ccording to Scripture, humankind was created in the image of God. Hoekema discusses the implications of this theme, devoting several chapters to the biblical teaching on God's image, the teaching of philosophers and theologians through the ages, and his own theological analysis. Suitable for seminary-level anthropology courses, yet accessible to educated laypeople. Extensive bibliography, fully indexed.
Theologians and Old Testament scholars have been at odds with respect to the best interpretation of the imago Dei. Theologians have preferred substantialistic (e.g., image as soul or mind) or relational interpretations (e.g., image as relational personhood) and Old Testament scholars have preferred functional interpretations (e.g., image as kingly dominion). The disagreements revolve around a number of exegetical questions. How do we best read Genesis 1 in its literary, historical, and cultural contexts? How should it be read theologically? How should we read Genesis 1 as a canonical text? This book charts a path through these disagreements by offering a dogmatically coherent and exegetically sound canonical interpretation of the image of God. Peterson argues that the fundamental claim of Genesis 1:26–28 is that humanity is created to image God actively in the world. “Made in the image of God” is an identity claim. As such, it tells us about humanity’s relationship with God and the rest of creation, what humanity does in the world, and what humanity is to become. Understanding the imago Dei as human identity has the further advantage of illuminating humanity’s ontology. Canonically, knowledge of the contours and purpose of human existence develops alongside God’s self-revelation. Tracing this development, Peterson demonstrates the coherence of the OT and NT texts that refer to the image of God. In the NT, Jesus Christ is understood as the realization of God’s image in the world and therefore the fulfillment of the description of humanity’s identity in Genesis 1. In addition to its specific focus on resolving interdisciplinary tensions for Christian interpretation of the imago Dei, the argument of the book has important implications for ethics, the doctrine of sin, and the doctrine of revelation.
Misunderstandings about what it means for humans to be created in God's image have wreaked devastation throughout history -- for example, slavery in the U. S., genocide in Nazi Germany, and the demeaning of women everywhere. In Dignity and Destiny John Kilner explores what the Bible itself teaches about humanity being in God's image. He discusses in detail all of the biblical references to the image of God, interacts extensively with other work on the topic, and documents how misunderstandings of it have been so problematic. People made according to God's image, Kilner says, have a special connection with God and are intended to be a meaningful reflection of him. Because of sin, they don't actually reflect him very well, but Kilner shows why the popular idea that sin has damaged the image of God is mistaken. He also clarifies the biblical difference between being God's image (which Christ is) and being in God's image (which humans are). He explains how humanity's creation and renewal in God's image are central, respectively, to human dignity and destiny. Locating Christ at the center of what God's image means, Kilner charts a constructive way forward and reflects on the tremendously liberating impact that a sound understanding of the image of God can have in the world today.
It has never been more important to articulate the wonder and enchantment of the Christian message. Yet the traditional approaches of apologetics are often outmoded in an age of profound disenchantment and distraction, unable to meet this pressing need. This winsome apologetics book for a new generation makes the case that Christianity offers a compelling explanatory framework for making sense of our world. Pastor and writer Gavin Ortlund believes it is essential to appeal not only to the mind but also to the heart and the imagination as we articulate the beauty of the gospel. Why God Makes Sense in a World That Doesn't reimagines four classical theistic arguments--cosmological, teleological, moral, and Christological--making a cumulative case for God as the best framework for understanding the storied nature of reality. The book suggests that Christian theism can explain such things as the elegance of math, the beauty of music, and the value of love. It is suitable for use in classes yet accessibly written, making it a perfect resource for churches and small groups.
In this New Studies in Biblical Theology volume, Richard Lints argues that "idol" language in the Bible is a conceptual inversion of the "image" language of Genesis 1. He shows how the narrative of human identity runs from creation to fall to redemption in Christ, and examines the recent renaissance of interest in idolatry with its conceptual power to explain the "culture of desire."
Among Christian devotional works, My Utmost for His Highest stands head and shoulders above the rest, with more than 13 million copies sold. But most readers have no idea that Oswald Chambers's most famous work was not published until ten years after his death. The remarkable person behind its compilation and publication was his wife, Biddy. And her story of living her utmost for God's highest is one without parallel. Bestselling novelist Michelle Ule brings Biddy's story to life as she traces her upbringing in Victorian England to her experiences in a WWI YMCA camp in Egypt. Readers will marvel at this young woman's strength as she returns to post-war Britain a destitute widow with a toddler in tow. Refusing personal payment, Biddy proceeds to publish not just My Utmost for His Highest, but also 29 other books with her husband's name on the covers. All the while she raises a child alone, provides hospitality to a never-ending stream of visitors and missionaries, and nearly loses everything in the London Blitz during WWII. The inspiring story of a devoted woman ahead of her times will quickly become a favorite of those who love true stories of overcoming incredible odds, making a life out of nothing, and serving God's kingdom.
Who are you, really? In an uncertain world, we crave the security of knowing exactly who we are and where we belong. But too often as women, we try to find this safety in our roles and relationships, our professional accomplishments, or our picture-perfect homes. And as we do, our souls shrink smaller and smaller. It's because these things aren't made to hold us. In Made for More, Hannah Anderson invites you to re-imagine yourself, not simply as a set of roles and categories, but as a person destined to live in the fullness of God Himself. Starting with our first identity as image bearers, Hannah shows how Jesus Christ makes us people who can reflect His nature through our unique callings. She also explores how these deeper truths affect the practical realities that we face as women—how does being an image bearer shape our pursuit of education, our work, and even our desire for holistic lives? Because you are made in God’s image, you will only ever know yourself—only ever be yourself—as you find your identity in Him. Find it now.
The question "What is human nature?" is in vogue today. Like everything else, this concept is being deconstructed in the context of the reigning ideology of individualistic materialism. Is there a fixed human nature, or is this simply a manipulatable social construct with no objective reference? This book says: "Yes, there is: the imago Dei: man/woman created in the image of God." Hobson argues that this text from Genesis 1:26-28 is a God-given anthropological revelation that establishes the relational bond of human beings with their Creator and also with his creation, for which the imago equips us to be responsible stewards. Many of Hobson's essays were delivered as talks in parishes. They explore from multiple angles the import of the imago Dei for theological and sacramental reflection, apologetics, aesthetics, art, and, at a hands-on practical level, for pastoral counseling and inner healing. His texts, one of which opens with a discussion of genocide, contain incisive critiques of the dark side of modernity alongside wide-ranging demonstrations of the pertinence of the imago Dei to the current debates about human dignity and rights. His book is a ringing call to the church to take the measure of the value of this anthropological revelation for its proclamation of the gospel.
