Thanks to the extraordinary color photos and gardening wisdom in this book, the elegant intimacy of the English cottage garden is a practical possibility for amateur gardeners in diverse regions of the United States.
This book offers a social history of Newtonian natural philosophy from its inception after the 1688 revolution in England until the 1720's. Ms. Jacob shows that the Newtonian world view was adopted by the Anglican church to support its own version of liberal Protestantism and its vision of a social and economic order that would be both Christian and capitalist. It was with Newton's consent, she asserts, that Newtonianism took on an ideological significance in the early Enlightenment. Using an interdisciplinary approach to subjects traditionally reserved for the history of science, church history, and intellectual history, she formulates a convincing new explanation for the triumph of Newtonianism.
Margaret speaks only English, while Margarita speaks only Spanish. When they meet at the park, the become friends and teach each other how to speak their languages. Bilingual Picture Book.
Looking primarily at stand-alone master's programs, this volume examines the design, delivery, and value of a master's degree in English in the twenty-first century and challenges the characterization that MA programs in English serve primarily as stepping-stones to the PhD.
Forming Sleep asks how biocultural and literary dynamics act together to shape conceptions of sleep states in the early modern period. Engaging with poetry, drama, and prose largely written in English between 1580 and 1670, the essays in this collection highlight period discussions about how seemingly insentient states might actually enable self-formation. Looking at literary representations of sleep through formalism, biopolitics, Marxist theory, trauma theory, and affect theory, this volume envisions sleep states as a means of defining the human condition, both literally and metaphorically. The contributors examine a range of archival sources—including texts in early modern faculty psychology, printed and manuscript medical treatises and physicians’ notes, and printed ephemera on pathological sleep—through the lenses of both classical and contemporary philosophy. Essays apply these frameworks to genres such as drama, secular lyric, prose treatise, epic, and religious verse. Taken together, these essays demonstrate how early modern depictions of sleep shape, and are shaped by, the philosophical, medical, political, and, above all, formal discourses through which they are articulated. With this in mind, the question of form merges considerations of the physical and the poetic with the spiritual and the secular, highlighting the pervasiveness of sleep states as a means by which to reflect on the human condition. In addition to the editors, the contributors to this volume include Brian Chalk, Jennifer Lewin, Cassie Miura, Benjamin Parris, Giulio Pertile, N. Amos Rothschild, Garret A. Sullivan Jr., and Timothy A. Turner.
Margaret Cavendish, duchess of Newcastle (1623-1673), led a dramatic life that brought her into contact with kings, queens, and the leading thinkers of her day. The English civil wars forced her into exile, accompanying Queen Henrietta Maria and her court to Paris. From this vantage point, she began writing voluminously, responding to the events and major intellectual movements of the mid-seventeenth century. Cavendish published twenty-three volumes in her lifetime, including plays, romances, poetry, letters, biography, and natural philosophy. In them she explored the political, scientific, and philosophical ideas of her day. While previous biographers of Cavendish have focused almost exclusively on her eccentric public behavior, Anna Battigelli is the first to explore in depth her intellectual life. She dismisses the myth of Cavendish as an isolated and lonely thinker, arguing that the role of exile was a rhetorical stance, one that allowed Cavendish to address and even criticize her world. She, like others writing during the period after the English civil wars, focused squarely on the problem of finding the proper relationship between mind and world. This volume presents Cavendish's writing self, the self she treasured above all others.
When seventeen-year-old Stella Whittaker is offered the chance to study at the Academy of Music in Vienna it's a dream-come-true, made possible by old family friends, Rainer and Marthe Kraus, who offer her a place to live. Seduced by the elegant beauty of the city, Stella explores the magnificent palaces, gardens and fashionable coffee houses, and after a chance meeting in an art gallery, falls in love with Harri Reznik, a young Jewish doctor. But as the threat of war casts a dark shadow over Europe, Stella soon discovers that both the household where she lives, and the city she has come to call home, are not as welcoming as they once seemed. And at the dawn of this terrifying new world, no one is safe.