Magic and Natural Science in German Baroque Literature

Magic and Natural Science in German Baroque Literature

Author: Frederick Herbert Wagman

Publisher:

Published: 1942

Total Pages: 176

ISBN-13: 9780231885928

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Looks at the attitude toward the natural sciences expressed in German Baroque prose to indicate to what extent the German intellectual laity of the 17th century had been influenced by scientific advances.


The Uses of Curiosity in Early Modern France and Germany

The Uses of Curiosity in Early Modern France and Germany

Author: Neil Kenny

Publisher: OUP Oxford

Published: 2004-07-08

Total Pages: 516

ISBN-13: 9780191556586

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Why did people argue about curiosity in France, Germany, and elsewhere in Europe between the sixteenth and the eighteenth centuries, so much more than today? Why was curiosity a fashionable topic in early modern conduct manuals, university dissertations, scientific treatises, sermons, newspapers, novellas, plays, operas, ballets, poems, from Corneille to Diderot, from Johann Valentin Andreae to Gottlieb Spizel? Universities, churches, and other institutions invoked curiosity in order to regulate knowledge or behaviour, to establish who should try to know or do what, and under what circumstances. As well as investigating a crucial episode in the history of knowledge, this study makes a distinctive contribution to historiographical debates about the nature of 'concepts'. Curiosity was constantly reshaped by the uses of it. And yet, strangely, however much people contested what curiosity was, they often agreed that what they were disagreeing about was one and the same thing.


The Realities of Witchcraft and Popular Magic in Early Modern Europe

The Realities of Witchcraft and Popular Magic in Early Modern Europe

Author: E. Bever

Publisher: Springer

Published: 2008-06-11

Total Pages: 643

ISBN-13: 0230582117

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Exploring the elements of reality in early modern witchcraft and popular magic, through a combination of detailed archival research and broad-ranging interdisciplinary analyses, this book complements and challenges existing scholarship, and offers unique insights into this murky aspect of early modern history.


The Refracted Muse

The Refracted Muse

Author: Enrique García Santo-Tomás

Publisher: University of Chicago Press

Published: 2017-08-08

Total Pages: 325

ISBN-13: 022646587X

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Galileo never set foot on the Iberian Peninsula, yet, as Enrique García Santo-Tomás unfolds in The Refracted Muse, the news of his work with telescopes brought him to surprising prominence—not just among Spaniards working in the developing science of optometry but among creative writers as well. While Spain is often thought to have taken little notice of the Scientific Revolution, García Santo-Tomás tells a different story, one that reveals Golden Age Spanish literature to be in close dialogue with the New Science. Drawing on the work of writers such as Cervantes, Lope de Vega, Calderón de la Barca, and Quevedo, he helps us trace the influence of science and discovery on the rapidly developing and highly playful genre of the novel. Indeed, García Santo-Tomás makes a strong case that the rise of the novel cannot be fully understood without taking into account its relationship to the scientific discoveries of the period.


Allegory

Allegory

Author: Angus Fletcher

Publisher: Princeton University Press

Published: 2021-06-08

Total Pages: 537

ISBN-13: 1400842042

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Anyone who has ever said one thing and meant another has spoken in the mode of allegory. The allegorical expression of ideas pervades literature, art, music, religion, politics, business, and advertising. But how does allegory really work and how should we understand it? For more than forty years, Angus Fletcher's classic book has provided an answer that is still unsurpassed for its comprehensiveness, brilliance, and eloquence. With a preface by Harold Bloom and a substantial new afterword by the author, this edition reintroduces this essential text to a new generation of students and scholars of literature and art. Allegory puts forward a basic theory of allegory as a symbolic mode, shows how it expresses fundamental emotional and cognitive drives, and relates it to a wide variety of aesthetic devices. Revealing the immense richness of the allegorical tradition, the book demonstrates how allegory works in literature and art, as well as everyday speech, sales pitches, and religious and political appeals. In his new afterword, Fletcher documents the rise of a disturbing new type of allegory--allegory without ideas.