H. Rider Haggard, best known as the author of King Solomon's Mines, She, and Allan Quatermain, also wrote three full-length plays. The play Mameena, based on Haggard's novel Child of Storm, is set in Zululand during the 1850s and deals with the struggle for the succession to the Zulu throne. Mameena was staged in 1914 by actor-manager Oscar Asche, who employed the Zulu expert James Stuart as technical adviser on the production. Star of Egypt was adapted from Haggard's ancient Egyptian romance Morning Star, while the historical melodrama To Hell or Connaught, set against the backdrop of the Cromwellian colonization of Ireland, was written expressly for the stage. All three plays are published here for the first time, together with previously unrecorded information on how they came to be written and, in the case of Mameena, performed.
This book looks at Rider Haggard from a different standpoint, his own. It carries a selection of critical appraisals of Haggard's work by his contemporaries up until the early 1950s.
Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.
One of the greatest adventure story writers of all time, H. Rider Haggard was a prolific novelist, whose exciting tales have entertained readers for over a hundred years. This comprehensive eBook offers readers the collected works, with the usual Delphi bonus texts. (Version 3) Allan Quatermain Series Ayesha Series The Umslopogaas Series The Rise and Fall of the Zulu Nation Series The Novels Dawn (1884) The Witch’s Head (1884) King Solomon’s Mines (1885) She (1886) Jess (1887) Allan Quatermain (1887) Mr Meeson’s Will (1888) Maiwa’s Revenge (1888) Colonel Quaritch, V.C. (1889) Cleopatra (1889) Allan’s Wife (1889) Beatrice (1890) The World’s Desire (1890) Eric Brighteyes (1890) Nada the Lily (1892) Montezuma’s Daughter (1893) The People of the Mist (1893) Joan Haste (1895) Heart of the World (1895) The Wizard (1896) Dr Therne (1898) Swallow (1899) Elissa (1900) Black Heart and White Heart (1900) Lysbeth (1901) Pearl-Maiden (1903) Stella Fregelius (1904) The Brethren (1904) Ayesha: The Return of She (1905) The Way of the Spirit (1906) Benita (1906) Fair Margaret (1907) The Ghost Kings (1908) The Yellow God (1908) The Lady of Blossholme (1909) Morning Star (1910) Queen Sheba’s Ring (1910) Red Eve (1911) Marie (1912) Child of Storm (1913) The Wanderer’s Necklace (1914) The Holy Flower (1915) The Ivory Child (1916) Finished (1917) Love Eternal (1918) Moon of Israel (1918) When the World Shook (1919) The Ancient Allan (1920) She and Allan (1921) The Virgin of the Sun (1922) Wisdom’s Daughter (1923) Heu-Heu (1924) Queen of the Dawn (1925) The Treasure of the Lake (1926) Allan and the Ice Gods (1927) Mary of Marion Isle (1929) Belshazzar (1930) The Shorter Fiction Allan the Hunter (1890) Allan’s Wife and Other Tales (1899) The Mahatma and the Hare (1911) Smith and the Pharaohs and Other Tales (1913) The Non-Fiction Cetywayo and His White Neighbors (1882) The Last Boer War (1899) A Winter Pilgrimage (1901) The Autobiography The Days of My Life (1926)
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
Child of Storm is a 1913 novel by H. Rider Haggard featuring Allan Quatermain. The plot is set in 1854-56 and concerns Quatermain hunting in Zululand and getting involved with Mameema, a beautiful African girl who causes great turmoil in the Zulu kingdom. The story takes place against the real life struggle between Cetshwayo and Umbelazi, the two sons of the Zulu king Mpande and (called and quot;Panda and quot; in the novel and ). The events culminate in the Battle of Ndondakusuka and (here called the and quot;Battle of the Tugela and quot; and ) in 1856. Real life people such as Panda, Cetshwayo, and John Robert Dunn appear as characters.
