Bibliographic Guide to Music

Bibliographic Guide to Music

Author: GK Hall

Publisher: G. K. Hall

Published: 2002-07

Total Pages: 598

ISBN-13: 9780783897196

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The holdings of the Music Division of the New York Public Library cover virtually all musical subjects; its scores represent a broad spectrum of musical style and history.


Lydia Mendoza's Life in Music / La Historia de Lydia Mendoza

Lydia Mendoza's Life in Music / La Historia de Lydia Mendoza

Author: Yolanda Broyles-Gonzalez

Publisher: Oxford University Press

Published: 2001-05-17

Total Pages: 274

ISBN-13: 9780195351996

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Lydia Mendoza began her legendary musical career as a child in the 1920s, singing for pennies and nickels on the streets of downtown San Antonio. She lived most of her adult life in Houston, Texas, where she was born. The life story of this Chicana icon encompasses a 60-year singing career that began with the dawn of the recording industry in the 1920s and continued well into the 1980s, ceasing only after she suffered a devastating stroke. Her status as a working-class idol continues to this day, making her one of the most prominent and long-standing performers in the history of the recording industry and a champion of Chicana/o music. This bilingual edition presents Lydia Mendoza's historia in an interview between the artist and Yolanda Broyles-González: first is the English translation, then the Spanish original, as told by Mendoza herself. Broyles-González concludes the volume with an extended essay on the significance of Mendoza's career and her place in Tejana music and Chicana studies. Known as a lone artist and performer, Lydia Mendoza's voice and twelve-string guitar-playing figure prominently in her ability to both nurture and transmit the vast oral tradition of popular Mexican song with beauty and integrity. She sang the songs of the people across generations in the old tradition; all are indigenous to the Americas, and many of them to Texas. It is the music that emerged from the experiences of native peoples (on both sides of the U.S.-Mexico border) within the colonial context of the nineteenth century. Mendoza's prominence and stature as a Chicana idol stems from her sustained presence and perpetual visibility within a complex network of social and cultural relations in the twentieth century. Along with being one of the earliest female recording and touring artists, she is loved as a voice of working-class sentimiento, sentiment and sentience, through song, which is one of the most cherished of Chicana/o cultural art forms. Through her vast repertoire and unmistakable interpretive skill in the shaping of songs she is a living embodiment of U.S.-Mexican culture and a participant in raza people's protracted struggles for survival.


Lydia Mendoza's Life in Music / La Historia de Lydia Mendoza:Norteno Tejano Legacies includes audio CD

Lydia Mendoza's Life in Music / La Historia de Lydia Mendoza:Norteno Tejano Legacies includes audio CD

Author: Yolanda Broyles-Gonzalez

Publisher: Oxford University Press, USA

Published: 2001-05-17

Total Pages: 256

ISBN-13: 9780195127065

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Lydia Mendoza began her legendary musical career as a child in the 1920s, singing for pennies and nickels on the streets of downtown San Antonio. She lived most of her adult life in Houston, Texas, where she was born. The life story of this Chicana icon encompasses a 60-year singing career that began with the dawn of the recording industry in the 1920s and continued well into the 1980s, ceasing only after she suffered a devastating stroke. Her status as a working-class idol continues to this day, making her one of the most prominent and long-standing performers in the history of the recording industry and a champion of Chicana/o music. This bilingual edition presents Lydia Mendoza's historia in an interview between the artist and Yolanda Broyles-Gonzalez: first is the English translation, then the Spanish original, as told by Mendoza herself. Broyles-Gonzalez concludes the volume with an extended essay on the significance of Mendoza's career and her place in Tejana music and Chicana studies.Known as a lone artist and performer, Lydia Mendoza's voice and twelve-string guitar-playing figure prominently in her ability to both nurture and transmit the vast oral tradition of popular Mexican song with beauty and integrity. She sang the songs of the people across generations in the old tradition; all are indigenous to the Americas, and many of them to Texas. It is the music that emerged from the experiences of native peoples (on both sides of the U.S.-Mexico border) within the colonial context of the nineteenth century.Mendoza's prominence and stature as a Chicana idol stems from her sustained presence and perpetual visibility within a complex network of social and cultural relations in the twentieth century. Along with being one of the earliest female recording and touring artists, she is loved as a voice of working-class sentimiento, sentiment and sentience, through song, which is one of the most cherished of Chicana/o cultural art forms. Through her vast repertoire and unmistakable interpretive skill in the shaping of songs she is a living embodiment of U.S.-Mexican culture and a participant in raza people's protracted struggles for survival.


Four Parts, No Waiting

Four Parts, No Waiting

Author: Gage Averill

Publisher: Oxford University Press

Published: 2003-02-20

Total Pages: 249

ISBN-13: 0195116720

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Investigates the role that vernacular, barbershop-style close harmony has played in American musical history, in American life, and in the American imagination. It critiques the myths that have surrounded the barbershop revival, but also celebrates the participatory spirit of the harmony.


Romani Routes

Romani Routes

Author: Carol Silverman

Publisher: Oxford University Press

Published: 2012-05-24

Total Pages: 437

ISBN-13: 0195300947

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Now that the political and economic plight of European Roma and the popularity of their music are objects of international attention, Romani Routes provides a timely and insightful view into Romani communities both in their home countries and in the diaspora. Over the past two decades, a steady stream of recordings, videos, feature films, festivals, and concerts has presented the music of Balkan Gypsies, or Roma, to Western audiences, who have greeted them with exceptional enthusiasm. Yet, as author Carol Silverman notes, Roma are revered as musicians and reviled as people. In this book, Silverman introduces readers to the people and cultures who produce this music, offering a sensitive and incisive analysis of how Romani musicians address the challenges of discrimination. Focusing on southeastern Europe then moving to the diaspora, her book examines the music within Romani communities, the lives and careers of outstanding musicians, and the marketing of music in the electronic media and "world music" concert circuit. Silverman touches on the way that the Roma exemplify many qualities -- adaptability, cultural hybridity, transnationalism--that are taken to characterize late modern experience. And rather than just celebrating these qualities, she presents the musicians as complicated, pragmatic individuals who work creatively within the many constraints that inform their lives.


Chicana Feminisms

Chicana Feminisms

Author: Gabriela F. Arredondo

Publisher: Duke University Press

Published: 2003-07-09

Total Pages: 410

ISBN-13: 9780822331414

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DIVAn anthology of original essays from Chicana feminists which explores the complexities of life experiences of the Chicanas, such as class, generation, sexual orientation, age, language use, etc./div