Mechanics are defined as a branch of physical science that deals with energy and forces and their effect on things in the universe. This book presents mechanics of magick based on their consistency in practice across the majority of magickal systems of thought and their effectiveness in creating changes in one's reality. Thorough explanations of each mechanic are followed by scientific knowledge, anecdotes and examples to illustrate each mechanic's efficacy and why they apply to all paths of magickal practice.
When it comes to images, we are all animists. Deep down, we all know that images can – at least potentially – be alive or come to life. Nowadays, we may tend to rationalize our ingrained animism and explain it away as a mere projection only happening in the space between image and viewer. In the Middle Ages, however, imagery made enthusiastic use of magical, miraculous and mechanical means of animation, empowered and ensouled by both natural and supernatural principles of life. This animist book investigates magic, miracles and mechanics as motors of animation and seeks to understand the living image in solidarity with medieval experience rather than dismissive alienation of it. Effigies did bleed, weep or lactate, either through divine intervention or through hydraulic machinery. Statues did move or speak, either as demonic oracles or as talking heads with implanted speaking tubes. Marvels made by magic or by miracles were real, as real as the wonders of physical mechanics moving bodily matter. We just need to look and listen more carefully to comprehend these fluid realities, even when – especially when – they challenge our received worldview. Animation was by no means uncontested or uncontradicted, but even its stiffest critics knew that gods and demons could intervene in inanimate matter to set it in motion, to speak in tongues and exude the liquids of life.
This volume contains a series of provocative essays that explore expressions of magic and ritual power in the ancient world. The essays are authored by leading scholars in the fields of Egyptology, ancient Near Eastern studies, the Hebrew Bible, Judaica, classical Greek and Roman studies, early Christianity and patristics, and Coptic and Islamic Egypt. The strength of the present volume lies in the breadth of scholarly approaches represented. The book begins with several papyrological studies presenting important new texts in Greek and Coptic, continuing with essays focusing on taxonomy and definition. The concluding essays apply contemporary theories to analyses of specific test cases in a broad variety of ancient Mediterranean cultures.
This book began with a simple question: when readers such as us encounter the term magic or figures of magicians in early modern texts, dramatic or otherwise, how do we read them? In the twenty-first century we have recourse to an array of genres and vocabulary from magical realism to fantasy fiction that does not, however, work to read a historical figure like John Dee or a fictional one he inspired in Shakespeare's Prospero. Between longings to transcend human limitation and the actual work of producing, translating, and organizing knowledge, figures such as Dee invite us to re-examine our ways of reading magic only as metaphor. If not metaphor then what else? As we parse the term magic, it reveals a rich context of use that connects various aspects of social, cultural, religious, economic, legal and medical lives of the early moderns. Magic makes its presence felt not only as a forms of knowledge but in methods of knowing in the Renaissance. The arc of dramatists and texts that this book draws between Doctor Faustus, The Tempest, The Alchemist and Comus: A Masque at Ludlow Castle offers a sustained examination of the epistemologies of magic in the context of early modern knowledge formation. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka.
Now, get the eBook for free with a physical copy to celebrate the release of book 2!.I'm Drew Liam, a cultivator, a human being capable of crushing mountains and rerouting rivers with a flick of my fingers. But seriously though, I'm sitting on a mountain so far away from civilisation it might as well be the godforsaken arse of the world and these control freaks still won't leave me alone. I'm about to ascend and can't wait to leave this crapfest of a planet. Turns out, the powers-that-be decided that an unaffiliated rogue like me is too big of a risk to let run around free.So they sent all the sect-, organisation- and churchmasters, hidden Dao protectors and other bigshots my way to kill me. This failed, obviously. I managed to ascend in a glorious shower of divine power and ascend, after which someone else managed to bitch slap me to another dimension altogether, unfortunately.Long story short, I just woke up in a valley watching some critters murder each other while trying not to freak out about how bad it smells here. Soo... where the fuck am I? Why is that deer fighting a feathery squirrel? Why am I teaching this baby rabbit saved from a cannibalistic mother how to kick beings in the face with the power of qi? Fuck it, let's just kidnap some clueless kids and teach them the wonders of the supernatural power called qi, alright? Why not have them call me 'Teach' in the meantime? I secretly do enjoy causing pain in the name of education, after all. Come join Drew as he adventures across a rather primitive medieval, low magical fantasy planet while trying to regain his status as a cultivator who spits in the face of the heavens and the earth.
