The sixth title in the Aotearoa series, For Matiu Douglas, apprentice tohunga, the ultimate test of his skill, courage and magical prowess awaits. Hine-nui-te-po, Goddess of Death, is calling and from all across Aotearoa, those who dream of power and immortality are gathering for the struggle. Mat and his friends must face old enemies and new as they seek to prevent the destruction of a city and the inexorable rise of evil. To succeed will bring immortality, power and the love of the goddess. To fail is to die, and doom the land. Return to Aotearoa, where past, present, myth and magic dwell together in one timeless, unforgettable place.
"Quickly! Climb a tree, the Taniwha has come out of the lake!" Not knowing what a Taniwha is and not wanting to find out, Justin scrambles up the nearest tree. Sometimes when Justin falls asleep holding the Makutu stone he's taken to another world with warring cannibal savages, Taniwha and Ngarara man-eating beasts and the deadly threat from an evil witchdoctor who wants the stone and Justin's blood! The stone has the power and magic to transport the chosen one, when he is 16 years old, back to another world 600 years in the past. Justin goes against his father's demands for secrecy telling his two mates about the stone, who then pressure him to try out the stone's magic even though they are only eleven. Justin reluctantly agrees and the three friends are transported back in time and look death in the eye. "Who or what is a Wuruhi...? After many perilous encounters the three friends try to get back home. Justin hopes the stone will get them back to their home in 2015?
The sixth title in the Aotearoa series, For Matiu Douglas, apprentice tohunga, the ultimate test of his skill, courage and magical prowess awaits. Hine-nui-te-po, Goddess of Death, is calling and from all across Aotearoa, those who dream of power and immortality are gathering for the struggle. Mat and his friends must face old enemies and new as they seek to prevent the destruction of a city and the inexorable rise of evil. to succeed will bring immortality, power and the love of the goddess. to fail is to die, and doom the land.Return to Aotearoa, where past, present, myth and magic dwell together in one timeless, unforgettable place.
The first comprehensive history of how Maori have emerged from the silence of depictions by European writers to claim their own literary voice, with a focus on Patricia Grace and Witi Ihimaera
The definitive history of how witchcraft and black magic have survived, through the modern era and into the present dayCursed Britain unveils the enduring power of witchcraft, curses and black magic in modern times. Few topics are so secretive or controversial. Yet, whether in the 1800s or the early 2000s, when disasters struck or personal misfortunes mounted, many Britons found themselves believing in things they had previously dismissed – dark supernatural forces.Historian Thomas Waters here explores the lives of cursed or bewitched people, along with the witches and witch-busters who helped and harmed them. Waters takes us on a fascinating journey from Scottish islands to the folklore-rich West Country, from the immense territories of the British Empire to metropolitan London. We learn why magic caters to deep-seated human needs but see how it can also be abused, and discover how witchcraft survives by evolving and changing. Along the way, we examine an array of remarkable beliefs and rituals, from traditional folk magic to diverse spiritualities originating in Africa and Asia.This is a tale of cynical quacks and sincere magical healers, depressed people and furious vigilantes, innocent victims and rogues who claimed to possess evil abilities. Their spellbinding stories raise important questions about the state’s role in regulating radical spiritualities, the fragility of secularism and the true nature of magic.
The fast-growing body of postcolonial drama is progressively gaining its just recognition in the twentieth-century canon of English-language plays. From the vantage point of various samplings along the Trans-Pacific axis linking English Canada, Australia and New Zealand, this monograph seeks to document the significance of this emerging postcolonial theater. More specifically, it examines the myriad ways in which, over the last two decades, representative mainstream, ethnic and First Nations playwrights have dramatized Europe's «Other» in its multiple guises. In their efforts to match new content with innovative form, these artists have followed transgressive itineraries, redrawing the boundaries of conventional Western stage realism. Their new aesthetics often relies on techniques akin to Homi Bhabha's notions of hybridity and mimicry. The present study offers detailed analyses of the modes of hybridization through which Judith Thompson, Louis Nowra, Tomson Highway, Jack Davis, Hone Kouka, and other prominent writers have articulated subtle forms of psychic, grotesque, and mythic magic realism. Their legacy will undoubtedly affect the postcolonial dramaturgies of the twenty-first century.
The Seven Wings of Witchcraft is a spiritual classic anchored on divine inspiration. It demystifies mysterious witchcraft operations that have placed many a Christian and a vast majority of people under the binding siege of the adversary, and cogently proffers potent deliverance only in the able hands of the Almighty God. In it are stark revelations that the devil is the ruler of this world (John 12: 31), that the world lies in his power (1 John 5:19), and that he is - in consort with his human agents - the inventor and custodian of malevolent entities and activities that have twisted the divine plan for humanity. The book is a fountain of spiritual truth, bringing an enthusiastic and didactic discovery that will improve the reader's walk with God. In a true blend of spiritual depth, insight and simplicity, the book gives accurate information about the weapons of the enemy on the saved ones, and recommends practical spiritual guides on how to conquer them.
