Praise for the first edition: "Gutmann has done the hithertofore seemingly unthinkable. [A] wholly other vision of Mexican gender relations emerges."—José Limón, American Anthropologist "This book does for the study of men what two generations of feminist anthropologists have done for the study of women."—Lynn Stephen, author of Zapotec Women
Gay Macho presents the ethnography of this homosexual clone. Martin P. Levine, a pioneer of the sociological study of homosexuality, was among the first social scientists to map the emergence of a gay community and this new style of gay masculinity. Levine was a participant in as well as an observer of gay culture in the 1970s, and this perspective allowed him to capture the true flavor of what it was like to be a gay man before AIDS.
From a pioneer of modern U.S. Hispanic literature, and the New York Times bestselling author of Crazy Loco Love and Rain of Gold, comes a gripping, coming-of-age tale that exposes the intensity and sheer will of one brave young immigrant who crosses the Mexican border. Roberto Garcia is only seventeen, but he already has big dreams of making his fortune, building a family, and gaining the respect of his community. With ambition to burn and a passion to prove his manhood, Roberto takes the dangerous journey north, crossing the Mexican border to pick fruit in the “golden fields” of California. It is said that a good man can make more money there in a week than in an entire year in the mountains of Michoacán, his home. With dreams that overshadow harsh realities, Roberto is unprepared for the jammed boxcars and bolted trucks that carry undervalued migrant workers through the searing desert to long days of harsh labor. Raw, powerful, poetic, and heartbreaking, Macho! brings to life the brutality of migrant labor, Cesar Chavez’s efforts to unionize workers, and a vivid portrayal of the immigrant experience through the eyes of a brave young man who bids goodbye to everything he knows to follow his dreams.
A classic and controversial critique of sexism in the black nationalist movement, this “landmark black feminist text” is essential reading for those engaged in discussions about feminism and race politics (Ms.) Originally published in 1978, Black Macho and the Myth of the Superwoman caused a storm of controversy. Michele Wallace blasted the masculine biases of the black politics that emerged from the sixties. She described how women remained marginalized by the patriarchal culture of Black Power, demonstrating the ways in which a genuine female subjectivity was blocked by the traditional myths of black womanhood. With a foreword that examines the debate the book has sparked between intellectuals and political leaders, as well as what has—and, crucially, has not—changed over the last four decades, Black Macho and the Myth of the Superwoman continues to be deeply relevant to current feminist debates and black theory today.
From the Homeboy to the Latin Lover, America cherishes a host of images about Latino men, yet all are based on the belief in macho men, virile and brash, full of violence and testosterone. With the gender correctness of the 90s challenging all men to embrace a new masculinity, how do Latino men of today--grounded in the "macho" tradition -- define this new identity? From today's best-known, as well as emerging, Latino writers, poet and editor Ray Gonzalez has gathered personal essays written especially for Muy Macho on machismo and masculinity. The result is a rich and exciting collection of men talking about themselves, about other men, about their wives and lovers, about their fathers and their sons. In "Me Macho, You Jane," Dagoberto Gilb contrasts how he perceives himself with how others, particularly women, interpret his behavior, while in "Whores," Luis Alberto Urrea chronicles a rite of passage for many Latino men. Most insightful and moving are essays like "The Puerto Rican Dummy and the Merciful Son" by poet Martin Espada, which portray the fragile love between fathers and sons and the process by which men learn from and teach each other how to be men. Muy Macho contains photographs of all contributors, while Gonzalez illuminates the cultural context of Latino masculinity in his introduction. Emotionally honest and powerfully written, the voices of Muy Macho break the "cult of silence" between Latino men which prevents our culture from understanding the true nature of machismo.
Colorful, shaggy, and unkempt, misfits and outlaws, the 1993 Phillies played hard and partied hard. Led by Darren Daulton, John Kruk, Lenny Dykstra, and Mitch Williams, it was a team the fans loved and continue to love today. Focusing on six key members of the team, Macho Row follows the remarkable season with an up-close look at the players’ lives, the team’s triumphs and failures, and what made this group so unique and so successful. With a throwback mentality, the team adhered to baseball’s Code. Designed to preserve the moral fabric of the game, the Code’s unwritten rules formed the bedrock of this diehard team whose players paid homage and respect to the game at all times. Trusting one another and avoiding any notions of superstardom, they consistently rubbed the opposition the wrong way and didn’t care. William C. Kashatus pulls back the covers on this old-school band of brothers, depicting the highs and lows and their brash style while also digging into the suspected steroid use of players on the team. Macho Row is a story of winning and losing, success and failure, and the emotional highs and lows that accompany them.
