Ugandan Mary Tendo worked for many years in the white middle-class Henman household in London, cleaning for Vanessa and looking after her only child, Justin. More than ten years after Mary has left, Justin - now twenty-two - is too depressed to get out of bed. To his mother's surprise, he asks for Mary. When Mary responds to Vanessa's cry for help and returns from Uganda to look after Justin, the balance of power in the house shifts dramatically. Both women's lives change irrevocably as tensions build towards a climax on a snowbound motorway. 'Beautifully observed, intelligent and moving ... a carefully wrapped surprise that gets better and better with the unravelling.' The Scotsman 'A moving, funny, engrossing book.' The Observer 'Gee satirises the liberal conscience of the chattering classes with uncomfortable perception in this hugely enjoyable novel ... her portrayal of Britain's new underclass of immigrant workers is presented with her trademark stinging clarity.' Metro 'Maggie Gee is a superb and pitiless analyser of middleclass angst. Elegant, humorous and surprising, this is a classy performance.' The Times 'It's amazing how many details, characters, stories within stories, Maggie Gee's unquenchable exuberance crams into this comparatively short book.' The Spectator An intelligent and satisfying read.' The Sunday Times 'A masterful study in Africa/UK relations which manages to be supremely uncomfortable without being cynical, and clever without being calculating.' Big Issue 'The Flood was chillingly predictive. My Cleaner is a calmer, happier novel. Yet a gnawing tragedy lies in the shadows, all the more poignant for the deftness with which it's brushed aside.' The Independent
It's the middle of the twenty-first century, and the next Ice Age has suddenly sent global warming into reverse. Saul is one of the Ice People, the threatened peoples of the northern hemisphere, who, watching their world freeze over, try to move south towards the equator... 'Excellent ... intelligent, driven, imaginative, obsessive yet still gracious, one of our best ... Exciting stuff.' Fay Weldon 'Ambitious and subtle... She writes elegantly, unsentimentally, expertly... The Ice People works persuasively as science fiction, and is truthful about our emotional lives.' Independent 'Infused with poetic intensity ... this is a gripping fictional realisation of what we fear: the death of civilisation. Maggie Gee achieves her apocalyptic vision without the clank of hardware and intergalactic wars. Her detail is precise and controlled and her beautifully orchestrated whisper of redemption is rooted in eternal myth.' Elizabeth Buchan The Times 'An intriguing novel of ideas, fully fleshed out ... Classy science fiction.' Mail on Sunday 'A remarkable novel... up there with Orwell and Huxley.' Jeremy Paxman 'A gem of a book.' Rose Tremain 'A rattling good page-turning yarn.' George Melly 'A fantastic book' Mariella Frostrup
This volume addresses the current boom in biographical fictions across the globe, examining the ways in which gendered lives of the past become re-imagined as gendered narratives in fiction. Building on this research, this book is the first to address questions of gender in a sustained and systematic manner that is also sensitive to cultural and historical differences in both raw material and fictional reworking. It develops a critical lens through which to approach biofictions as ‘fictions of gender’, drawing on theories of biofiction and historical fiction, life-writing studies, feminist criticism, queer feminist readings, postcolonial studies, feminist art history, and trans studies. Attentive to various approaches to fictionalisation that reclaim, appropriate or re-invent their ‘raw material’, the volume assesses the critical, revisionist and deconstructive potential of biographical fictions while acknowledging the effects of cliché, gender norms and established narratives in many of the texts under investigation. The introduction of this book is available open access under a CC BY 4.0 license at link.springer.com Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Alfred White, a London park keeper, rules his home with a mixture of rigidity and tenderness that has estranged his three children. For years, Alfred's daughter Shirley and her black partner Elroy have avoided her comically ignorant younger brother Dirk, who admires his father and hates people of colour. But family ties are strong: when Alfred collapses on duty one day, all the children rush to be with him. The scene is set for bloodshed, forcing Alfred to make a climactic choice between justice and kinship. Exploring the roots of racism in British society, The White Family traces what happens when a family reaches breaking point after years of love and hate, violence and polite silence. This twentieth-anniversary edition includes an introduction by Bernardine Evaristo and a note from the author revealing the story behind this contemporary classic. SHORTLISTED FOR THE ORANGE PRIZE FOR FICTION AND THE INTERNATIONAL IMPAC DUBLIN LITERARY AWARD 'In this ground-breaking new novel, Maggie Gee bravely and uniquely explores the nuances of racism from the perspective of the perpetrators, within the context of family relationships. The resulting work is a brilliant depiction of British society at the end of the twentieth century.'