Now a major motion picture, Manhattan Night, starring Adrien Brody, Campbell Scott, Yvonne Strahovski, and Linda Lavin Porter Wren is a Manhattan tabloid writer with an appetite for scandal. On the beat he sells murder, tragedy, and anything that passes for the truth. At home, he is a dedicated husband and father. But when a seductive stranger asks him to dig into the unsolved murder of her husband, he is drawn into a very nasty case of sexual obsession and blackmail--one that threatens his job, his marriage, and his life. Manhattan Nocturne is a brilliantly drawn tableau of the gritty, gaudy city, and a thrilling literary noir.
Celebrating the unique duality of New York City - from its small neighbourhoods and intimate streets to its expansive open spaces and cloud-catching skyscrapers, this is a must-have volume for contemporary art lovers anywhere.
A high-voltage international thriller about a millionaire businessman catapulted into a world of criminal intrigue, sexual obsession, extortion, and death. Charlie Ravich is a survivor whose brutal experience as a POW in Vietnam has more than prepared him for the cutthroat world of global commerce. Now a wealthy Upper East Side executive in his late fifties, Charlie has only one problem: his family is dying out. His wife teeters on the edge of Alzheimer's; their son has succumbed to leukemia; and their daughter, Julia, is unable to bear a child. Charlie is being trumped by time. Enter Christina, a beguiling Columbia University dropout-intelligent, selectively dishonest, filled with desire. Her affair with Rick Bocca, a member of a big-time truck-theft ring run by mobster Tony V., has landed her in prison. After four years in Bedford Hills, she is suddenly released by the Manhattan D.A.'s office-perhaps because she is innocent, perhaps not. Warned by a detective that Christina is being set up by Tony V., Rick begins a desperate, bungled search to warn Christina, who has lied her way into the high-flying world of Charlie Ravich. But her past catches up with her, and Rick's catches up with him, setting off a harrowing chain of betrayals that leaves only one person with any hope of a future. At once smart, sexy, and graphically violent, Afterburn spans the mean streets of New York's underworld and Hong Kong's corridors of high finance, and stands as Colin Harrison's most commercial work yet
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
Successful Assistant DA Peter Scattergood finds his professional and personal integrity tested by his wife's desertion, a seductive older woman, high-level corruption in his office, and the most explosive case of his career.
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
George Schuyler, a renowned and controversial black journalist of the Harlem Renaissance, and Josephine Cogdell, a blond, blue-eyed Texas heiress and granddaughter of slave owners, believed that intermarriage would "invigorate" the races, thereby producing extraordinary offspring. Their daughter, Philippa Duke Schuyler, became the embodiment of this theory, and they hoped she would prove that interracial children represented the final solution to America's race problems. Able to read and write at the age of two and a half, a pianist at four, and a composer by five, Philippa was often compared to Mozart. During the 1930s and 40s she graced the pages of Time and Look magazines, the New York Herald Tribune, and The New Yorker. Philippa grew up under the adoring and inquisitive eyes of an entire nation and soon became the role model and inspiration for a generation of African-American children. But as an adult she mysteriously dropped out of sight, leaving America to wonder what had happened to the "little Harlem genius." Suffering the double sting of racism and gender bias, Philippa had been rejected by the elite classical music milieu in the United States and forced to find an audience abroad, where she flourished as a world-class performer and composer. She traveled throughout South America, Europe, Africa, and Asia performing for kings, queens, and presidents. By then Philippa had added a second career as an author and foreign correspondent reporting on events around the globe--from Albert Schweitzer's leper colony in Lamberéné to the turbulent Asian theater of the 1960s. She would give a command performance for Queen Elisabeth of Belgium one day, and hide from the Viet Cong among the ancient graves of the Annam kings another. But behind the scrim of adventure, glamour, and intrigue was an American outcast, a woman constantly searching for home and self. "I am a beauty--but I'm half colored...so I'm always destined to be an outsider," she wrote in her diary. Philippa tried to define herself through love affairs, but found only disappointment and scandal. In a last attempt to reclaim an identity, she began to "pass" as Caucasian. Adopting an Iberian-American heritage, she reinvented herself as Felipa Monterro, an ultra-right conservative who wrote and lectured for the John Birch Society. Her experiment failed, as had her parents' dream of smashing America's racial barriers. But at the age of thirty five, Philippa finally began to embark on a racial catharsis: She was just beginning to find herself when on May 9, 1967, while on an unauthorized mission of mercy, her life was cut short in a helicopter crash over the waters of war-torn Vietnam. The first authorized biography of Philippa Schuyler, Composition in Black and White draws on previously unpublished letters and diaries to reveal an extraordinary and complex personality. Extensive research and personal interviews from around the world make this book not only the definitive chronicle of Schuyler's restless and haunting life, but also a vivid history of the tumultuous times she lived through, from the Great Depression, through the Civil Rights movement, to the Vietnam war. Talalay has created a highly perceptive and provocative portrait of a fascinating woman.
The Crisis, founded by W.E.B. Du Bois as the official publication of the NAACP, is a journal of civil rights, history, politics, and culture and seeks to educate and challenge its readers about issues that continue to plague African Americans and other communities of color. For nearly 100 years, The Crisis has been the magazine of opinion and thought leaders, decision makers, peacemakers and justice seekers. It has chronicled, informed, educated, entertained and, in many instances, set the economic, political and social agenda for our nation and its multi-ethnic citizens.
"Contains the informal history of forty theatres that were built, as either legitimate houses or movie palaces and that are currently operating as legitimate theatres"--p. xiii.
An ex-cop turned PI is hired to find a serial killer who signs his work in this crime thriller by the New York Times–bestselling author of Urge to Kill. Fear Leaves A Mark He mutilates his victims. Slices their throats. And carves an X into their flesh. Five years ago, he claimed the lives of six women. Then the killings abruptly stopped—no one knows why. Ex-homicide detective Frank Quinn remembers. Which is why he’s shocked to see one of the dead women in his office. Actually, she’s the identical twin of the last victim, and she wants Quinn to find her sister’s murderer. But when the cold case heats up, it attracts the media spotlight—and suddenly the killings start again . . . Praise for Mister X “A page-turner to the nail-biting end, the fifth Frank Quinn investigation . . . Will leave readers breathless. . . . Misleading clues and dramatic suspense will keep readers pondering the intricacies of this twisty, creepy whodunit long after the last page is turned.” —Publishers Weekly, starred review “A lesser writer would lose readers in this ever-evolving plot with shifting identities and motives, but this is John Lutz, winner of multiple Edgar and Shamus awards. By the very satisfying conclusion, it all makes perfect sense. Lutz has produced another procedural masterpiece.” —Booklist
