Lyrical Individualism
Lyrical Individualism

Author: Andre Colomer

Publisher: Columbia University Press

Published: 2024-06-18

Total Pages: 216

ISBN-13: 0231560605

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In the early twentieth century, André Colomer was perhaps the best-known figure in the anarchist movement. A poet, philosopher, activist, and public speaker, he was enmeshed in the Parisian political and artistic scene at a time of political and cultural revolution. Amid the avant-garde explosions of Cubism, futurism, and surrealism and the ferment of radical politics on left and right, Colomer became anarchism’s leading advocate. He galvanized the Parisian public through his agitational writing and organizing, as well as his involvement in a sensational murder case, while developing a distinctive philosophical account of anarchist individualism. Yet Colomer died in obscurity in Moscow, abandoned by his friends and comrades, and is scarcely known in the English-speaking world today. Lyrical Individualism presents a selection of Colomer’s crucial writings, with a focus on anarchist theory and the philosophy of Henri Bergson. It reveals the richness of Colomer’s philosophical work, particularly his creative engagement with Bergson, Max Stirner, and Friedrich Nietzsche to forge a novel anarchist ideology. Colomer’s writings not only offer valuable insights into interwar anarchism, they also present a distinctive philosophical vision that in many ways anticipates theories and debates animating radical political movements today. This book also showcases his acerbic and pugnacious political commentary on the turbulent events of the 1910s and 1920s. The first translation and publication of Colomer’s work since his untimely death in 1931, Lyrical Individualism allows a range of readers to discover this vital thinker.

The Lyrical and the Epic
The Lyrical and the Epic

Author: Jaroslav Průšek

Publisher:

Published: 1980

Total Pages: 296

ISBN-13:

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Examines 20th century (especially post-revolutionary) Chinese literature in reference to the traditions and continuity of classical Chinese literature. The method is of interest to both Sinologists and those interested in methods for critical study of comparative literature.

Political Dandyism in Literature and Art
Political Dandyism in Literature and Art

Author: Geertjan de Vugt

Publisher: Springer

Published: 2018-06-07

Total Pages: 250

ISBN-13: 3319908960

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This book traces a genealogy of political dandyism in literature. Dandies abstain from worldly affairs, and politics in particular. As an enigmatic figure, or a being of great eccentricity, it was the dandy that haunted the literary and cultural imagination of the nineteenth century. In fact, the dandy is often seen as a quintessential nineteenth-century figure. It was surprising, then, when at the beginning of the twenty-first century this figure returned from the past to an unexpected place: the very heart of European politics. Various so-called populist leaders were seen as political dandies. But how could that figure that was once known for its aversion towards politics all of a sudden become the protagonist of a new political paradigm? Or was the dandy perhaps always already part of a political imagination? This study charts the emergence of this political paradigm. From the dandy’s first appearance to his latest resurrection, from Charles Baudelaire to Jean-François Lyotard, from dandy-insects to a dandy-Christ, this book follows his various guises and disguises.

Lyrical Strains
Lyrical Strains

Author: Elissa Zellinger

Publisher: UNC Press Books

Published: 2020-10-07

Total Pages: 273

ISBN-13: 1469659824

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In this book, Elissa Zellinger analyzes both political philosophy and poetic theory in order to chronicle the consolidation of the modern lyric and the liberal subject across the long nineteenth century. In the nineteenth-century United States, both liberalism and lyric sought self-definition by practicing techniques of exclusion. Liberalism was a political philosophy whose supposed universals were limited to white men and created by omitting women, the enslaved, and Native peoples. The conventions of poetic reception only redoubled the sense that liberal selfhood defined its boundaries by refusing raced and gendered others. Yet Zellinger argues that it is precisely the poetics of the excluded that offer insights into the dynamic processes that came to form the modern liberal and lyric subjects. She examines poets—Frances Sargent Osgood, Elizabeth Oakes Smith, Frances Ellen Watkins Harper, Edna St. Vincent Millay, and E. Pauline Johnson—whose work uses lyric practices to contest the very assumptions about selfhood responsible for denying them the political and social freedoms enjoyed by full liberal subjects. In its consideration of politics and poetics, this project offers a new approach to genre and gender that will help shape the field of nineteenth-century American literary studies.

Lyric and Labour in the Romantic Tradition
Lyric and Labour in the Romantic Tradition

Author: Anne F. Janowitz

Publisher: Cambridge University Press

Published: 1998-08-06

Total Pages: 308

ISBN-13: 9780521572590

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Lyric and Labour in the Romantic Tradition, first published in 1998, examines the legacy of Romantic poetics in the poetry produced in political movements during the nineteenth century. It argues that a communitarian tradition of poetry extending from the 1790s to the 1890s learned from and incorporated elements of Romantic lyricism, and produced an ongoing and self-conscious tradition of radical poetics. Showing how romantic lyricism arose as an engagement between the forces of reason and custom, Anne Janowitz examines the ways in which this Romantic dialectic infected the writings of political poets from Thomas Spence to William Morris. The book includes new readings of familiar Romantic poets including Wordsworth and Shelley, and investigates the range of poetic genres in the 1790s. In the case studies which follow, it examines relatively unknown Chartist and Republican poets such as Ernest Jones and W. J. Linton, showing their affiliation to the Romantic tradition, and making the case for the persistence of Romantic problematics in radical political culture.