The Vietnam War was over and America seemed in the midst of a nationwide party. The self-proclaimed Me generation was flocking to discotheques, recreational drug use was high, and sexual taboos were being shattered nationwide. Then The Village People appeared on the music scene. Never before had gay sexuality been as up-front and in the face of America. The Village People struck a cultural nerve and fueled a craze that had them playing to sold-out crowds at Madison Square Garden. Even today, few adults could not at least hum the tunes to Y.M.C.A. and Macho Man. Because of the unique role they played in the United States of the late 1970s, The Village People are able to provide a powerful lens through which to view the emergence and development of gay culture in America. In Macho Man, readers can travel back with one of the first gay icons in popular music, and a top pop culture biographer, as they describe this complicated process of change. In these pages, Randy Jones, the original cowboy in the band, takes us inside the time period, the discos, and the new musical style that was in many ways unprecedented in giving a voice to a previously closeted gay culture. Assisted by Mark Bego, one of the most popular and prolific pop culture authors working today, Jones shows how the fast-lane rise, fall, and rebirth of this novel band paralleled activities across the last 40 years within the gay culture and gay rights movement. The work concludes with a gayography — a listing of openly gay musicians and performers in the United States before and since The Village People - along with a discography and filmography. This work will interest pop culture and music enthusiasts, in addition to scholars in gay studies.
An ethnographic account of indigenous artisans in Nicaragua and the complex ways they have understood and constructed their own identity from the period of the Sandanistas to the present.
Quality research—uniquely enhanced by the author’s personal experience! In one of the first books to examine machismo from the perspective of Latin American and Latino men, Chris Girman relies on a compelling combination of ethnographic research and personal experience to explain how macho men—men like the author himself—regulate and sustain same-sex erotic encounters. Girman incorporates his own sexual experiences with a variety of Latin men into the book, infusing his writing with the unique perspective and vivid description that can only be related by someone who has lived the research he writes about. While most of the literature on Latin American male same-sex desire ignores the significance of the male body in its investigation, this book shows why it is essential to focus on the macho male body and re-evaluates so-called “machismo” to forge a more nuanced description of Latin American masculinity. Girman incorporates his own sexual experiences with a variety of Latin American men into the book, infusing his writing with the unique perspective and vivid descriptions that can only be related by someone who has lived the research he writes about. With this book, you’ll become familiar with various kinds of Latin-American homosexual behavior. Here’s a glimpse at what you’ll find inside: “Machismo, Practice Theorists, and Macho Performance” summarizes previous research on Latin American male [homo]sexuality and defines the author’s concept of machismo and Latin American masculinity. “Head, Hands, Balls, and Ass” shows why focusing on the body as living matter, rather than metaphor (as is done in so many other books on sexuality), is the ideal point of entry into the study of Latin American male [homo]sexuality and masculinity. This chapter focuses on specific regions of the macho body—head, hands, balls, and ass—to explain how machismo actually promotes, rather than denies, sexual encounters between men. It also shows the importance of the Latin American family as a variable that structures the manner and frequency in which [homo]sexual encounters occur. “The Dominican Tíguere and Hegemonic Masculinities” takes a specific look at a very peculiar form of hegemonic masculinity—relying on cunning more than strength to “come out on top”—that is indigenous to the Dominican Republic. This chapter also tells the stories of five of the author’s sexual encounters in that nation and discusses the tiguere style of masculine performance. “Desire in a Costa Rican Prison” analyzes the ways in which desire, power, and pleasure are constituted in the Latin American prison environment. “Historical Representations of Same-Sex Desire” examines two short stories—El Matadero (Esteban Echeverria) and Comienza el Desfile (Reinaldo Arenas), which highlight male eroticism as important concepts within discourses on national identity. Both stories conceptualize same-sex desire within specific historical moments and demonstrate how male [homo]sexuality emerges and represents itself not in contrast to the dominant discourse, but within that discourse itself. “Familiar, Familial Voices: Latino Men Speak Out” documents the voices of “gay-identified” Latino men living in Central Texas—men who have come to love other Latin, Black, and Anglo men in the context of very full lives. These men reveal their conceptions of identity, race, performance, resistance, family, pleasure, desire, masculinity, silence, and place. “Performing Matter[s]-Masculinity, the Male Body, and the Evocation of the [non]real” defies the notion that written representations can capture the lived realities of
A fully revised and updated edition to a classic bestseller, The Macho Paradox is the first book to show how violence against women is a men's issue—and how all genders can come together to stop it. From the #MeToo movement to current discussions about gender norms in schools, sports, politics, and media culture, The Macho Paradox incorporates the voices and experiences of the women, men, and others who have confronted the problem of gender violence from all angles. Bestselling author Jackson Katz is a pioneering educator and activist on the topic of men's violence against women. In this revised edition of his heralded book, Katz outlines the ways in which cultural ideas about "manhood" contribute to men's sexually harassing and abusive behaviors and that men have a positive role to play in challenging and changing the sexist cultural norms that too often lead to gender violence. This important book for abused women covers topics ranging from mental and emotional abuse to sexual harassment to domestic violence and is a vital read for women with controlling partners or as a self-help book for men. Praise for The Macho Paradox: "A candid look at the cultural factors that lend themselves to tolerance of abuse and violence against women."—Booklist "If only men would read Katz's book, it could serve as a potent form of male consciousness-raising."—Publishers Weekly "These pages will empower both men and women to end the scourge of male violence and abuse. Katz knows how to cut to the core of the issues, demonstrating undeniably that stopping the degradation of women should be every man's priority."—Lundy Bancroft, author of Why Does He Do That?: Inside the Minds of Angry and Controlling Men
