Maciunas' Learning Machines

Maciunas' Learning Machines

Author: Astrit Schmidt-Burkhardt

Publisher: Springer

Published: 2011-06-29

Total Pages: 0

ISBN-13: 9783709104798

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The art of cross-linked thinking consists in facilitating dealing with complexity and admitting new insights. This approach, prevailing in all realms of knowledge, determines also the artistic praxis of Fluxus initiator George Maciunas. This book shows some hundred diagrams and maps related to history from antiquity to postmodernism; they serve to visualize artistic, political, and economic correlations. If it were up to Maciunas, there wouldn’t be any real concept of the past without percepts. With his maps, diagrams, and tables, a big part of which is published for the first time, he tries to draw a picture of history in a different way. The result seems fascinating both on a scientific and artistic level. It opens insights into eye-opening correlations between dates and facts as well as makes appear completely novel forms of knowledge transfer.


Maciunas' Learning Machines

Maciunas' Learning Machines

Author: George Maciunas

Publisher: Gilbert and Lila Silverman Fluxus Collection/V

Published: 2003

Total Pages: 136

ISBN-13:

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Below the level of the musical note lies the realm of microsound, of sound particleslasting less than one-tenth of a second. Recent technological advances allow us to probe andmanipulate these pinpoints of sound, dissolving the traditional building blocks of music -- notesand their intervals -- into a more fluid and supple medium. The sensations of point, pulse (seriesof points), line (tone), and surface (texture) emerge as particle density increases. Soundscoalesce, evaporate, and mutate into other sounds.Composers have used theories of microsound incomputer music since the 1950s. Distinguished practitioners include Karlheinz Stockhausen and IannisXenakis. Today, with the increased interest in computer and electronic music, many young composersand software synthesis developers are exploring its advantages. Covering all aspects of compositionwith sound particles, Microsound offers composition theory, historical accounts, technicaloverviews, acoustical experiments, descriptions of musical works, and aesthetic reflections. Thebook is accompanied by an audio CD of examples.


Mr. Fluxus

Mr. Fluxus

Author: Emmett Williams

Publisher: Thames & Hudson

Published: 1998

Total Pages: 352

ISBN-13: 9780500974612

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George Maciunas was the founder and leader of a radical and experimental art movement of the 1960s known as Fluxus--which rejected traditional high art to practice an extraordinary form of anti-art. Maciunas attempted to rule Fluxus in totalitarian fashion, yet he laughed at himself and called forth laughter in others. This biography reveals the story of an unorthodox, contradictory, and elusive genius. 107 illustrations.


Fluxus Experience

Fluxus Experience

Author: Hannah Higgins

Publisher: Univ of California Press

Published: 2002-12-12

Total Pages: 278

ISBN-13: 0520228677

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Hannah Higgins explores the influential art movement Fluxus. Daring, disparate and contentious, Fluxus artists worked with minimal and prosaic materials now familiar in post-World War II art. Higgins describes the experience of Fluxus for viewers as affirming transactions between the self and the world.


Art in the Age of the Internet

Art in the Age of the Internet

Author: Eva Respini

Publisher: Yale University Press

Published: 2018-01-01

Total Pages: 317

ISBN-13: 0300228252

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Art in the Age of the Internet, 1989 to Today is the first major thematic group exhibition in the United States to examine the radical impact of internet culture on visual art. Featuring 60 artists, collaborations, and collectives, the exhibition is comprised of over 70 works across a variety of mediums, including painting, performance, photography, sculpture, video, web-based projects, and virtual reality. The exhibition is divided into five sections that explore themes such as emergent ideas of the body and notions of human enhancement; the internet as a site of both surveillance and resistance; the circulation and control of images and information; the possibilities for exploring identity and community afforded by virtual domains; and new economies of visibility accelerated by social media. Throughout, the work in the exhibition addresses the internet-age democratization of culture that comprises our current moment. The earliest work in the exhibition is from 1989, the year that Tim Berners-Lee invented the World Wide Web. This development, and others that followed in quick succession, modernized the internet, and in the process radically changed our way of life--from how we access and generate information, make friends and share experiences, to how we imagine our future bodies and how nations police national security. 1989 also marked a watershed moment across the globe, with significant shifts in politics, geographies, and economies. Events such as the fall of the Berlin Wall and protests in Tiananmen Square signaled the beginning of our current globalized age, which cannot be imagined without the internet.


