Magic and Memory in Giordano Bruno

Magic and Memory in Giordano Bruno

Author: Manuel Mertens

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9789004358928

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Manuel Mertens guides the reader through Bruno's mnemonic palaces, and shows how these fascinating intellectual constructions of the famous heretic philosopher can be called magical.


Magic and Memory in Giordano Bruno

Magic and Memory in Giordano Bruno

Author: Manuel Mertens

Publisher: BRILL

Published: 2018-06-12

Total Pages: 263

ISBN-13: 9004372679

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In Magic and Memory in Giordano Bruno Manuel Mertens unravels the enigmatic knot between the mnemonic treatises and the magical writings of the sixteenth-century Italian philosopher Giordano Bruno. Since long the magical orientation of the Brunian art of memory has been a preoccupation for Bruno scholars (like Paolo Rossi, Frances Yates and Rita Sturlese). This serious study of the philosophical underpinnings of both Bruno’s mnemonic treatises and his writings on magic shows that Bruno believed his mnemonic method could prevent demons from corrupting the cognitive process. Mertens’s focus on Bruno’s idea of deification through memory and the philosopher’s view on fiery heroic spirits points to a surprisingly literal reading of the heretic’s last words.


On Magic

On Magic

Author: Scott Gosnell

Publisher: Createspace Independent Publishing Platform

Published: 2018-09-30

Total Pages: 292

ISBN-13: 9781981826360

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Published only posthumously, Giordano Bruno


Giordano Bruno

Giordano Bruno

Author: Ingrid D. Rowland

Publisher: Farrar, Straus and Giroux

Published: 2016-04-26

Total Pages: 352

ISBN-13: 1466895845

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Giordano Bruno is one of the great figures of early modern Europe, and one of the least understood. Ingrid D. Rowland's pathbreaking life of Bruno establishes him once and for all as a peer of Erasmus, Shakespeare, and Galileo, a thinker whose vision of the world prefigures ours. By the time Bruno was burned at the stake as a heretic in 1600 on Rome's Campo dei Fiori, he had taught in Naples, Rome, Venice, Geneva, France, England, Germany, and the "magic Prague" of Emperor Rudolph II. His powers of memory and his provocative ideas about the infinity of the universe had attracted the attention of the pope, Queen Elizabeth—and the Inquisition, which condemned him to death in Rome as part of a yearlong jubilee. Writing with great verve and sympathy for her protagonist, Rowland traces Bruno's wanderings through a sixteenth-century Europe where every certainty of religion and philosophy had been called into question and shows him valiantly defending his ideas (and his right to maintain them) to the very end. An incisive, independent thinker just when natural philosophy was transformed into modern science, he was also a writer of sublime talent. His eloquence and his courage inspired thinkers across Europe, finding expression in the work of Shakespeare and Galileo. Giordano Bruno allows us to encounter a legendary European figure as if for the first time.


The Art of Memory

The Art of Memory

Author: Frances A Yates

Publisher: Random House

Published: 2011-10-31

Total Pages: 474

ISBN-13: 1448104130

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This unique and brilliant book is a history of human knowledge. Before the invention of printing, a trained memory was of vital importance. Based on a technique of impressing 'places' and 'images' on the mind, the ancient Greeks created an elaborate memory system which in turn was inherited by the Romans and passed into the European tradition, to be revived, in occult form, during the Renaissance. Frances Yates sheds light on Dante’s Divine Comedy, the form of the Shakespearian theatre and the history of ancient architecture; The Art of Memory is an invaluable contribution to aesthetics and psychology, and to the history of philosophy, of science and of literature.


Essays on Giordano Bruno

Essays on Giordano Bruno

Author: Hilary Gatti

Publisher: Princeton University Press

Published: 2010-10-18

Total Pages: 377

ISBN-13: 140083693X

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This book gathers wide-ranging essays on the Italian Renaissance philosopher and cosmologist Giordano Bruno by one of the world's leading authorities on his work and life. Many of these essays were originally written in Italian and appear here in English for the first time. Bruno (1548-1600) is principally famous as a proponent of heliocentrism, the infinity of the universe, and the plurality of worlds. But his work spanned the sciences and humanities, sometimes touching the borders of the occult, and Hilary Gatti's essays richly reflect this diversity. The book is divided into sections that address three broad subjects: the relationship between Bruno and the new science, the history of his reception in English culture, and the principal characteristics of his natural philosophy. A final essay examines why this advocate of a "tranquil universal philosophy" ended up being burned at the stake as a heretic by the Roman Inquisition. While the essays take many different approaches, they are united by a number of assumptions: that, although well versed in magic, Bruno cannot be defined primarily as a Renaissance Magus; that his aim was to articulate a new philosophy of nature; and that his thought, while based on ancient and medieval sources, represented a radical rupture with the philosophical schools of the past, helping forge a path toward a new modernity.


