Mail Me Art
Mail Me Art

Author: Darren Di Leito

Publisher: Simon and Schuster

Published: 2009-02-03

Total Pages: 238

ISBN-13: 1440319448

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Art on a Journey It started with an idea Darren Di Lieto had: Challenge illustrators and designers to create works of art on packages, envelopes and postcards - then actually send them to him through the mail. The response was overwhelming, and Di Lieto posted photos of each piece of art on MailMeArt.com , so people the world over could follow the art on its journey from artist to post office to computer screen. The images are preserved in this book to inspire you as well. Inside, discover: 200 of the best pieces of mail art from the project, showcasing the variety and depth of the international illustration community. Interviews with 17 of the artists - including Jon Burgerman, Dan May, Kristian Olson, Michael Slack, Catalina Estrada and Jeff Miracola - that give insight into the work and the spirit of the project. Darren Di Lieto's firsthand experience of the challenges and joys of organizing this worldwide project, from storing the mail art to the daily anticipation of art in the mailbox. Mail Me Art began with an idea. It became a community. But it doesn't end there. Open this book, experience the array of mail art illustration, and become part of the journey.

Correspondence Art
Correspondence Art

Author: Michael Crane

Publisher:

Published: 1984

Total Pages: 548

ISBN-13:

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This long out-of-print anthology, edited by Mary Stofflet and Michael Crane and published in 1984, is the authoritative work on correspondence art. This anthology was compiled during the peak of correspondence art activity, with contributions from many of the medium's major players. Contributors: Ken Friedman, Dick Higgins, Ulises Carrion, Judith A. Hoffberg, Marily Ekdahl Ravicz, Jean-Marc Poinsot, Thomas Cassidy, Milan Knizak, Klaus Groh, Kenneth Coutts-Smith, Richard Craven, A.M. Fine, Tomas Schmit, Thomas Albright, Anna Banana, Andrzej Partum, Stephan Kukowski, Robert Reehfeldt, Steve Hitchcock, Edgardo-Antonio Vigo, Geoffrey Cook, Gaglione 1940-2040, C.E. Loeffler, Ken Friedman, Georg M. Gugelberger, James Warren Felter, and Peter Frank.

Griffin and Sabine
Griffin and Sabine

Author: Nick Bantock

Publisher: Chronicle Books

Published: 1991-08-01

Total Pages: 0

ISBN-13: 9780877017882

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Don't miss The Pharos Gate, the final volume in the Griffin & Sabine story. Published simultaneously with the 25th-anniversary edition of Griffin & Sabine, the book finally shares what happened to the lovers. Griffin: It's good to get in touch with you at last. Could I have one of your fish postcards? I think you were right—the wine glass has more impact than the cup. –Sabine But Griffin had never met a woman named Sabine. How did she know him? How did she know his artwork? Who is she? Thus begins the strange and intriguing correspondence of Griffin and Sabine. And since each letter must be pulled from its own envelope, the reader has the delightful, forbidden sensation of reading someone else's mail. Griffin & Sabine is like no other illustrated novel: appealing to the poet and artist in everyone and sure to inspire a renaissance in the fine art of letter-writing, it tells an extraordinary story in an extraordinary way.

Small Scale Subversion: Mail Art & Artistamps
Small Scale Subversion: Mail Art & Artistamps

Author: John Held Jr.

Publisher: Lulu.com

Published: 2015

Total Pages: 320

ISBN-13: 1329058054

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Although increasingly appreciated in fine art and stamp collecting circles, artist postage stamps, or artistamps, are more likely to be traded between the people who create them than they are to be exhibited in commercial art galleries or read about in philatelic journals. Artistamps are part and parcel of the grassroots network known as Mail Art, an alternative art of creative long-distance communication that intuited the demand for cross-cultural exchange long before the Internet. Although seemingly rigid, the postage stamp format allows flexible approaches in painting, watercolor, offset, photography, photocopy, rubber-stamping, engraving, digitization and sculpture.

