"Some of us have been lied to for so long by so many different entities, that we can only be reached by truth that is plainly obvious; something that punches us right in the face" This is a book of political and social commentaries designed to wash away distractions, unite all of us in humanisn and accountabilty, and raise "ALL" of our collective consciousness.
It’s About Time. America has been craving leadership—and at last a gun-slinging, mega-rock star, deerslayer, and patriot has stepped forward to provide it. Make way for Ted Nugent. Cocked, locked, and ready to rock, the Motor City Madman, the thinking man’s Abraham Lincoln, has unleashed the ultimate high-octane political manifesto for the ages in Ted, White, and Blue—the most important patriotic statement since the Constitution. In Ted, White, and Blue you’ll discover: Why war is the answer to so many of our current problems Why if Ted were a Mexican, he’d start a revolution (and how, since he’s not, we can control our own borders) How to put Uncle Sam on a diet (a waste-watchers program for government) If you care about America, if you want to preserve, protect, and defend the land of the free and the home of the brave, if you’re fed up with lazy, whining, fear mongering, government-gorging Obamaniacs, then you need to read Ted, White, and Blue: The Nugent Manifesto.
Two Surrealist Manifestos were issued by the Surrealist movement, in 1924 and 1929. They were both written by Andr� Breton. Andr� Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. The first Surrealist manifesto was written by Breton and published in 1924 as a booklet (Editions du Sagittaire). The document defines Surrealism as:"Psychic automatism in its pure state, by which one proposes to express - verbally, by means of the written word, or in any other manner - the actual functioning of thought. Dictated by thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern." Surrealism is a cultural movement that began in the early 1920s, and is best known for its visual artworks and writings. The aim was to "resolve the previously contradictory conditions of dream and reality". Artists painted unnerving, illogical scenes with photographic precision, created strange creatures from everyday objects and developed painting techniques that allowed the unconscious to express itself.
As a small cadre of British soldiers is making its way to the Dunkirk beaches for evacuation, will the Maggie Bright be deployed to help evacuate them?
One woman’s haunting sixteen-year account of her youth when she and her family lived closer than anyone to Ted Kaczynski, the Unabomber. As a child in Lincoln, Montana, Jamie Gehring and her family shared their land, their home, and their dinner table with a hermit with a penchant for murder. But they had no idea that the odd recluse living in the adjacent cabin was anything more than a disheveled man who brought young Jamie painted rocks as gifts. Ted was simply Ted, and erratic behavior, surprise visits, and chilling events while she was riding horses or helping her dad at his sawmill were dismissed because he was “just the odd hermit.” In fact, he was much more—Ted eluded the FBI for seventeen years while mailing explosives to strangers, earning the infamous title of Unabomber. In Gehring’s investigative quest twenty-five years later to reclaim a piece of her childhood and to answer the questions, why, how, she recalls what were once innocent memories and odd circumstances that become less puzzling in hindsight. The innocence of her youth robbed, Gehring needed to reconcile her lived experience with the evil that hid in plain sight. In this book, through years of research probing Ted’s personal history, his writings, his secret coded crime journals, her own correspondence with him in his Supermax prison cell, plus interviews with others close to Kaczynski, Gehring unearths the complexity, mystery, and tragedy of her childhood with the madman in the woods. And she discovers a shocking revelation—she and her family were in Kaczynski’s crosshairs. A work of intricately braided research, journalism, and personal memories, this book is a chilling response to the question: Do you really know your neighbor? Praise for Madman in the Woods “Combining the observations of a one-time close neighbor with extensive research and empathy for the many lives affected, Jamie Gehring’s book might well be the best attempt yet to understand the strange life and mind of my brother, Theodore J. Kaczynski.” —David Kaczynski,?author of?Every Last Tie: The Story of the Unabomber and His Family “A captivating look at Ted Kaczynski—the Unabomber—from a perspective that no one else on the planet has.?It is insightful, unique, and fascinating!? A must read for all true crime fans and anyone who loves to know the real story behind the story.” —Jim Clemente, retired FBI supervisory special agent/profiler and writer/producer of the Audible Original Series Where the Devil Belongs
Theodore Kaczynski saw violent collapse as the only way to bring down the techno-industrial system, and in more than a decade of mail bomb terror he killed three people and injured 23 others. One does not need to support the actions that landed Kaczynski in supermax prison to see the value of his essays disabusing the notion of heroic technology while revealing the manner in which it is destroying the planet. For the first time, readers will have an uncensored personal account of his anti-technology philosophy, including a corrected version of the notorious ''Unabomber Manifesto,''Kaczynski, s critique of anarcho-primitivism, and essays regarding ''the Coming Revolution.''
The Unabomber was America's most wanted man, responsible for sixteen bombings in as many years, killing 3 and injuring 23 more. It took the FBI nearly 18 years before they were able to catch him and he was identified as Theodore J. Kaczynski. It was in 1995 when the Unabomber Ted Kaczynski first broke his silence, following an unprecedented deal. He would call off his one-man war on techno-industrial society if the media would publish his reasons for it. With the technocracy of America held hostage, the media could only comply. When published, the Unabomber came across as a forceful yet an articulate advocate of primitivism, not the crazed serial killer of the FBI's personality profilers. His radical critique of techno-industrial civilisation, Industrial Society And Its Future, captured the imagination of many of America's public that can now see that technology and liberty are not always compatible.Despite Ted's crimes, in today's modern age of social media and technological boom, his manifesto could carry a much stronger message.