Thirty Statues

Thirty Statues

Author: Scott Gosnell

Publisher: Independently Published

Published: 2019-06-19

Total Pages: 260

ISBN-13: 9781074966355

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Written in 1591 and published posthumously, Bruno's Lamps of the Thirty Statues presents an advanced example of the memory palace technique, He presents a periodic table or encyclopedia of classical philosophy, representing thirty abstract ideas through images taken from Ovid's Metamorphoses. These images are then given attributes which can be combined and manipulated to address fundamental arguments and isues of philosophical interest. At the same time, he develops a theogony and a categorization scheme for substances and concepts through the framework of the scale of nature and the scale of predicates or ideas. First English Translation.


Giordano Bruno

Giordano Bruno

Author: Paul Richard Blum

Publisher: Brill

Published: 2012-01-01

Total Pages: 135

ISBN-13: 9401208298

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Giordano Bruno (1548-1600) was a philosopher in his own right. However, he was famous through the centuries due to his execution as a heretic. His pronouncements against teachings of the Catholic Church, his defence of the cosmology of Nicholas Copernicus, and his provocative personality, all this made him a paradigmatic figure of modernity. Bruno’s way of philosophizing is not looking for outright solutions but rather for the depth of the problems; he knows his predecessors and their strategies as well as their weaknesses, which he exposes satirically. This introduction helps to identify the original thought of Bruno who proudly said about himself: “Philosophy is my profession!” His major achievements concern the creativity of the human mind studied through the theory of memory, the infinity of the world, and the discovery of atomism for modernity. He never held a permanent office within or without the academic world. Therefore, the way of thinking of this “Knight Errant of Philosophy” will be presented along the stations of his journey through Western Europe.


The Concept of Contraction in Giordano Bruno's Philosophy

The Concept of Contraction in Giordano Bruno's Philosophy

Author: Leo Catana

Publisher: Routledge

Published: 2017-09-08

Total Pages: 360

ISBN-13: 1351892452

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Through the concept of contraction, Giordano Bruno (1548-1600) endeavoured to explain the relationship of God to his Creation in a way that conformed with his pantheistic view of nature as well as his heterodox view of man’s relationship to God. The concept of contraction is twofold. In the ontological sense it denotes the way in which the One, or God, descends to multiplicity. In the noetic sense it accounts for the ways in which the individual human soul ascends towards God through a reversed process of contemplation. Bruno denied the efficacy of the several psychical, psychological and medical states traditionally thought to aid contemplation and noetic ascent towards God. In his view the only means was philosophical contemplation, the use of memory being one important form. Philosophical contemplation elevated the mind from the fragmented multiplicity of sense impressions to an understanding of the principles governing the sensible world. This publication is the first book-length study dedicated to concept of contraction in Bruno’s philosophy. Moreover, it explores his sources for this concept. Traditionally Ficino’s translation of Plotinus, dating from the second half of the fifteenth century, has been seen as a key source to the Neoplatonism informing Bruno’s philosophy. In The Concept of Contraction in Giordano Bruno’s Philosophy another Neoplatonic source is considered, namely the pseudo-Aristotelian Liber de Causis (Book of causes), which has not yet been examined in the context of Renaissance Neoplatonism. This work, probably written in Arabic in the ninth century, was translated into Latin in the twelfth century and remained well known to many late Medieval and Renaissance philosophers. Catana argues that this work may have prepared for Ficino’s translation of Plotinus, and that in some instances it provided a common source to Renaissance philosophers, Bruno and Nicholas of Cusa (1401-1464) being conspicuous examples discussed in this book.


Eros and Magic in the Renaissance

Eros and Magic in the Renaissance

Author: Ioan P. Culianu

Publisher: University of Chicago Press

Published: 1987-11-15

Total Pages: 286

ISBN-13: 0226123162

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It is a widespread prejudice of modern, scientific society that "magic" is merely a ludicrous amalgam of recipes and methods derived from primitive and erroneous notions about nature. Eros and Magic in the Renaissance challenges this view, providing an in-depth scholarly explanation of the workings of magic and showing that magic continues to exist in an altered form even today. Renaissance magic, according to Ioan Couliano, was a scientifically plausible attempt to manipulate individuals and groups based on a knowledge of motivations, particularly erotic motivations. Its key principle was that everyone (and in a sense everything) could be influenced by appeal to sexual desire. In addition, the magician relied on a profound knowledge of the art of memory to manipulate the imaginations of his subjects. In these respects, Couliano suggests, magic is the precursor of the modern psychological and sociological sciences, and the magician is the distant ancestor of the psychoanalyst and the advertising and publicity agent. In the course of his study, Couliano examines in detail the ideas of such writers as Giordano Bruno, Marsilio Ficino, and Pico della Mirandola and illuminates many aspects of Renaissance culture, including heresy, medicine, astrology, alchemy, courtly love, the influence of classical mythology, and even the role of fashion in clothing. Just as science gives the present age its ruling myth, so magic gave a ruling myth to the Renaissance. Because magic relied upon the use of images, and images were repressed and banned in the Reformation and subsequent history, magic was replaced by exact science and modern technology and eventually forgotten. Couliano's remarkable scholarship helps us to recover much of its original significance and will interest a wide audience in the humanities and social sciences.