Materials & Media in Art Therapy
Materials & Media in Art Therapy

Author: Catherine Hyland Moon

Publisher: Routledge

Published: 2011-01-19

Total Pages: 336

ISBN-13: 1135161631

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In art making, materials and media are the intermediaries between private ideas, thoughts and feelings, and their external manifestation in a tangible, sensual form. Thus, materials provide the core components of the exchange that occurs between art therapists and clients. This book focuses on the sensory-based, tangible vocabulary of materials and media and its relevance to art therapy. It provides a historical account of the theory and use of materials and media in art therapy, as well as an examination of the interface between art therapy, contemporary art materials and practices, and social/critical theory. Contributing authors provide examples of how art therapists have transgressed conventional material boundaries and expanded both thinking and practice in the field. The chapters discuss traditional as well as innovative media, such as body adornments, mail and video art, and comic books. An accompanying DVD contains media clips, as well as 69 color images.

Networked Art
Networked Art

Author: Craig J. Saper

Publisher: U of Minnesota Press

Published: 2001

Total Pages: 228

ISBN-13: 9781452905020

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The experimental art and poetry of the last half of the twentieth century offers a glimpse of the emerging networked culture that electronic devices will make omnipresent. Craig J. Saper demarcates this new genre of networked art, which uses the trappings of bureaucratic systems - money, logos, corporate names, stamps - to create intimate situations among the participants. Saper explains how this genre developed from post-World War II conceptual art, including periodicals as artworks in themselves; lettrist, concrete, and process poetry; Bauhaus versus COBRA; Fluxus publications, kits, and machines; mail art and on-sendings. The encyclopedic scope of the book includes discussions of artists from J. Beuys to J. S. G. Boggs, and Bauhaus's Max Bill to Anna Freud Banana. -- Publisher.

Conceptualism in Latin American Art
Conceptualism in Latin American Art

Author: Luis Camnitzer

Publisher: University of Texas Press

Published: 2007-07-01

Total Pages: 368

ISBN-13: 9780292716292

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Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well as the commercialization of art. Latin American artists turned to conceptualism as a vehicle for radically questioning the very nature of art itself, as well as art's role in responding to societal needs and crises in conjunction with politics, poetry, and pedagogy. Because of this distinctive agenda, Latin American conceptualism must be viewed and understood in its own right, not as a derivative of Euroamerican models. In this book, one of Latin America's foremost conceptualist artists, Luis Camnitzer, offers a firsthand account of conceptualism in Latin American art. Placing the evolution of conceptualism within the history Latin America, he explores conceptualism as a strategy, rather than a style, in Latin American culture. He shows how the roots of conceptualism reach back to the early nineteenth century in the work of Símon Rodríguez, Símon Bolívar's tutor. Camnitzer then follows conceptualism to the point where art crossed into politics, as with the Argentinian group Tucumán arde in 1968, and where politics crossed into art, as with the Tupamaro movement in Uruguay during the 1960s and early 1970s. Camnitzer concludes by investigating how, after 1970, conceptualist manifestations returned to the fold of more conventional art and describes some of the consequences that followed when art evolved from being a political tool to become what is known as "political art."

Networking
Networking

Author: Tatiana Bazzichelli

Publisher: BoD – Books on Demand

Published: 2009-02

Total Pages: 338

ISBN-13: 8791810086

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Networking means to create nets of relations, where the publisher and the reader, the artist and the audience, act on the same level. The book is a first tentative reconstruction of the history of artistic networking in Italy, through an analysis of media and art projects which during the past twenty years have given way to a creative, shared and aware use of technologies, from video to computers, contributing to the creation of Italian hacker communities. The Italian network proposes a form of critical information, disseminated through independent and collective projects where the idea of freedom of expression is a central theme. In Italy, thanks to the alternative use of Internet, during the past twenty years a vast national network of people who share political, cultural and artistic views has been formed. The book describes the evolution of the Italian hacktivism and net culture from the 1980s till today. It builds a reflection on the new role of the artist and author who becomes a networker, operating in collective nets, reconnecting to Neoavant-garde practices of the 1960s (first and foremost Fluxus), but also Mail Art, Neoism and Luther Blissett. A path which began in BBSes, alternative web platforms spread in Italy through the 1980s even before the Internet even existed, and then moved on to Hackmeetings, to Telestreet and networking art by different artists such as 0100101110101101.ORG, [epidemiC], Jaromil, Giacomo Verde, Giovanotti Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi, Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca, Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many others.