Uncensored
Uncensored

Author: Ann Komaromi

Publisher: Northwestern University Press

Published: 2015-06-30

Total Pages: 388

ISBN-13: 0810131242

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Literature that was self-published and informally circulated in the former Soviet Union in order to evade censorship, in addition to prosecution of its authors, came to be known as samizdat. Vasilii Aksenov, Andrei Bitov, and Venedikt Erofeev were among its most acclaimed practitioners. In her innovative study, Ann Komaromi uses their work to argue for a far more sophisticated understanding of the phenomenon of samizdat, showing how the material circumstances of its creation and dissemination exercised a profound influence on the very idea of dissidence. When a text comes to life as samizdat, it necessarily reconfigures the relationship between author and reader. Using archival research to fully illustrate samizdat’s social and historical context, Komaromi arrives at a more nuanced theoretical position that breaks down the opposition between the autonomous work of art and direct political engagement. The similarities between samizdat and digital culture give her formulation of dissident subjectivity particular contemporary relevance.

American Poetry since 1945
American Poetry since 1945

Author: Eleanor Spencer-Regan

Publisher: Bloomsbury Publishing

Published: 2017-09-16

Total Pages: 268

ISBN-13: 1137324473

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This book features a collection of essays on some of the key poets of post-war America, written by leading scholars in the field. All the essays have been newly commissioned to take account of the diverse movements in American poetry since 1945, and also to reflect, retrospectively, on some of the major talents that have shaped its development. In the aftermath of the Second World War, American poets took stock of their own tumultuous past but faced the future with radically new artistic ideals and commitments. More than ever before, American poetry spoke with its own distinctive accents and declared its own dreams and desires. This is the era of confessionalism, beat poetry, protest poetry, and avant-garde postmodernism. This book explores the work of John Berryman, Robert Lowell, Elizabeth Bishop, Adrienne Rich, and Sylvia Plath, as well as contemporary African American poets and new poetic voices emerging in the 21st century. This New Casebook introduces the major American poets of the post-war generation, evaluates their achievements in the light of changing critical opinion, and offers lively, incisive readings of some of the most challenging and enthralling poetry of the modern era.

Walking and the Aesthetics of Modernity
Walking and the Aesthetics of Modernity

Author: Klaus Benesch

Publisher: Springer

Published: 2016-08-31

Total Pages: 343

ISBN-13: 113760364X

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This book gathers together an array of international scholars, critics, and artists concerned with the issue of walking as a theme in modern literature, philosophy, and the arts. Covering a wide array of authors and media from eighteenth-century fiction writers and travelers to contemporary film, digital art, and artists’ books, the essays collected here take a broad literary and cultural approach to the art of walking, which has received considerable interest due to the burgeoning field of mobility studies. Contributors demonstrate how walking, far from constituting a simplistic, naïve, or transparent cultural script, allows for complex visions and reinterpretations of a human’s relation to modernity, introducing us to a world of many different and changing realities.

Lyric and Liberalism in the Age of American Empire
Lyric and Liberalism in the Age of American Empire

Author: Hugh Foley

Publisher: Oxford University Press

Published: 2022-09-14

Total Pages: 256

ISBN-13: 0192857096

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What is the difference between the 'I' of a poem--the lyric subject-- and the liberal subject of rights? Lyric and Liberalism in the Age of American Empire uses this question to re-examine the work of five major American poets, changing our understanding of their writing and the field of post-war American poetry. Through extended readings of the work of Elizabeth Bishop, Robert Lowell, Amiri Baraka, John Ashbery, and Jorie Graham, Hugh Foley shows how poets have imagined liberalism as a problem for poetry. Foley's book offers a new approach to ongoing debates about the nature of lyric by demonstrating the entanglement of ideas about the lyric poem with the development of twentieth-century liberal discussions of individuality. Arguing that the nature of American empire in this period--underpinned by the discourse of individual rights--forced poets to reckon with this entanglement, it demonstrates how this reckoning helped to shape poetry in the post-war period. By tracing the ways a lyric poem performs personhood, and the ways that this person can be distinguished from the individual envisioned by post-war liberalism, Foley shows how each poet stages a critique of liberalism from inside the standpoint of 'lyric'>. This book demonstrates the capacities of poetry for rethinking its own relation to history and politics, providing a new perspective on a vital era of American poetry.