"The Maqamat recounts in the words of the narrator, al-Harith ibn Hammam, his repeated encounters with Abu Zayd al-Saruji, an unabashed confidence artist and wanderer possessing all the eloquence, grammatical knowledge, and poetic ability of al-Hariri himself. Time and again, al-Harith finds Abu Zayd at the centre of a throng of people in a new city. Abu Zayd brings tears to his listeners' eyes with the vivid description of his pretended hardships and dazzles them with his poetry and then suddenly disappears with their presents." Cf. "Hariri, al-." Encyclopædia Britannica. 2007. Encyclopædia Britannica Online. 16 Apr. 2007.
The triple aim of Hamadhání in this work, first translated into English in 1915, appears to have been to amuse, to interest and to instruct; and this explains why, in spite of the inherent difficulty of a work of this kind composed primarily with a view to the rhetorical effect upon the learned and the great, there is scarcely a dull chapter in the fifty-one maqámát or discourses. The author essayed, throughout these dramatic discourses, to illustrate the life and language both of the denizens of the desert and the dwellers in towns, and to give examples of the jargon and slang of thieves and robbers as well as the lucubrations of the learned and the conversations of the cultured.
Examines the socio-cultural history of the regions where Islam took hold between the 7th and 16th century. This two-volume work contains 700 alphabetically arranged entries, and provides a portrait of Islamic civilization. It is of use in understanding the roots of Islamic society as well to explore the culture of medieval civilization.
This companion provides information on the lives and works of about 150 authors who write primarily in Arabic, covering the first known works of Arabic literature in the 5th and 6th centuries A.D. to the present day. While concentrating on literary authors, writers from the fields of history, geography, and philosophy are also represented. The individuals represented were chosen primarily from the Encyclopedia of Arabic Literature. Among the major authors are Najib Mahfuz, the 1988 Nobel laureate; Nawal Saadawi, the Egyptian physician who is the leading female literary author in the Arab world and the most frequently translated into English; Abu al-Ala' al-Ma'arri, the 11th century poet whose verses are taught to every Arab schoolchild; and Avicenna, the great physician and philosopher, transmitter and interpreter of Aristotle, whose work on medicine was long the standard not only in the Middle East but also (in Latin translation) in Europe. In addition, entries will be included for the anonymous romances so common in Arabic literature, such as The Arabian Nights, a cycle of stories perhaps even better known in the West than in the Arab world. Interest in the history and culture of the Arab world at U.S. universities has taken a quantum leap since the events of September 11, 2001. In this book, the author demonstrates that at least three major, distinct literary and cultural traditions are included within the fields of Middle Eastern and Islamic studies—Arabic, Persian, and Turkic. The Arabic tradition is the oldest, largest, and most widely dispersed. Undergraduate courses in Arabic literature and culture are now being taught at both lower- and upper-levels at many universities. Such courses are often used by undergraduates to fulfill basic educational requirements for their degrees. Students in such courses often have difficulty finding information on Arab writers, and this volume fills the void.
One of the Wall Street Journal's Top 10 Books of the Year Winner, 2020 Sheikh Zayed Book Award, Translation Category Finalist, 2021 PROSE Award, Literature Category Fifty rogue’s tales translated fifty ways An itinerant con man. A gullible eyewitness narrator. Voices spanning continents and centuries. These elements come together in Impostures, a groundbreaking new translation of a celebrated work of Arabic literature. Impostures follows the roguish Abū Zayd al-Sarūjī in his adventures around the medieval Middle East—we encounter him impersonating a preacher, pretending to be blind, and lying to a judge. In every escapade he shows himself to be a brilliant and persuasive wordsmith, composing poetry, palindromes, and riddles on the spot. Award-winning translator Michael Cooperson transforms Arabic wordplay into English wordplay of his own, using fifty different registers of English, from the distinctive literary styles of authors such as Geoffrey Chaucer, Mark Twain, and Virginia Woolf, to global varieties of English including Cockney rhyming slang, Nigerian English, and Singaporean English. Featuring picaresque adventures and linguistic acrobatics, Impostures brings the spirit of this masterpiece of Arabic literature into English in a dazzling display of translation. An English-only edition.
Short fiction was an immensely innovative art in the medieval Arab world and speaks to the urbanization of the Arab domain after Islam. It reflects the bustling life of Muslim Arabs and Islamized Persians and the sure stamp of an urbanity that had settled very staunchly after big conquests. Reading these texts today illuminates the wide spectrum of early Arab life and the influences and innovations that flourished so vibrantly in medieval Arab society. Classical Arabic Stories selects from an impressive corpus, including excerpts from seven seminal works: Ibn Tufail's novel, Hayy ibn Yaqzan; Kalila wa Dimna by Ibn al-Muqaffa; The Misers by al-Jahiz; The Brethren of Purity's The Protest of Animals Against Man; Al-Maqamat (The Assemblies) by al-Hamadhani and al-Hariri; Epistle of Forgiveness by al-Ma'arri; and the epic romance, Sayf Bin Dhi Yazan. Organized thematically, the volume begins with pre-Islamic tales, stories of rulers and other notables, and thrilling narratives of danger and warfare. It follows with tales of love, religion, comedy, and the strange and the supernatural.
The crowning jewel of medieval Hebrew rhymed prose in vigorous translation vividly illuminates a lost Iberian world. With full scholarly annotation and literary analysis.
This vivid portrait of everyday life in the medieval Arab world draws on thirteenth century miniatures from collections as far afield as St Petersburg and Istanbul. The wide range of topi covers every aspect of society in the 'Abbasid period, from life at court to the pomp and ceremony of the military, from the dispensing of justice to the bustle of the suq and slave market. The routine of village life is contrasted with the pleasures of urban society, and we are also introduced to the world of musicians and professional mourners. Women are shown not only as virtuous wives, and in childbirth, but as spirited and articulate individuals. The traditions of Arab hospitality are described, with scenes of drinking, feasting and etiquette. The author has illustrated her study with contemporary miniatures, principally those of al-Wasiti which accompany the celebrated Maqamat of al-Hariri. In his text, al-Hariri made no attempt to conceal his admiration for his unprincipled and thoroughly disreputable protagonist, Abu Zayd - who represents the voice of the common man and possibly provides a prototype for the popular picaresque heroes of later European literature. Al-Hariri frequently used the tales as a subtle and indirect way of satirizing the prevailing social order, yet he was insistent that his work had an underlying moral purpose. 'Guthrie's work is scholarly and her book is a mine of information on both basic and recondite features of Islamic society.' Robert Irwin, Times Literary Supplement 'Very lively and informative on a wide range of topi in medieval Islamic history. The book ... is eminently accessible to students and non-specialists, and is certainly one that merits close attention.' Medical History 'An essential read for Arabs and non-Arabs alike.' al-Hayat