-- Bernardine Evaristo, author of Girl, Woman, Other 'Outstanding ... tender, sexy and alarming.' -- Jim Crace 'Courageous, honest, powerfully real'-- The Times 'Gee is unflinching in her exploration of the causes and consequences of racism.'-- The Observer 'The White Family points to new directions in British writing. Full of power and passion as well as some timely warnings ... it deserves the widest possible readership.'-- Literary Review 'A transcendent work.'-- Daily Telegraph 'A triumph of hope over despair, reconciliation over bitterness ... an unashamedly contemporary novel that embraces the ideological and emotional chaos of our time.'-- The Independent 'An audacious, ground-breaking condition-of-England novel that delves for the roots of xenophobic hatred and violence in the English hearth ... The White Family is finely judged and compulsively readable. Its head-on scrutiny of the uglier face of fair Albion is the more impressive for its rarity in British fiction.'-- The Guardian
How do you become a writer, and why? Maggie Gee's journey starts a long way from the literary world in a small family in post-war Britain. At seventeen, Maggie goes, a lamb to the slaughter, to university. From the 1960s onwards she lives the defining events of her generation: the coming of the Pill and sexual freedom, tremors in the British layer-cake of class and race. In the 1980s, Maggie finally gets published, falls in love, marries and has a daughter -- but for the next three decades and beyond, she survives, and sometimes thrives, by writing. This frank, bold memoir dares to explore the big questions: success and failure, sex, death and parenthood -- our animal life. 'A wise and beautiful book about what it feels like to be alive -- I really loved it' Zadie Smith 'Exceptionally interesting and brave ... a wonderful book' Claire Tomalin 'A fine, honest, complex portrait of an artist's mind' Michele Roberts, Independent 'Every word strikes like a hammer on an anvil, throwing off sizzling sparks' Bidisha, The f word 'Anyone who yearns for that lost post-war Britain would do well to read this vivid, minutely observed memoir ...Gee has a sensuous eye for detail' Sinclair McKay, Telegraph 'It is a testament to Gee's skill with structure, her lightness of touch and her honesty, particularly about the most painful episodes, that she has fashioned this account of a fundamentally satisfying and happy writer's life into such a page-turner.' Melissa Benn, New Statesman 'Maggie Gee writes with such courage and wit. This is a vivid portrait of a woman finding her way through the maze of class ridden post war England, the 60's, feminism and how to be a mother and a writer.' Diana Melly 'Highly recommended for all aspiring writers' Bernardine Evaristo 'Observant, honest and sensitively-written...' Michael Holroyd 'Fresh and funny ... with a zest for living that bounces off the page...' Psychologies 'Sensitive, honest, courageous, stylish' The Times '[Gee's] utterly compelling on the rollercoaster of writing life, from early success to rock-bottom rejection. Often joyous; infinitely wise; passionate and poised, this is a book you'll want to sit in silence with and hug to yourself -- then start again.' Daily Mail
Presents the life and career of the Chinese American woman who dreamed of flying as a child and who went on to become one of only two Chinese American Women Airforce Service Pilots (WASPs) to serve during World War II.
Writings on the metropolis generally foreground illimitability, stressing thereby that the urban ultimately remains both illegible and unintelligible. Instead, the purpose of this interdisciplinary study is to demonstrate that mentality as a tool offers orientation in the urban realm. Nora Pleßke develops a model of urban mentality to be employed for cities worldwide. Against the background of the Spatial Turn, she identifies dominant urban-specific structures of London mentality in contemporary London novels, such as Monica Ali's »Brick Lane«, J.G. Ballard's »Millennium People«, Nick Hornby's »A Long Way Down«, and Ian McEwan's »Saturday«.