Making Music in Japan’s Underground

Making Music in Japan’s Underground

Author: Jennifer Milioto Matsue

Publisher: Routledge

Published: 2008-07-15

Total Pages: 323

ISBN-13: 1135898464

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Grounded in the fields of Ethnomusicology, Anthropology, Popular Music Studies, and Japanese Studies, this book explores the underground Tokyo hardcore scene, ultimately asking what play as resistance through performance of the scene tells us about Japanese society in general. Matsue highlights the complicated positioning of young adult Japanese in contemporary Japan as they negotiate both increasing social demands and increasing problems in society at large. Further drawing on theories of play, identity building, and the construction of gender, all informed by the increasingly influential field of Performance Studies, the book offers a highly interdisciplinary look at the importance of musical scenes for expressing resistance at the turn of the 21st century. Within the underground Tokyo hardcore scene this resistance is expressed through play with individual and collective identity, in intimate and potentially illicit spaces, with an arguably challenging sound and performance style.


Making Music in Japan's Underground

Making Music in Japan's Underground

Author: Jennifer Milioto Matsue

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9780415897990

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Grounded in the fields of Ethnomusicology, Anthropology, Popular Music Studies, and Japanese Studies, this book explores the underground Tokyo hardcore scene, ultimately asking what play as resistance through performance of the scene tells us about Japanese society in general. Matsue highlights the complicated positioning of young adult Japanese in contemporary Japan as they negotiate both increasing social demands and increasing problems in society at large. Further drawing on theories of play, identity building, and the construction of gender, all informed by the increasingly influential field of Performance Studies, the book offers a highly interdisciplinary look at the importance of musical scenes for expressing resistance at the turn of the 21st century. Within the underground Tokyo hardcore scene this resistance is expressed through play with individual and collective identity, in intimate and potentially illicit spaces, with an arguably challenging sound and performance style.


Quit Your Band! Musical Notes from the Japanese Underground

Quit Your Band! Musical Notes from the Japanese Underground

Author: Ian F. Martin

Publisher:

Published: 2016-09-01

Total Pages: 248

ISBN-13: 9781937220051

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From the sugar rush of Tokyo's idol subculture to the discordant polyrhythms of its experimental punk and indie scenes, this book by Japan Times music columnist Ian F. Martin offers a witty and tender look at the wide spectrum of issues that shape Japanese music today. With unique theories about the evolution of J-pop as well as its history, infrastructure and (sub)cultures, Martin deconstructs an industry that operates very differently from counterparts overseas. Based partly on interviews with influential artists, label owners and event organisers, Martin's book combines personal anecdotes with cultural criticism and music history. An accessible and humorous account emerges of why some creative acts manage to overcome institutional pressures, without quitting their bands. Ian Martin's writing about Japanese music has appeared in The Japan Times, CNN Travel and The Guardian among other places. Martin is based in Tokyo, where he also runs Call And Response Records.


Fractured Scenes

Fractured Scenes

Author: Damien Charrieras

Publisher: Springer Nature

Published: 2021-03-29

Total Pages: 274

ISBN-13: 9811559139

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Fractured Scenes is the first extensive academic account of music and sound art practices that fall outside of the scope of ‘mainstream music’ in Hong Kong. It combines academic essays with original interviews conducted with prominent Hong Kong underground/independent musicians and sound artists as well as first hand-accounts by key local scene actors in order to survey genres such as experimental/noise music, deconstructed electronic music, indie-pop, punk, garage rock, sound art and DIY ‘computer’ music (among others). It examines these Hong Kong underground music practices in relief with specific case studies in Mainland China and Japan to begin re-defining the notion of a ‘musical underground’ in the context of contemporary Hong Kong.


Making Music in Japan’s Underground

Making Music in Japan’s Underground

Author: Jennifer Milioto Matsue

Publisher: Routledge

Published: 2008-07-15

Total Pages: 188

ISBN-13: 1135898472

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Grounded in the fields of Ethnomusicology, Anthropology, Popular Music Studies, and Japanese Studies, this book explores the underground Tokyo hardcore scene, ultimately asking what play as resistance through performance of the scene tells us about Japanese society in general. Matsue highlights the complicated positioning of young adult Japanese in contemporary Japan as they negotiate both increasing social demands and increasing problems in society at large. Further drawing on theories of play, identity building, and the construction of gender, all informed by the increasingly influential field of Performance Studies, the book offers a highly interdisciplinary look at the importance of musical scenes for expressing resistance at the turn of the 21st century. Within the underground Tokyo hardcore scene this resistance is expressed through play with individual and collective identity, in intimate and potentially illicit spaces, with an arguably challenging sound and performance style.


