Magnetic Recording
Magnetic Recording

Author: Eric D. Daniel

Publisher: John Wiley & Sons

Published: 1998-08-31

Total Pages: 364

ISBN-13: 9780780347090

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"The first magnetic recording device was demonstrated and patentedby the Danish inventor Valdemar Poulsen in 1898. Poulsen made amagnetic recording of his voice on a length of piano wire. MAGNETICRECORDING traces the development of the watershed products and thetechnical breakthroughs in magnetic recording that took placeduring the century from Paulsen's experiment to today's ubiquitousaudio, video, and data recording technologies including taperecorders, video cassette recorders, and computer harddrives. An international author team brings a unique perspective, drawnfrom professional experience, to the history of magnetic recordingapplications. Their key insights shed light on how magneticrecording triumphed over all competing technologies andrevolutionized the music, radio, television and computerindustries. They also show how these developments offeropportunities for applications in the future. MAGNETIC RECORDING features 116 illustrations, including 92photographs of historic magnetic recording machines and theirinventors." Sponsored by: IEEE Magnetics Society

Sound Recording
Sound Recording

Author: David Morton

Publisher: JHU Press

Published: 2006-03-10

Total Pages: 236

ISBN-13: 9780801883989

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How did one of the great inventions of the nineteenth century—Thomas Edison's phonograph—eventually lead to one of the most culturally and economically significant technologies of the twentieth and twenty-first centuries? Sound Recording traces the history of the business boom and the cultural revolution that Edison's invention made possible. Recorded sound has pervaded nearly every facet of modern life—not just popular music, but also mundane office dictation machines, radio and television programs, and even telephone answering machines. Just as styles of music have evolved, so too have the formats through which sound has been captured—from 78s to LPs, LPs to cassette tapes, tapes to CDs, and on to electronic formats. The quest for better sound has certainly driven technological change, but according to David L. Morton, so have business strategies, patent battles, and a host of other factors.

The Soundtrack of My Life
The Soundtrack of My Life

Author: Clive Davis

Publisher: Simon and Schuster

Published: 2013-02-19

Total Pages: 585

ISBN-13: 1476714789

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The chief creative officer of Sony Music presents a candid assessment of his life and the past half-century of popular music from an insider's perspective, tracing his work with a wide array of stars and personalities.

Magnetic Tape Storage and Handling
Magnetic Tape Storage and Handling

Author: John William Chapman Van Bogart

Publisher: Washington, D.C. : Commission on Preservation and Access

Published: 1995

Total Pages: 44

ISBN-13:

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This document provides a guide on how to properly store and care for magnetic media to maximize their life expectancies. An introduction compares magnetic media to paper and film and outlines the scope of the report. The second section discusses things that can go wrong with magnetic media. Binder degradation, magnetic particle instabilities, substrate deformation, magnetic tape recorders; and format issues are highlighted in this section. The third and fourth sections cover preventing information loss with multiple tape copies, costs, and how long magnetic media will last. In the fifth section, care and handling, storage conditions and standards, and refreshing of tapes are described for preventing magnetic tape from degrading prematurely. An appendix provides the Ampex Guide to the Care and Handling of Magnetic Tape, an estimation of life expectancies, sources for further reading, resources for transfer and restoration of video and audio tape, and a glossary. (AEF)

Perfecting Sound Forever
Perfecting Sound Forever

Author: Greg Milner

Publisher: Farrar, Straus and Giroux

Published: 2009-06-09

Total Pages: 566

ISBN-13: 1429957158

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In 1915, Thomas Edison proclaimed that he could record a live performance and reproduce it perfectly, shocking audiences who found themselves unable to tell whether what they were hearing was an Edison Diamond Disc or a flesh-and-blood musician. Today, the equation is reversed. Whereas Edison proposed that a real performance could be rebuilt with absolute perfection, Pro Tools and digital samplers now allow musicians and engineers to create the illusion of performances that never were. In between lies a century of sonic exploration into the balance between the real and the represented. Tracing the contours of this history, Greg Milner takes us through the major breakthroughs and glorious failures in the art and science of recording. An American soldier monitoring Nazi radio transmissions stumbles onto the open yet revolutionary secret of magnetic tape. Japanese and Dutch researchers build a first-generation digital audio format and watch as their "compact disc" is marketed by the music industry as the second coming of Edison yet derided as heretical by analog loyalists. The music world becomes addicted to volume in the nineties and fights a self-defeating "loudness war" to get its fix. From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner's Perfecting Sound Forever pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or should it improve upon or somehow transcend the music it records? The answers he uncovers will change the very way we think about music.