Whether a side-street skirmish or an all-out war, fight scenes bring action to the pages of every kind of fiction. But a poorly done or unbelievable fight scene can ruin a great book in an instant. In Fight Write you'll learn practical tips, terminology, and the science behind crafting realistic fight scenes for your fiction. Broken up into "Rounds," trained fighter and writer Carla Hoch guides you through the many factors you'll need to consider when developing battles and brawls. • In Round 1, you will consider how the Who, When, Where, and Why questions affect what type of fight scene you want to craft. • Round 2 delves into the human factors of biology (think fight or flight and adrenaline) and psychology (aggression and response to injuring or killing another person). • Round 3 explores different fighting styles that are appropriate for different situations: How would a character fight from a prone position versus being attacked in the street? What is the vocabulary used to describe these styles? • Round 4 considers weaponry and will guide you to select the best weapon for your characters, including nontraditional weapons of opportunity, while also thinking about the nitty-gritty details of using them. • In Round 5, you'll learn how to accurately describe realistic injuries sustained from the fights and certain weapons, and what kind of injuries will kill a character or render them unable to fight further. By taking into account where your character is in the world, when in history the fight is happening, what the character's motivation for fighting is, and much more, you'll be able write fight scenes unique to your plot and characters, all while satisfying your reader's discerning eye.
". . . [High Fantasy Magic] feels like the kind of thing that should have been in the Core rules - aspects for permissions, skills for actions, stunts for bonus stuff. Well done." - Christopher Dolunt (Author of Savage Worlds: Rippers) ". . . I like that it's a very light touch on the existing skills and action system. Very good from my perspective of not bolting on lots of extras." - Rory Bracebuckle (Author of Perilous Intersections) High Fantasy Magic is a simple, freeform magic system designed for Fate Core, Fate Condensed and Fate Accelerated. It is a drop-in magic system with a high fantasy tone that sticks closely to Fate Core and provides the same amount of flexibility in character creation and progression. There are no spell lists. Instead, the players can choose which types of magic they can use via a list of magic disciplines. Then, the players are encouraged to use the power they have in whatever creative ways they can think of. The freeform nature of this magic system allows for simple adjudication of the rules and a low barrier to entry. Whether you use it in its entirety or pick it apart as a toolkit, this is a great resource for magical, fantasy settings. High Fantasy Magic includes the following: - Simple rules to handle a wide variety of magical abilities - A list of magical disciplines - Tips for managing the varying potency of magic - Rules for animating creatures to your aid - Example stunts for magic users - Tons of examples
Witchcraft and Magic Contemporary North America Edited by Helen A. Berger Magic, always part of the occult underground in North America, has experienced a resurgence since the 1960s. Although most contemporary magical religions have come from abroad, they have found fertile ground in which to develop in North America. Who are today's believers in Witchcraft and how do they worship? Alternative spiritual paths have increased the ranks of followers dramatically, particularly among well-educated middle-class individuals. Witchcraft and Magic conveys the richness of magical religious experiences found in today's culture, covering the continent of North America and the Caribbean. These original essays survey current and historical issues pertinent to religions that incorporate magical or occult beliefs and practices, and they examine contemporary responses to these religions. The relationship between Witchcraft and Neopaganism is explored, as is their intersection with established groups practicing goddess worship. Recent years have seen the growth in New Age magic and Afro-Caribbean religions, and these developments are also addressed in this volume. All the religions covered offer adherents an alternative worldview and rituals that are aimed at helping individuals redefine themselves and make their interactions with the environment more empowered. Many modern occult religions share an absence of dogma or central authority to determine orthodoxy, and have become a contemporary experience embracing modern concerns like feminism, environmentalism, civil rights, and gay rights. Afro-Caribbean religions such as Santería, Palo, and Curanderismo, which do have a more developed dogma and authority structure, offer their followers a religion steeped in African and Hispanic traditions. Responses to the growth of magical religions have varied, from acceptance to an unfounded concern about the growth of a satanic underground. And, as magical religions have flourished, increased interest has resulted in a growing commercialization, with its threat of trivialization. Helen A. Berger is Professor of Sociology at West Chester University in Pennsylvania. 2005 216 pages 6 x 9 ISBN 978-0-8122-3877-8 Cloth $49.95s £32.50 ISBN 978-0-8122-1971-5 Paper $24.95s £16.50 ISBN 978-0-8122-0125-3 Ebook $24.95s £16.50 World Rights Anthropology, Religion Short copy: In original essays the book explores both religions that incorporate magical or occult beliefs and practices and contemporary responses to these religions in North America and the Caribbean.
This book presents twenty chapters by experts in their fields, providing a thorough and interdisciplinary overview of the theory and practice of magic in the West. Its chronological scope extends from the Ancient Near East to twenty-first-century North America; its objects of analysis range from Persian curse tablets to US neo-paganism. For comparative purposes, the volume includes chapters on developments in the Jewish and Muslim worlds, evaluated not simply for what they contributed at various points to European notions of magic, but also as models of alternative development in ancient Mediterranean legacy. Similarly, the volume highlights the transformative and challenging encounters of Europeans with non-Europeans, regarding the practice of magic in both early modern colonization and more recent decolonization.
Popular Mechanics inspires, instructs and influences readers to help them master the modern world. Whether it’s practical DIY home-improvement tips, gadgets and digital technology, information on the newest cars or the latest breakthroughs in science -- PM is the ultimate guide to our high-tech lifestyle.