The Fluxus Reader

The Fluxus Reader

Author: Ken Friedman

Publisher:

Published: 1998-11-18

Total Pages: 328

ISBN-13:

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Part I. Three histories : Developing a fluxable forum: Early performance & publishing / Owen Smith -- Fluxus, fluxion, flushoe: the 1970's / Simon Anderson -- Fluxus fortuna / Hannah Higgins -- Part II. Theories of Fluxus: Boredom and oblivion / Ina Blon -- Zen vaudeville: a medi(t)ation in the margins of Fluxus / David T. Doris -- Fluxus as a laboratory / Craig Saper -- Part III. Critical and historical perspectives: Fluxus history and trans-history: competing strategies for empowerment / Estera Milman -- Historical design and social purpose: a note on the relationship of Fluxus to modernism / Stephen C. Foster -- A spirit of large goals: fluxus, dada and postmodern cultural theory at two speeds -- Part IV. Three Fluxus voices : Transcript of the videotaped Interview with George Maciunas -- Selections from an interview with Billie Maciunas / Susan L. Jarosi -- Maybe Fluxus (a para-interrogative guide for the neoteric transmuter, tinder, tinker and totalist) / Larry Miller -- Part V. Two Fluxus theories : Fluxus : theory and reception / Dick Higgins -- Fluxus and company / Ken Friedman -- Part. VI-- Documents of Fluxus : Fluxus chronology : key moments and events -- A list of selected Fluxus art works and related primary source materials -- A list of selected Fluxus sources and related secondary sources.


Maciunas' Learning Machines

Maciunas' Learning Machines

Author: Astrit Schmidt-Burkhardt

Publisher: Ambra

Published: 2011-05-20

Total Pages: 216

ISBN-13: 9783990433966

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This second edition of diagrammatic work by Fluxus founder George Maciunas is a fascinating insight into one of the 1960s' most colorful cultural movements and includes dozens of maps interpreting Russian history that show the scope of his lateral thinking.


Leo and His Circle

Leo and His Circle

Author: Annie Cohen-Solal

Publisher: Knopf

Published: 2010-05-18

Total Pages: 577

ISBN-13: 0307593045

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Leo Castelli reigned for decades as America’s most influential art dealer. Now Annie Cohen-Solal, author of the hugely acclaimed Sartre: A Life (“an intimate portrait of the man that possesses all the detail and resonance of fiction”—Michiko Kakutani, The New York Times), recounts his incalculably influential and astonishing life in Leo and His Circle. After emigrating to New York in 1941, Castelli would not open a gallery for sixteen years, when he had reached the age of fifty. But as the first to exhibit the then-unknown Jasper Johns, Castelli emerged as a tastemaker overnight and fast came to champion a virtual Who’s Who of twentieth-century masters: Rauschenberg, Lichtenstein, Warhol, and Twombly, to name a few. The secret of Leo’s success? Personal devotion to the artists, his “heroes”: by putting young talents on stipend and seeking placement in the ideal collection rather than with the top bidder, he transformed the way business was done, multiplying the capital, both cultural and financial, of those he represented. His enterprise, which by 1980 had expanded to an impressive network of satellite galleries in Europe and three locations in New York, thus became the unrivaled commercial institution in American art, producing a generation of acolytes, among them Mary Boone, Jeffrey Deitch, Larry Gagosian, and Tony Shafrazi. Leo and His Circle brilliantly narrates the course of one man’s power and influence. But Castelli had another secret, too: his life as an Italian Jew. Annie Cohen-Solal traces a family whose fortunes rose and fell for centuries before the Castellis fled European fascism. Never hidden but also never discussed, this experience would form the core of a guarded but magnetic character possessed of unfailing old-world charm and a refusal to look backward—traits that ensured Castelli’s visionary precedence in every major new movement from Pop to Conceptual and by which he fostered the worldwide enthusiasm for American contemporary art that is his greatest legacy. Drawing on her friendship with the subject, as well as an uncanny knack for archival excavation, Annie Cohen-Solal gives us in full the elegant, shrewd, irresistible, and enigmatic figure at the very center of postwar American art, bringing an utterly new understanding of its evolution.


Event Scores

Event Scores

Author: Alison Knowles

Publisher:

Published: 1992

Total Pages: 38

ISBN-13:

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"Event Scores, involve simple actions, ideas, and objects from everyday life recontexualized as performance. Event Scores are texts that can be seen as proposal pieces or instructions for actions. The idea of the score suggests musicality. Like a musical score, Event Scores can be realized by artists other than the original creator and are open to variation and interpretation."--Artist's website


Fluxus and the Essential Questions of Life

Fluxus and the Essential Questions of Life

Author: Hood Museum of Art

Publisher: University of Chicago Press

Published: 2011

Total Pages: 0

ISBN-13: 9780226033594

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Exhibition schedule: Hood Museum of Art, Dartmouth College: April 16-August 7, 2011; Grey Art Gallery, New York University: September 9-December 3, 2011; University of Michigan Museum of Art: February 25-May 20th, 2012.