Hip-Hop Japan

Hip-Hop Japan

Author: Ian Condry

Publisher: Duke University Press

Published: 2006-11

Total Pages: 268

ISBN-13: 9780822338925

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An ethnographic study of Japanese hip-hop.


Underground

Underground

Author: Haruki Murakami

Publisher: Vintage

Published: 2001-04-10

Total Pages: 385

ISBN-13: 0375725806

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In this haunting work of journalistic investigation, Haruki Murakami tells the story of the horrific terrorist attack on Japanese soil that shook the entire world. On a clear spring day in 1995, five members of a religious cult unleashed poison gas on the Tokyo subway system. In attempt to discover why, Haruki Murakmi talks to the people who lived through the catastrophe, and in so doing lays bare the Japanese psyche. As he discerns the fundamental issues that led to the attack, Murakami paints a clear vision of an event that could occur anytime, anywhere.


Focus: Music in Contemporary Japan

Focus: Music in Contemporary Japan

Author: Jennifer Milioto Matsue

Publisher: Routledge

Published: 2015-07-16

Total Pages: 307

ISBN-13: 1317649540

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Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of taiko (ensemble drumming). Discussion of contemporary musical practice is situated within broader frames of musical and sociopolitical history, processes of globalization and cosmopolitanism, and the continued search for Japanese identity through artistic expression. It explores how the Japanese have long negotiated cultural identity through musical practice in three parts: Part I, "Japanese Music and Culture," provides an overview of the key characteristics of Japanese culture that inform musical performance, such as the attitude towards the natural environment, changes in ruling powers, dominant religious forms, and historical processes of cultural exchange. Part II, "Sounding Japan," describes the elements that distinguish traditional Japanese music and then explores how music has changed in the modern era under the influence of Western music and ideology. Part III, "Focusing In: Identity, Meaning and Japanese Drumming in Kyoto," is based on fieldwork with musicians and explores the position of Japanese drumming within Kyoto. It focuses on four case studies that paint a vivid picture of each respective site, the music that is practiced, and the pedagogy and creative processes of each group. The downloadable resources include examples of Japanese music that illustrate specific elements and key genres introduced in the text. A companion website includes additional audio-visual sources discussed in detail in the text. Jennifer Milioto Matsue is an Associate Professor at Union College and specializes in modern Japanese music and culture.


Making Jazz in Contemporary Japan

Making Jazz in Contemporary Japan

Author: Marie Buscatto

Publisher: Taylor & Francis

Published: 2024-10-30

Total Pages: 170

ISBN-13: 1040193129

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Making Jazz in Contemporary Japan: A Passionate Search for Self-Expression explores the ways in which Japanese jazz musicians express themselves through their art—not to “japanize” jazz, but to assert one’s creativity, passion, and capacity for self-expression—establishing it as an art form with its own sense of musicality and cultural, social, and economic concerns. This ethnographic survey contextualizes a shift in the Japanese jazz world over the last 30 years: What once was a culture dependent on the American influence is now a thriving local scene creating a wide variety of original, transnational compositions. Based on digital and physical observations and extensive interviews with nearly three dozen Japanese professional jazz musicians while featuring portraits of well-known artists, this empirical investigation into how, where, and why jazz is performed, opens doors to touch on culturally sensitive and taboo topics such as gender, sexuality, and indigenization. Suited for readers in global jazz studies and cultural study programs alike, this book is a timely sociological consideration of the Japanese jazz diaspora, a necessary update to break free of established tropes and clichés envisioning Japanese artists as mere imitators.


Popular Music in Japan

Popular Music in Japan

Author: Toru Mitsui

Publisher: Bloomsbury Publishing USA

Published: 2020-07-09

Total Pages: 227

ISBN-13: 1501363875

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Popular music in Japan has been under the overwhelming influence of American, Latin American and European popular music remarkably since 1945, when Japan was defeated in World War II. Beginning with gunka and enka at the turn of the century, tracing the birth of hit songs in the record industry in the years preceding the War, and ranging to the adoption of Western genres after the War--the rise of Japanese folk and rock, domestic exoticism as a new trend and J-Pop--Popular Music in Japan is a comprehensive discussion of the evolution of popular music in Japan. In eight revised and updated essays written in English by renowned Japanese scholar Toru Mitsui, this book tells the story of popular music in Japan since the late 19th century when Japan began positively embracing the West.