbol of the unity of life in nature and the personification of all that was sacred and mysterious on earth. In this pioneering and provocative volume, Marija Gimbutas resurrects the world of the Goddess-worshipping, earth- centered cultures, bringing ancient matriarchal society vividly to life. She interweaves comparative mythology, early historical sources, linguistics, ethnography, and folklore to demonstrate conclusively that Goddess-worship is at the root of Western civilization. Illustrated with nearly 2,000 symbolic artifacts, Gimbutas' magnum opus is at once a "pictorial script" of the prehistoric Goddess religion and an authoritative work that takes these ancient cultures from the realm of speculation into that of documented fact. Over 500 illustrations.