Making Music Indigenous

Making Music Indigenous

Author: Joshua Tucker

Publisher: University of Chicago Press

Published: 2019-02-22

Total Pages: 291

ISBN-13: 022660733X

DOWNLOAD EBOOK

When thinking of indigenous music, many people may imagine acoustic instruments and pastoral settings far removed from the whirl of modern life. But, in contemporary Peru, indigenous chimaycha music has become a wildly popular genre that is even heard in the nightclubs of Lima. In Making Music Indigenous, Joshua Tucker traces the history of this music and its key performers over fifty years to show that there is no single way to “sound indigenous.” The musicians Tucker follows make indigenous culture and identity visible in contemporary society by establishing a cultural and political presence for Peru’s indigenous peoples through activism, artisanship, and performance. This musical representation of indigeneity not only helps shape contemporary culture, it also provides a lens through which to reflect on the country’s past. Tucker argues that by following the musicians that have championed chimaycha music in its many forms, we can trace shifting meanings of indigeneity—and indeed, uncover the ways it is constructed, transformed, and ultimately recreated through music.


Sound Relations

Sound Relations

Author: Jessica Bissett Perea

Publisher: Oxford University Press

Published: 2021

Total Pages: 337

ISBN-13: 0190869135

DOWNLOAD EBOOK

Sound Relations delves into histories of Inuit musical life in Alaska to trace the ways in which sound is integral to self-determination and sovereignty. Offering radical and relational ways of listening to Inuit performances across genres--from hip hop to Christian hymnody and traditional drumsongs to funk and R&B --author Jessica Bissett Perea shows how Indigenous ways of musicking amplify possibilities for more just and equitable futures.


Making Music in the Arab World

Making Music in the Arab World

Author: A. J. Racy

Publisher: Cambridge University Press

Published: 2004-05-20

Total Pages: 272

ISBN-13: 9780521316859

DOWNLOAD EBOOK

A.J. Racy, a scholar of ethnomusicology, provides an intimate portrayal of the Arab musical experience in this pioneering book. Racy focuses on tarab, a multifaceted concept that has no exact equivalent in English and refers to the indigenous music and the ecstasy associated with it. His book examines aspects of musical craft, including basic skills, musician's inspiration, love lyrics as tools of ecstasy, and the relationship between performers and listeners.


The Legacy of Indigenous Music

The Legacy of Indigenous Music

Author: Yu-hsiu Lu

Publisher: Springer Nature

Published: 2021-09-27

Total Pages: 248

ISBN-13: 981164473X

DOWNLOAD EBOOK

This book shares essential insights into how indigenous music has been inherited and preserved under the influence of the dominant mainstream culture in Asia and Europe. It illustrates possible ways of handing down indigenous music in countries and regions with different levels of acceptance toward indigeneity, including Taiwan, the Philippines, Malaysia, Turkey, the Czech Republic, Slovakia, the Near and Middle East, Caucasus Mountains, etc. Given its focus, the book benefits researchers who are interested in the status quo of indigenous music around the globe. The macro- and micro-perspectives used to explore related issues, problems, and concerns also benefit those interested in regional ethnomusicology.


Music, Indigeneity, Digital Media

Music, Indigeneity, Digital Media

Author: Thomas R. Hilder

Publisher: Boydell & Brewer

Published: 2017

Total Pages: 238

ISBN-13: 1580465730

DOWNLOAD EBOOK

Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission.


Indigenous Pop

Indigenous Pop

Author: Jeff Berglund

Publisher: University of Arizona Press

Published: 2016-03-10

Total Pages: 261

ISBN-13: 0816509441

DOWNLOAD EBOOK

"This book is an interdisciplinary discussion of popular music performed and created by American Indian musicians, providing an important window into history, politics, and tribal communities as it simultaneously complements literary, historiographic, anthropological, and sociological discussions of Native culture"--Provided by publisher.


Musical Collaboration Between Indigenous and Non-Indigenous People in Australia

Musical Collaboration Between Indigenous and Non-Indigenous People in Australia

Author: Katelyn Barney

Publisher: Taylor & Francis

Published: 2022-12-22

Total Pages: 163

ISBN-13: 1000813401

DOWNLOAD EBOOK

This book demonstrates the processes of intercultural musical collaboration and how these processes contribute to facilitating positive relationships between Indigenous and non-Indigenous peoples in Australia. Each of the chapters in this edited collection examines specific examples in diverse contexts, and reflects on key issues that underpin musical exchanges, including the benefits and challenges of intercultural music making. The collection demonstrates how these musical collaborations allow Indigenous and non-Indigenous people to work together, to learn from each other, and to improve and strengthen their relationships. The metaphor of the “third space” of intercultural music making is interwoven in different ways throughout this volume. While focusing on Indigenous Australian/non-Indigenous intercultural musical collaboration, the book will be of interest globally as a resource for scholars and postgraduate students exploring intercultural musical communication in countries with histories of colonisation, such as New Zealand and Canada.


Making Music, Making Society

Making Music, Making Society

Author: Josep Martí

Publisher: Cambridge Scholars Publishing

Published: 2018-01-23

Total Pages: 286

ISBN-13: 1527507416

DOWNLOAD EBOOK

A society is the result of interacting individuals, and individuals are also the result of this interaction. This interaction happens through music, among other factors. As such, music constitutes a powerful resource for symbolic interaction, which constitutes the medium and substance of a culture. The importance of music in a society is clearly brought to light in the role that it plays in the three basic parameters of the social logics: identity, social order and the need for exchange. If music is so important to us, it is because, apart from its assigned aesthetic values, it fits closely with the dynamics of each of these three different parameters. These parameters, which are consubstantial to the social nature of the human being, constitute the core of the book as they manifest in musical practices. This publication addresses important issues such as the role of music in shaping identities, how music and social order are intertwined and why music is so relevant in human interaction. The last part of the book explores issues related to the social application of musical research. The volume brings together specialists from different academic disciplines with the same powerful starting point: music is not merely something related to the social, but rather a social life itself, something capable of structuring the social experience.


Musical Intimacies and Indigenous Imaginaries

Musical Intimacies and Indigenous Imaginaries

Author: Byron Dueck

Publisher: Oxford University Press

Published: 2013-11

Total Pages: 272

ISBN-13: 0199747644

DOWNLOAD EBOOK

This book explores several musical styles performed in the vital aboriginal musical scene that has emerged in the western Canadian province of Manitoba. Focusing on fiddling, country music, and Christian hymnody, as well as step dancing and the pow-wow, author Byron Dueck advances a groundbreaking new performative theory of music culture that acknowledges tradition without losing sight of the dynamic negotiations that bring it into being.


Sounding Indigenous

Sounding Indigenous

Author: M. Bigenho

Publisher: Palgrave Macmillan

Published: 2002-09-20

Total Pages: 289

ISBN-13: 9780312240158

DOWNLOAD EBOOK

Sounding Indigenous explores the relations between music, people, and places through analysis of Bolivian music performances: by a non-governmental organization involved in musical activities, by a music performing ensemble, and by the people living in two rural areas of Potosi. Based on research conducted between 1993 and 1995, the book frames debates of Bolivian national and indigenous identities in terms of different attitudes people assume towards cultural and artistic authenticity. The book makes unique contributions through an emphasis on music as sensory experience, through its theorization of authenticity in relation to music, through its combined focus on different kinds of Bolivian music (indigenous, popular, avant-garde), through its combined focus on music performance and the Bolivian nation, and through its interpretation of local, national, and transnational fieldwork experiences.